Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      Anton Pick, 1840 – 1905

      De 5 mest kjente maleriene av Anton Pick, rangert

      Det mest kjente maleriet av Anton Pick er River Landscape in Switzerland (1850). View of the Mondsee (1902) og The Tellskapelle on Lake Lucerne (1905) er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 5 verk av Anton Pick: her er de 5 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Anton Pick
      Anton Pick · 1840 – 1905
      Født · død
      1840 – 1905
      Verker i vår katalog
      5
      Mest kjente
      River Landscape in Switzerland (1850)

      Topp 10 Anton Pick-malerier: de mest kjente verkene

      Anton Picks mest elskede lerreter, år for år

      Anton Pick ved staffeliet gjennom 56 år, fra 1850 til 1905: de mest elskede maleriene fra hvert år, i kronologisk rekkefølge.

      1. 1850
      2. 1902
      3. 1905

      Om Anton Pick sine lerreter: dine spørsmål besvart

      Hva er det mest kjente maleriet av Anton Pick?Les svaret

      River Landscape in Switzerland (1850), etterfulgt av View of the Mondsee (1902) og The Tellskapelle on Lake Lucerne (1905).

      Hvor gammel var Anton Pick da River Landscape in Switzerland ble malt?Les svaret

      Anton Pick, født i 1840, var 10 år gammel: River Landscape in Switzerland er fra 1850.

      Hvor mange verk malte Anton Pick totalt?Les svaret

      5 verk av Anton Pick finnes i vår katalog, datert fra 1850 til 1905.

      Hvilke er Anton Picks tidligste og nyeste berømte malerier?Les svaret

      Det eldste lerretet her er fra River Landscape in Switzerland (1850); det nyeste er fra The Tellskapelle on Lake Lucerne (1905).

      Kan jeg kjøpe en reproduksjon av et lerret av Anton Pick?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Anton Pick: et liv i maling

      The Alpine Visionary

      The light shifts over the Austrian landscape, catching the ripples of a mountain lake. Anton Pick captures these fleeting moments through a lens of quiet observation. Born in 1840, his life is tied to the geography of Central Europe, a region defined by its dramatic peaks and serene waters. His brushwork seeks to translate the physical weight of the mountains and the transparency of the lakes into a visual language of light and shadow.

      His work often centers on the specificities of the Austrian terrain. He does not merely paint scenery; he documents the atmosphere of a place. Whether it is the stillness of a riverbed or the architectural presence of a castle hill, his focus remains on the intersection of nature and the human environment. The compositions often lead the eye through a sequence of natural layers, from the immediate foreground to the distant, hazy summits.

      Topographical Focus

      The artist's output is defined by a commitment to the specificities of the Alpine and lakeside regions. His subjects are not abstract concepts but tangible locations that demand a precise understanding of light and perspective. His catalog reveals a deep connection to several key sites:

      • The serene waters and surrounding peaks of Lake Lucerne, specifically the Tellskapelle.
      • The expansive views of the Mondsee.
      • The detailed river landscapes of Switzerland.
      • The summer light reflecting off the Wolfgangsee near Bad Ischl.

      This dedication to place creates a body of work that functions as a visual record of the 19th-century landscape. His technique relies on the ability to balance the heavy, solid forms of rock and architecture against the fluid, shifting qualities of water and sky.

      Legacy and Presence

      The final years of his life see a continued focus on these natural vistas. While some records suggest his passing occurred in 1902, others place his death in 1905. Regardless of the exact year, his influence remains tied to the tradition of landscape painting. His works, such as those depicting the Grundlsee with the Backenstein in the background, continue to find their way into collections and auctions, maintaining a presence in the market for Austrian landscape art.

      His paintings remain sought after for their ability to transport the viewer to a specific, quiet moment in the Austrian wilderness. They are studies in light, geography, and the enduring presence of the mountains.