Det mest kjente maleriet av Benjamin Raborg er Night Scene of Indian Tipi (1895), som henger i Smithsonian American Art Museum, Washington, D.C.. Vår katalog inneholder 1 verk av Benjamin Raborg: her er de 1 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Benjamin Raborg | Malerier fra denne listen |
|---|---|---|---|
| Washington, D.C. | 1 | Night Scene of Indian Tipi |
Hvert daterte lerret av Benjamin Raborg på denne siden ble malt i 1895; her er de, med de mest kjente først.
Night Scene of Indian Tipi (1895)
Benjamin Raborg, født i 1871, var 24 år gammel: Night Scene of Indian Tipi er fra 1895.
1 verk av Benjamin Raborg finnes i vår katalog.
Hovedsakelig i Smithsonian American Art Museum (Washington, D.C.); listen ovenfor navngir hvert museum og deres lerreter.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.