Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      Edwin White, 1817 – 1877

      De 6 mest kjente maleriene av Edwin White, rangert

      Det mest kjente maleriet av Edwin White er The Antiquary (1855), som henger i Metropolitan Museum of Art, New York. Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861) er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 6 verk av Edwin White: her er de 6 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Edwin White
      Edwin White · 1817 – 1877
      Født · død
      1817 – 1877, South Hadley
      Verker i vår katalog
      6
      Mest kjente
      The Antiquary (1855)
      Flest verk hos
      New York Historical Society

      Topp 10 Edwin White-malerier: de mest kjente verkene

      Der Edwin White sine lerreter henger

      De 3 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Edwin White Malerier fra denne listen
      New York Historical Society, New York CityNew York Historical Society New York City 3 Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation), Murillo Sketching the Beggar Boy
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Studio Interior, A Room in the Bargello, Florence
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Antiquary

      Edwin Whites mest elskede lerreter fra hvert tiår

      1. 1850s
        The Antiquary (1855) av Edwin White
        1 av 6

        The Antiquary

        Alder 33 – 42 · Metropolitan Museum of Art
      2. 1860s
      3. 1870s

      Om Edwin White sine lerreter: dine spørsmål besvart

      Hva er det mest kjente maleriet av Edwin White?Les svaret

      The Antiquary (1855), Metropolitan Museum of Art, New York. Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861) følger.

      Hvor gammel var Edwin White da The Antiquary ble malt?Les svaret

      Edwin White, født i 1817, var 38 år gammel: The Antiquary er fra 1855.

      Hvor mange verk malte Edwin White totalt?Les svaret

      6 verk av Edwin White finnes i vår katalog, datert fra 1855 til 1872.

      Hvor kan jeg se de mest kjente maleriene til Edwin White?Les svaret

      Hovedsakelig i New York Historical Society (New York City), Museum of Fine Arts (Boston) og Metropolitan Museum of Art (New York); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Edwin White sine mest kjente lerreter?Les svaret

      I 1860s, som utgjorde 3 av de 6 verkene på denne siden, var Olden Times (also known as Spinning Flax, Olden Times) blant dem.

      Hvilke er Edwin Whites tidligste og nyeste berømte malerier?Les svaret

      Det eldste lerretet her er fra The Antiquary (1855); det nyeste er fra Studio Interior (1872).

      Hvilke lerreter av Edwin White henger på New York Historical Society?Les svaret

      New York Historical Society, New York City har 3 av verkene på denne siden, inkludert Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation) og Murillo Sketching the Beggar Boy.

      Kan jeg kjøpe en reproduksjon av et lerret av Edwin White?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Edwin White: et liv i maling

      Edwin White (1817–1877): A Pioneer of American Historical Painting

      Edwin White stands as a pivotal figure in the landscape of 19th-century American art, recognized primarily for his masterful depictions of historical narratives and monumental scenes—particularly ‘The Antiquary’ and Washington Resigning His Commission. Born in South Hadley, Massachusetts, in 1817, White embarked on an artistic journey marked by rigorous study abroad and a dedication to anatomical precision that distinguished him from many of his contemporaries. This unwavering commitment to observation and technique cemented his legacy as one of the foremost painters of his era.
      • Early Life & Education: White’s formative years were spent honing his artistic skills under the tutelage of Philip Hewins in Harford, Connecticut. Recognizing the importance of foundational knowledge, he pursued a Bachelor of Arts degree at Amherst College by 1856, demonstrating an intellectual curiosity that extended beyond mere visual representation.
      • European Training: White’s artistic maturation unfolded during extensive travels across Europe—Paris, Düsseldorf, Rome, and Florence—where he absorbed the influences of celebrated masters like François Edouard Picot and Carl Wilhelm Hubner. These formative experiences instilled in him a profound understanding of classical composition and anatomical accuracy, elements that would permeate his subsequent works.
      • National Academy of Design & Anatomical Studies: White’s affiliation with the National Academy of Design in New York City provided invaluable opportunities for artistic refinement and intellectual exploration. He diligently pursued lectures on anatomy, recognizing its crucial role in conveying human form with realism and conviction—a practice that would become a hallmark of his oeuvre.

      Notable Achievements & Artistic Style

      White’s artistic style was characterized by meticulous detail and an unwavering commitment to capturing the essence of historical events. His paintings possessed a solemn grandeur, reflecting the intellectual currents of his time—a fascination with classical ideals and a desire to elevate art as a vehicle for conveying moral truths. The success of ‘The Antiquary,’ which explored themes of erudition and contemplation, established White’s reputation as an artist capable of engaging viewers on both aesthetic and intellectual levels. Equally significant was the monumental ‘Washington Resigning His Commission,’ commissioned by Maryland State Senate—a work that captured a pivotal moment in American history with remarkable precision and emotional resonance. The painting's sale for $6,000 underscored White’s artistic prowess and solidified his position as one of the leading painters of his generation.
      • ‘The Antiquary’: This masterpiece exemplifies White’s stylistic approach—a careful balance between classical composition and nuanced observation of human psychology.
      • ‘Washington Resigning His Commission’: The painting's grandeur and dramatic lighting powerfully conveyed the solemnity of the occasion, securing its place as a cornerstone of American art history.

      Legacy & Influence

      Edwin White’s influence extended beyond his own artistic output; he served as a teacher at the National Academy of Design, nurturing the talents of future generations of artists and shaping the trajectory of American painting. His dedication to anatomical study—a practice uncommon for his time—established him as an innovator who championed scientific rigor alongside artistic expression. Furthermore, White’s depiction of Washington Resigning His Commission served as inspiration for a 5-cent stamp issued in 1920 commemorating the Pilgrim Tercentenary—a testament to the enduring power of his artwork and its resonance within American cultural memory. The unfinished painting of Washington Resigning, bequeathed to Yale University Art Museum, continues to fascinate scholars and artists alike, representing a poignant reminder of White’s artistic ambition and creative vision.

      Further Exploration

      To delve deeper into Edwin White's life and work, consider visiting these resources: