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      Daniel Saint, 1778 – 1847

      5 av Daniel Saints mest kjente malerier

      Portrait de Mme Savary, duchesse de Rovigo (1840) er maleriet Daniel Saint er mest kjent for. Portrait of the duchess of berry og Unknown Man fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 7 verk av Daniel Saint. Her er de 5 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Daniel Saint
      Daniel Saint · 1778 – 1847
      Født · død
      1778 – 1847, Saint-Lô
      Verker i vår katalog
      7
      Mest kjente
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Flest verk hos
      Nationalmuseum

      De ti mest kjente maleriene av Daniel Saint

      Lady with a Greyhound (1842) av Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Håndmalt oljereproduksjon fra $178 24 × 41 cm

      Der Daniel Saint sine lerreter henger

      De 2 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Daniel Saint Malerier fra denne listen
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saints mest kjente lerreter, år for år

      De daterte lerretene til Daniel Saint her spenner over kun 3 år, fra 1840 til 1842: ett år etter det andre.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) av Daniel Saint
        Lerret 5 av 5

        Lady with a Greyhound

        Alder 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saints lerreter, spørsmål for spørsmål

      Hvilket maleri er Daniel Saint mest kjent for?Les svaret

      Portrait de Mme Savary, duchesse de Rovigo (1840), etterfulgt av Portrait of the duchess of berry og Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: hvor gammel var Daniel Saint da det ble malt?Les svaret

      Daniel Saint, født i 1778, var 62 år gammel: Portrait de Mme Savary, duchesse de Rovigo er fra 1840.

      Hvor mange malerier har Daniel Saint skapt?Les svaret

      7 verk av Daniel Saint finnes i vår katalog, datert fra 1840 til 1842.

      Hvor henger Daniel Saints mest kjente malerier i dag?Les svaret

      Hovedsakelig i Nationalmuseum (Stockholm) og Château de Chambord (Chambord); listen ovenfor navngir hvert museum og deres lerreter.

      Hvilket berømt lerret av Daniel Saint kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Portrait de Mme Savary, duchesse de Rovigo (1840); det nyeste er fra Lady with a Greyhound (1842).

      Hvilke malerier av Daniel Saint er i Nationalmuseum sin samling?Les svaret

      Nationalmuseum, Stockholm har 2 av verkene på denne siden, inkludert Unknown Man og Charles X, King of France and Navarre.

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Daniel Saint?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.