Av alle Jan Ensings malerier er Groningen Citizen, (1855) det mest kjente; det henger i Groninger Museum, Groningen. Like bak følger Portrait of Agatha Geertruida Ensing (1845-1912) (1863) og Portrait of Paulus Kikkert (1839-1909) (1863). Blant de 7 verkene av Jan Ensing i vår katalog, er disse 7 de mest kjente, hver vist med dato, museum og historie.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jan Ensing | Malerier fra denne listen |
|---|---|---|---|
| Groningen | 7 | Groningen Citizen,, Portrait of Agatha Geertruida Ensing (1845-1912), Portrait of Paulus Kikkert (1839-1909) |
Groningen Citizen, (1855), Groninger Museum, Groningen. Portrait of Agatha Geertruida Ensing (1845-1912) (1863) og Portrait of Paulus Kikkert (1839-1909) (1863) følger.
Jan Ensing, født i 1819, var 36 år gammel: Groningen Citizen, er fra 1855.
7 verk av Jan Ensing finnes i vår katalog, datert fra 1837 til 1863.
Hovedsakelig i Groninger Museum (Groningen); listen ovenfor navngir hvert museum og deres lerreter.
I 1860s, som utgjorde 3 av de 7 verkene på denne siden, var Portrait of Agatha Geertruida Ensing (1845-1912) blant dem.
Det eldste lerretet her er fra Gothic Porch and the Bread and Butter House on the southwest side of the Martinikerk in Groningen, Porch Martinikerk and the Butter and Bread House, (1837); det nyeste er fra Portrait of Agatha Geertruida Ensing (1845-1912) (1863).
Groninger Museum, Groningen har 7 av verkene på denne siden, inkludert Groningen Citizen,, Portrait of Agatha Geertruida Ensing (1845-1912) og Portrait of Paulus Kikkert (1839-1909).
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Groningen, 1819. A child is born to Jan Ensing, a local merchant, and Geertje Kuipers. The boy enters the Academie Minerva under the guidance of Jacob Bruggink, absorbing the fundamentals of line and light. By 1840, the art society Pictura recognizes his talent with an award for a painting depicting a taproom at a village inn. Two years later, another prize follows for his depiction of horses in a duck pond.
Life moves toward stability and structure. In 1842, he marries Catharina Jager. His professional identity expands beyond the canvas; he becomes a teacher, shaping minds at the Academie Minerva starting in 1850, and later instructing at various schools for women and elementary teachers throughout Groningen. He is a man of the academy and the classroom.
A significant shift occurs in 1854. The University of Groningen issues a commission: capture the likenesses of nineteen professors to celebrate the opening of their new Academy Building. This task anchors his reputation in the halls of Dutch academia. His brush records the faces of the university's intellectual elite, creating a gallery that remains housed in the Senate Chamber of the current Academy Building.
His technical reach extends into graphic arts and lithography. While his portraits command formal spaces, his sketches capture more fleeting, local realities. During visits to Vlaardingen to see his daughter Paula, he observes the lives of fishermen and their wives, leaving behind drawings that now reside in the Atlas Van Stolk.
The later years find him moving between roles as artist, lithographer, and educator. His work spans various subjects:
He retires from teaching in 1891, settling in Vlaardingen with his daughter's family. He dies on 19 December 1894. His traces remain in the Groninger Museum and the Noordelijk Scheepvaartmuseum, marking a life spent documenting both the prestigious and the everyday.