Av alle Daniel Bloks malerier er Portrait of Sophia of Holstein-Gottorp (1635) det mest kjente; det henger i Staatliches Museum Schwerin, Schwerin. Blant de 2 verkene av Daniel Blok i vår katalog, er disse 2 de mest kjente, hver vist med dato, museum og historie.
Rangert etter vår popularitetsscore, som kombinerer søk, visninger og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Daniel Blok | Malerier fra denne listen |
|---|---|---|---|
| Schwerin | 1 | Portrait of Sophia of Holstein-Gottorp | |
| Warszawa | 1 | Equestrian portrait of John Albert II, Duke of Mecklenburg |
Året 1635 inneholder alle daterte lerreter av Daniel Blok på denne siden: her er de, de mest kjente først.
Portrait of Sophia of Holstein-Gottorp (1635)
Daniel Blok, født i 1580, var 55 år gammel: Portrait of Sophia of Holstein-Gottorp er fra 1635.
2 verk av Daniel Blok finnes i vår katalog.
Hovedsakelig i Staatliches Museum Schwerin (Schwerin) og Nasjonalmuseet i Warszawa (Warszawa); listen ovenfor navngir hvert museum og deres lerreter.
I 1635, som utgjorde 2 av de 2 verkene på denne siden, var Portrait of Sophia of Holstein-Gottorp blant dem.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
The life of Daniel Blok was one defined by movement and the shifting tides of European history. Born around 1580, he carried the legacy of his father, Marten Blok of Utrecht, into new territories. His early years were marked by a pursuit of skill that took him far from home, eventually leading him to Gdańsk. It was there, under the guidance of Jakob Scherer, that he began to refine his ability to capture the likenesses of others through portraiture.
His talent eventually brought him into the presence of powerful figures, most notably Gustavus Adolphus of Sweden. Painting the portraits of such a monarch placed Blok in a position of significant visibility. This period of his life saw him transition from the focused work of a painter to the more social and administrative role of a courtier.
Blok’s contributions extended beyond the canvas into the intricate details of lineage and identity. He was tasked with creating a genealogical and heraldic family tree for the Dukes of Mecklenburg-Schwerin, a work that required both artistic precision and an understanding of noble history. His professional life was deeply intertwined with the courts of Schwerin and likely Lübeck, where his son Benjamin was born in 1631.
However, the stability of his courtly life was shattered by the violence of the Thirty Years War. In 1651, a devastating fire took everything he had built. This loss forced him to leave his established life behind and seek refuge in Rostock. He spent his final years there, living quietly until his death in 1660 at the age of eighty.