Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      James Smith, 1890 – 1948

      James Smith: De 1 mest kjente maleriene

      Av alle James Smiths malerier er Benjamin West (1770) det mest kjente; det henger i National Portrait Gallery, Washington, D.C.. Blant de 1 verkene av James Smith i vår katalog, er disse 1 de mest kjente, hver vist med dato, museum og historie.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av James Smith
      James Smith · 1890 – 1948
      Født · død
      1890 – 1948
      Verker i vår katalog
      1
      Mest kjente
      Benjamin West (1770)
      Flest verk hos
      National Portrait Gallery

      James Smiths 10 mest kjente malerier

      Der James Smith sine lerreter henger

      Museet som innehar flest av maleriene på denne siden.

      Museum By Verker av James Smith Malerier fra denne listen
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Benjamin West

      Dine spørsmål om James Smiths malerier, besvart

      Hvilket er det mest kjente maleriet av James Smith?Les svaret

      Benjamin West (1770)

      Hvor mange malerier av James Smith er kjent?Les svaret

      1 verk av James Smith finnes i vår katalog.

      Hvilke museer har James Smiths mest kjente malerier?Les svaret

      Hovedsakelig i National Portrait Gallery (Washington, D.C.); listen ovenfor navngir hvert museum og deres lerreter.

      Kan jeg bestille en håndmalt kopi av et maleri av James Smith?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      James Smith: malerens historie

      The Quiet Presence of James Smith

      Born in 1890, James Smith lived through a period of profound change, yet his own artistic footprint remains a subtle one. He was a painter who focused his attention on the human form and the quiet dignity of portraiture. His life, which spanned until 1948, was marked by a commitment to the craft of capturing a likeness, often working in ways that sought to find the essence of his subjects through paint.

      His work suggests a man deeply interested in the individual. Rather than chasing grand movements, he seemed content to observe the people around him, translating their presence onto canvas with a steady hand. This dedication to the portrait is reflected in the surviving records of his output, which highlight his ability to engage with the character of those who sat for him.

      Works and Legacy

      The surviving evidence of his career points to a specific interest in the portraiture of gentlemen. His ability to render a subject is preserved in collections that hold his contributions to the history of painting. His work is noted in the following contexts:

      One of his notable subjects, An Unknown Gentleman, serves as a window into his approach to the genre. In such works, the focus remains on the sitter, using light and shadow to define the features of a man lost to time but preserved through Smith's brush.

      A Life in Paint

      Smith's career was defined by the steady application of pigment and the patience required to master the portrait. He did not seek to overshadow his contemporaries but instead focused on the fundamental task of the painter: to see and to record. By the time of his death in 1948, he had left behind a body of work that remains a part of the public record, offering a glimpse into the visual language of his era.