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View of Banff with the Bridge over the River Deveron
Håndmalt oljereproduksjon fra $178 36 × 28 cm
Samme størrelse som originalen $238 63 × 47 cm Bestill i original størrelse →
John Fleming, 1792 – 1845
1 av John Flemings mest kjente malerier
View of Banff with the Bridge over the River Deveron (1825) er maleriet John Fleming er mest kjent for; det tilhører Scottish National Gallery, Edinburgh. Vår katalog inneholder 1 verk av John Fleming. Her er de 1 mest kjente, med årstall, museum og historien bak hvert lerret.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
- Født · død
- 1792 – 1845
- Verker i vår katalog
- 1
- Mest kjente
- View of Banff with the Bridge over the River Deveron (1825)
- Flest verk hos
- Scottish National Gallery
De ti mest kjente maleriene av John Fleming
Der John Fleming sine lerreter henger
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av John Fleming | Malerier fra denne listen |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 1 | View of Banff with the Bridge over the River Deveron |
John Flemings mest kjente lerreter, år for år
De daterte lerretene til John Fleming på denne siden tilhører alle 1825: her er de, i rekkefølge etter berømmelse.
John Flemings lerreter, spørsmål for spørsmål
Hvilket maleri er John Fleming mest kjent for?Les svaret
View of Banff with the Bridge over the River Deveron (1825)
View of Banff with the Bridge over the River Deveron: hvor gammel var John Fleming da det ble malt?Les svaret
John Fleming, født i 1792, var 33 år gammel: View of Banff with the Bridge over the River Deveron er fra 1825.
Hvor mange malerier har John Fleming skapt?Les svaret
1 verk av John Fleming finnes i vår katalog.
Hvor henger John Flemings mest kjente malerier i dag?Les svaret
Hovedsakelig i Scottish National Gallery (Edinburgh); listen ovenfor navngir hvert museum og deres lerreter.
Hvor kan jeg kjøpe en reproduksjon av et maleri av John Fleming?Les svaret
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Møt maleren: John Fleming
A Life Painted in Scenery and Service
John Fleming began his path in the world of color not as a scholar, but through the practical labor of a house painter. At fourteen, he entered an apprenticeship that grounded him in the physical reality of pigments and surfaces. This early training likely shaped his eye for the subtle textures found in the Scottish landscape. After spending time in London, where he worked as a housepainter and studied the works held in various galleries, he eventually settled in Greenock. His life was deeply tied to this community, moving between premises on William Street and Hamilton Street.
While his hands were often busy with the practicalities of trade, his mind was focused on the quiet beauty of his homeland. He became a man who recorded the changing face of his surroundings, capturing the development of Greenock through his brush. His work was not merely about grand vistas; it was about the specific, lived reality of the places he knew.
The Art of the View
Fleming found a particular rhythm in creating small-scale paintings of Scottish scenery. He did not seek to overwhelm the viewer with scale, but rather to offer intimate glimpses of the land. Much of his most recognized work came from a close professional bond with the engraver and publisher Joseph Swan. Together, they brought detailed views of the local landscape to a wider audience through several published series:
- Select Views of Glasgow and its environs (1828)
- Select Views on the Clyde (1830)
- Select Views of the Lakes of Scotland (1834)
The publication regarding the lakes of Scotland was especially well-received, appearing in multiple editions throughout the 1830s. These prints allowed his observations of the natural world to reach beyond the borders of Greenock. Alongside these landscapes, he also worked as a portrait painter, often capturing the likenesses of local merchants who lived and traded in the same streets where he worked.
A Presence in the Scottish Arts
Fleming was an active participant in the growing artistic community of his time. He was an original member of the Institution for Promoting and Encouraging the Fine Arts in the West of Scotland, formed in 1821. His dedication to the local arts scene was further evidenced by his membership in the Watt Club and his election to the West of Scotland Academy in 1841. He also shared his work with the Royal Scottish Academy, exhibiting landscapes there in 1828, 1830, and 1837.
His death in February 1845 left a void in the local community, a sentiment reflected in the gravestone erected by friends and admirers. Today, the traces of his life's work remain held in several important collections, including the McLean Museum and Art Gallery in Greenock, the National Galleries of Scotland, and the University of Edinburgh. Through these pieces, the landscapes he once walked continue to be seen.