Self-Portrait (1932) er maleriet Kaj Ejstrup er mest kjent for; det tilhører Statens Museum for Kunst, København. Women Bathing (1938) og Landscape, Odsherred (1942) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 5 verk av Kaj Ejstrup. Her er de 5 mest kjente, med årstall, museum og historien bak hvert lerret.
Rangert etter vår popularitetsscore, som kombinerer søk, visninger og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
Museet som har flest av maleriene på denne siden.
| Museum | By | Verker av Kaj Ejstrup | Malerier fra denne listen |
|---|---|---|---|
| København | 5 | Self-Portrait, Women Bathing, Landscape, Odsherred |
Self-Portrait (1932), Statens Museum for Kunst, København. Women Bathing (1938) og Landscape, Odsherred (1942) følger.
Kaj Ejstrup, født i 1902, var 30 år gammel: Self-Portrait er fra 1932.
5 verk av Kaj Ejstrup finnes i vår katalog, datert fra 1932 til 1955.
Hovedsakelig i Statens Museum for Kunst (København); listen ovenfor navngir hvert museum og deres lerreter.
I 1930s, som utgjorde 2 av de 5 verkene på denne siden, var Self-Portrait blant dem.
Det eldste lerretet her er fra Self-Portrait (1932); det nyeste er fra View of Lammefjorden (1955).
Statens Museum for Kunst, København har 5 av verkene på denne siden, inkludert Self-Portrait, Women Bathing og Landscape, Odsherred.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Kaj Ejstrup was born in 1902, the adopted son of a customs official. His upbringing in Buddinge, just north of Copenhagen, set the stage for a life dedicated to visual expression. Though he did not find a place at the Royal Danish Academy of Fine Arts, his path remained focused on the craft. He spent time between 1931 and 1937 learning the intricacies of wood engraving under Aksel Jørgensen, a period that helped refine his technical skill and eye for detail.
By 1930, he had settled in Åsen near Ordrup in Odsherred. He lived in an old homestead near Skamlebæk until 1944, and even after leaving that specific home, he returned to the Odsherred region for extended periods every year. This connection to the land became the heartbeat of his creative life.
As a central figure in the Odsherred Painters, Ejstrup helped define a specific way of seeing the Danish countryside. His landscapes often capture the quietude of the northwest Zealand region. He frequently painted buildings, outhouses, and farm animals, sometimes including a human figure to ground the scene. His palette in these works remained limited, focusing on the essential colors of the earth and sky. He had a particular talent for depicting horses, often showing them in motion—running or jumping—which added a sense of sudden energy to an otherwise peaceful setting.
His approach changed when he turned his attention to people. While his landscapes were restrained, his figure paintings utilized more vivid colors and an expressive tone. His versatility extended beyond the canvas to include:
Ejstrup was a man of community within the art world, becoming a founding member of the Corner artists association in 1932. His work moved beyond the borders of Denmark, finding its way to galleries in Glasgow, Oslo, and Gothenburg. His contributions to Danish art were recognized in 1954 when he was awarded the Eckersberg Medal.
Today, his visual history is preserved in several important institutions. His paintings, woodcuts, and sculptures can be found in many of Denmark's art museums, including a large collection held at the Statens Museum for Kunst and much of his work housed at the Odsherreds Museum of Art.