Av alle Halfdan Strøms malerier er Portrait of Mathea Strøm, the Artist's Mother (1885) det mest kjente; det henger i Nasjonalmuseet, Oslo. Like bak følger Dolce far niente. Interior with the Artist's Parents (1883) og Girl Friends (1888). Blant de 21 verkene av Halfdan Strøm i vår katalog, er disse 21 de mest kjente, hver vist med dato, museum og historie.
Rangert etter vår popularitetsscore, som kombinerer søk, visninger og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Halfdan Strøm | Malerier fra denne listen |
|---|---|---|---|
| Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends | |
| Oslo | 5 | Portrait, Portrait, Self-portrait |
Portrait of Mathea Strøm, the Artist's Mother (1885), Nasjonalmuseet, Oslo. Dolce far niente. Interior with the Artist's Parents (1883) og Girl Friends (1888) følger.
Halfdan Strøm, født i 1863, var 22 år gammel: Portrait of Mathea Strøm, the Artist's Mother er fra 1885.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover og Scene from the Vegetable Market. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.
21 verk av Halfdan Strøm finnes i vår katalog, datert fra 1883 til 1920.
Hovedsakelig i Nasjonalmuseet (Oslo) og Oslo Museum (Oslo); listen ovenfor navngir hvert museum og deres lerreter.
I 1880s, som utgjorde 6 av de 21 verkene på denne siden, var Portrait of Mathea Strøm, the Artist's Mother blant dem.
Det eldste lerretet her er fra Dolce far niente. Interior with the Artist's Parents (1883); det nyeste er fra Self-portrait (1920).
Nasjonalmuseet, Oslo har 16 av verkene på denne siden, inkludert Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents og Girl Friends.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.