Forest Landscape with Bathing Children (1867) er maleriet Carl Ebert er mest kjent for; det tilhører Bavarian State Painting Collections, München. Evening Landscape (1875) og Landscape society in a park fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 5 verk av Carl Ebert. Her er de 5 mest kjente, med årstall, museum og historien bak hvert lerret.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Carl Ebert | Malerier fra denne listen |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Omtrent et tiår ved staffeliet, fra 1867 til 1875: Carl Eberts daterte lerreter, år etter år.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Evening Landscape (1875) og Landscape society in a park følger.
Carl Ebert, født i 1821, var 46 år gammel: Forest Landscape with Bathing Children er fra 1867.
5 verk av Carl Ebert finnes i vår katalog, datert fra 1867 til 1875.
Hovedsakelig i Bavarian State Painting Collections (München) og Lenbachhaus (München); listen ovenfor navngir hvert museum og deres lerreter.
Det eldste lerretet her er fra Forest Landscape with Bathing Children (1867); det nyeste er fra Evening Landscape (1875).
Bavarian State Painting Collections, München har 2 av verkene på denne siden, inkludert Forest Landscape with Bathing Children og Evening Landscape.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.