Det mest kjente maleriet av John Appleton Brown er On the Coast of France (1875), som henger i Museum of Fine Arts, Boston. New England Landscape (1887) og A Showery May Morning er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 6 verk av John Appleton Brown: her er de 6 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av John Appleton Brown | Malerier fra denne listen |
|---|---|---|---|
| Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning | |
| Cambridge | 1 | Pond in the Woods |
13 år ved staffeliet, fra 1875 til 1887: John Appleton Browns mest elskede lerreter, år for år.
On the Coast of France (1875), Museum of Fine Arts, Boston. New England Landscape (1887) og A Showery May Morning følger.
John Appleton Brown, født i 1844, var 31 år gammel: On the Coast of France er fra 1875.
6 verk av John Appleton Brown finnes i vår katalog, datert fra 1875 til 1887.
Hovedsakelig i Museum of Fine Arts (Boston) og Harvard Art Museums (Cambridge); listen ovenfor navngir hvert museum og deres lerreter.
Det eldste lerretet her er fra On the Coast of France (1875); det nyeste er fra New England Landscape (1887).
Museum of Fine Arts, Boston har 5 av verkene på denne siden, inkludert On the Coast of France, New England Landscape og A Showery May Morning.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.