Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      David Macbeth Sutherland, 1883 – 1973

      26 av David Macbeth Sutherlands mest kjente malerier

      Dr James Cromar Watt (d.c.1941), LLD er maleriet David Macbeth Sutherland er mest kjent for. Don Diego de Acedo (after Diego Velázquez) (1911) og The Painting Student (1920) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 26 verk av David Macbeth Sutherland. Her er de 26 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026.

      Portrett av David Macbeth Sutherland
      David Macbeth Sutherland · 1883 – 1973
      Født · død
      1883 – 1973, Wick
      Bevegelse
      Impressionism
      Verker i vår katalog
      26
      Mest kjente
      Dr James Cromar Watt (d.c.1941), LLD
      Flest verk hos
      Royal Scottish Academy of Art - Architecture

      De ti mest kjente maleriene av David Macbeth Sutherland

      David Macbeth Sutherland: lerreter 11 til 26 på rangeringen

      Der David Macbeth Sutherland sine lerreter henger

      De 3 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av David Macbeth Sutherland Malerier fra denne listen
      Royal Scottish Academy of Art - Architecture, EdinburghRoyal Scottish Academy of Art - Architecture Edinburgh 4 Don Diego de Acedo (after Diego Velázquez), Breton Peasant, James Cowie (1886–1956), RSA
      The Fleming Collection, LondonThe Fleming Collection London 4 Breton Dancers, Concarneau, Bank Holiday, Portobello Beach, Breton Harvest
      Wick Town Hall, WickWick Town Hall Wick 1 General The Lord Horne of Stirkoke (1861–1929)

      David Macbeth Sutherlands mest kjente lerreter, tiår etter tiår

      1. 1910s
      2. 1920s
      3. 1930s
      4. 1940s
      5. 1950s

      David Macbeth Sutherlands lerreter, spørsmål for spørsmål

      Hvilket maleri er David Macbeth Sutherland mest kjent for?Les svaret

      Dr James Cromar Watt (d.c.1941), LLD, etterfulgt av Don Diego de Acedo (after Diego Velázquez) (1911) og The Painting Student (1920).

      Hva er de ti mest kjente maleriene til David Macbeth Sutherland?Les svaret

      Dr James Cromar Watt (d.c.1941), LLD, Don Diego de Acedo (after Diego Velázquez), The Painting Student, Captain Cromarty, The Demolition of the Crown Hotel, Edinburgh, General The Lord Horne of Stirkoke (1861–1929), Breton Peasant, Breton Dancers, Concarneau, Bank Holiday, Portobello Beach og Flower Piece. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har David Macbeth Sutherland skapt?Les svaret

      26 verk av David Macbeth Sutherland finnes i vår katalog, datert fra 1911 til 1950.

      Hvor henger David Macbeth Sutherlands mest kjente malerier i dag?Les svaret

      Hovedsakelig i Royal Scottish Academy of Art - Architecture (Edinburgh), The Fleming Collection (London) og Wick Town Hall (Wick); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte David Macbeth Sutherland sine mest kjente lerreter?Les svaret

      I 1920s, som utgjorde 6 av de 26 verkene på denne siden, var The Painting Student blant dem.

      Hvilket berømt lerret av David Macbeth Sutherland kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Don Diego de Acedo (after Diego Velázquez) (1911); det nyeste er fra The Breakwater, Stonehaven Harbour, Kincardinshire (1950).

      Hvilken kunstretning er David Macbeth Sutherland tilknyttet?Les svaret

      Impressionism, som lerretet på denne siden viser.

      Hvilke malerier av David Macbeth Sutherland er i Royal Scottish Academy of Art - Architecture sin samling?Les svaret

      Royal Scottish Academy of Art - Architecture, Edinburgh har 4 av verkene på denne siden, inkludert Don Diego de Acedo (after Diego Velázquez), Breton Peasant og James Cowie (1886–1956), RSA.

      Møt maleren: David Macbeth Sutherland

      A Life Captured in Light and Landscape

      Born in the rugged beauty of Wick, Caithness, David Macbeth Sutherland emerged as a profound voice in Scottish art, weaving together the textures of his homeland with a sophisticated, impressionistic sensibility. His journey from a student of law to a master of the brush is a testament to a deep-seated passion for visual storytelling. After moving to Edinburgh to work as an apprentice in a lithographic business, Sutherland found his true calling within the halls of the Royal Scottish Academy (RSA) and the Edinburgh College of Art. Under the guidance of mentors like Charles Mackie, he honed a technique that could oscillate between the delicate precision of watercolor and the evocative, textured depth of oil on canvas.

      His early development was marked by a spirit of exploration, fueled by the prestigious RSA Carnegie Travelling Scholarship in 1911. This opportunity allowed him to wander through Spain, France, and the Netherlands, absorbing the light and atmosphere of the continent. These travels enriched his palette and expanded his vision, bringing a cosmopolitan flair back to the Scottish landscapes he so dearly loved. Alongside fellow artists, he became a pivotal figure in the revival of the Edinburgh Group, contributing to a vibrant era of artistic community and shared studio spaces in Edinburgh.

      The Soul of the Scottish Landscape

      Sutherland’s oeuvre is a love letter to the varied terrains of Scotland and beyond. He possessed a remarkable ability to capture the ephemeral qualities of nature—the hazy mountains of Wester Ross, the serene greens of a quiet noon, and the shifting urban realities of Edinburgh. His work often transcends mere representation, utilizing impressionistic brushwork to evoke the emotional weight of a place. Whether depicting the ruggedness of Drambuie or the architectural transformations of his city, his paintings resonate with an intimate connection to the land.

      Beyond the landscapes, Sutherland was also a gifted portraitist, capable of capturing the dignity and character of his subjects. His versatility allowed him to move seamlessly between the vastness of the outdoors and the focused intimacy of a studio portrait. This duality in his work—the ability to command both the grand scale of nature and the subtle nuances of human expression—cemented his reputation as a versatile and deeply perceptive artist.

      Legacy and Artistic Leadership

      The later years of Sutherland's life were defined by a significant commitment to the cultivation of future generations. His long tenure as the Director of Gray's School of Art in Aberdeen allowed him to shape the trajectory of art education in Scotland. This period of leadership was not merely administrative; it was an extension of his lifelong devotion to the arts. Even during the tumultuous years of World War II, his artistic spirit remained undimmed, serving as an Official War Artist and recording the poignant scenes of Newfoundland lumberjacks on Deeside.

      Sutherland's historical significance lies in his ability to bridge the gap between traditional Scottish themes and modern impressionistic techniques. His life, marked by both personal bravery—having been awarded the Military Cross—and academic excellence, reflects a man who was as much a part of the history he painted as the landscapes themselves. Through his paintings and his teaching, the essence of the Scottish spirit continues to endure.