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      Jacob Coning, 1647 – 1724

      Jacob Coning: De 16 mest kjente maleriene

      Av alle Jacob Conings malerier er Nicolas de Seue (1691) det mest kjente. Like bak følger Portrait of Peter Wessel Tordenskiold (1700) og Nikolaj Sibbern (1720). Blant de 16 verkene av Jacob Coning i vår katalog, er disse 16 de mest kjente, hver vist med dato, museum og historie.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Jacob Coning
      Jacob Coning · 1647 – 1724
      Født · død
      1647 – 1724, The Hague
      Verker i vår katalog
      16
      Mest kjente
      Nicolas de Seue (1691)
      Flest verk hos
      Nasjonalmuseet

      Jacob Conings 10 mest kjente malerier

      Jacob Coning sine malerier rangert fra 11 til 16

      Der Jacob Coning sine lerreter henger

      De 3 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Jacob Coning Malerier fra denne listen
      Nasjonalmuseet, OsloNasjonalmuseet Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
      Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

      Tiår for tiår: Jacob Conings mest feirede lerreter

      1. 1660s
        The Cattle Pen (1666) av Jacob Coning
        4 av 16

        The Cattle Pen

        Alder 13 – 22 · Museum Boijmans Van Beuningen
      2. 1690s
      3. 1700s
      4. 1720s

      Dine spørsmål om Jacob Conings malerier, besvart

      Hvilket er det mest kjente maleriet av Jacob Coning?Les svaret

      Nicolas de Seue (1691), etterfulgt av Portrait of Peter Wessel Tordenskiold (1700) og Nikolaj Sibbern (1720).

      Hvor gammel var Jacob Coning da Nicolas de Seue ble laget?Les svaret

      Jacob Coning, født i 1647, var 44 år gammel: Nicolas de Seue er fra 1691.

      Hvilke ti malerier er Jacob Coning mest kjent for?Les svaret

      Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss og Akershus Fortress near Christiania/Oslo. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier av Jacob Coning er kjent?Les svaret

      16 verk av Jacob Coning finnes i vår katalog, datert fra 1666 til 1720.

      Hvilke museer har Jacob Conings mest kjente malerier?Les svaret

      Hovedsakelig i Nasjonalmuseet (Oslo), Oslo Museum (Oslo) og Museum Boijmans Van Beuningen (Rotterdam); listen ovenfor navngir hvert museum og deres lerreter.

      I hvilke år malte Jacob Coning sine mest berømte verk?Les svaret

      I 1690s, som utgjorde 10 av de 16 verkene på denne siden, var Nicolas de Seue blant dem.

      Hva er de første og de siste av Jacob Conings berømte malerier?Les svaret

      Det eldste lerretet her er fra The Cattle Pen (1666); det nyeste er fra Nikolaj Sibbern (1720).

      Hva kan jeg se av Jacob Coning på Nasjonalmuseet?Les svaret

      Nasjonalmuseet, Oslo har 9 av verkene på denne siden, inkludert Krapfoss near Moss, Halden, seen from a hill on the foreground og View of Moss.

      Kan jeg bestille en håndmalt kopi av et maleri av Jacob Coning?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Jacob Coning: malerens historie

      A Master of the Topographical Eye

      In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

      The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

      The Art of the Landscape and the Court

      Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

      His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

      • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
      • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
      • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

      Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

      Legacy and Historical Significance

      The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

      Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.