Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      John Mare, 1739 – 1803

      3 av John Mares mest kjente malerier

      Dr. Benjamin Youngs Prime (1733-1791) (1774) er maleriet John Mare er mest kjent for; det tilhører New York Historical Society, New York City. John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 3 verk av John Mare. Her er de 3 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av John Mare
      John Mare · 1739 – 1803
      Født · død
      1739 – 1803, New York City
      Verker i vår katalog
      3
      Mest kjente
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Flest verk hos
      New York Historical Society

      De ti mest kjente maleriene av John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Håndmalt oljereproduksjon fra $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) av John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Håndmalt oljereproduksjon fra $178 29 × 35 cm
      Jeremiah Platt (1767) av John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Håndmalt oljereproduksjon fra $178 28 × 36 cm Samme størrelse som originalen $513 98 × 123 cm Bestill i original størrelse →

      Hva John Mare malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Der John Mare sine lerreter henger

      De 2 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av John Mare Malerier fra denne listen
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      John Mares mest kjente lerreter, år for år

      Omtrent et tiår ved staffeliet, fra 1767 til 1774: John Mares daterte lerreter, år etter år.

      1. 1767
        John Keteltas (1739-1766) (1767) av John Mare
        2 av 3

        John Keteltas (1739-1766)

        Alder 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) av John Mare
        Lerret 3 av 3

        Jeremiah Platt

        Alder 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
        Lerret 1 av 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Alder 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mares lerreter, spørsmål for spørsmål

      Hvilket maleri er John Mare mest kjent for?Les svaret

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767) følger.

      Dr. Benjamin Youngs Prime (1733-1791): hvor gammel var John Mare da det ble malt?Les svaret

      John Mare, født i 1739, var 35 år gammel: Dr. Benjamin Youngs Prime (1733-1791) er fra 1774.

      Hvor mange malerier har John Mare skapt?Les svaret

      3 verk av John Mare finnes i vår katalog, datert fra 1767 til 1774.

      Hvor henger John Mares mest kjente malerier i dag?Les svaret

      Hovedsakelig i New York Historical Society (New York City) og Metropolitan Museum of Art (New York); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte John Mare sine mest kjente lerreter?Les svaret

      I 1767, som utgjorde 2 av de 3 verkene på denne siden, var John Keteltas (1739-1766) blant dem.

      Hvilket berømt lerret av John Mare kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra John Keteltas (1739-1766) (1767); det nyeste er fra Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Hvilke motiver malte John Mare mest av?Les svaret

      Man (2), Wig (2) og Cravat (2), fordelt på 3 verk på denne siden.

      Hvilke malerier av John Mare er i New York Historical Society sin samling?Les svaret

      New York Historical Society, New York City har 2 av verkene på denne siden, inkludert Dr. Benjamin Youngs Prime (1733-1791) og John Keteltas (1739-1766).

      Hvor kan jeg kjøpe en reproduksjon av et maleri av John Mare?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.