Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      Patrick Downie, 1854 – 1945

      18 av Patrick Downies mest kjente malerier

      A Winter Sunset, Mid Quay, Greenock, 1888 (1888) er maleriet Patrick Downie er mest kjent for; det tilhører Municipal Buildings, Greenock. Seascape (Sailing Boats in Bad Weather) (1903) og The Day of Rest, Winter (1904) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 18 verk av Patrick Downie. Her er de 18 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Patrick Downie
      Patrick Downie · 1854 – 1945
      Født · død
      1854 – 1945
      Verker i vår katalog
      18
      Mest kjente
      A Winter Sunset, Mid Quay, Greenock, 1888 (1888)
      Flest verk hos
      Municipal Buildings

      De ti mest kjente maleriene av Patrick Downie

      Patrick Downie: lerreter 11 til 18 på rangeringen

      Der Patrick Downie sine lerreter henger

      De 3 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Patrick Downie Malerier fra denne listen
      Municipal Buildings, GreenockMunicipal Buildings Greenock 1 A Winter Sunset, Mid Quay, Greenock, 1888
      Culturenl, CoatbridgeCulturenl Coatbridge 1 Seascape (Sailing Boats in Bad Weather)
      Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Summer Moonlight, Firth of Clyde

      Patrick Downies mest kjente lerreter, tiår etter tiår

      1. 1880s
      2. 1900s
      3. 1910s
      4. 1920s

      Patrick Downies lerreter, spørsmål for spørsmål

      Hvilket maleri er Patrick Downie mest kjent for?Les svaret

      A Winter Sunset, Mid Quay, Greenock, 1888 (1888), Municipal Buildings, Greenock. Seascape (Sailing Boats in Bad Weather) (1903) og The Day of Rest, Winter (1904) følger.

      A Winter Sunset, Mid Quay, Greenock, 1888: hvor gammel var Patrick Downie da det ble malt?Les svaret

      Patrick Downie, født i 1854, var 34 år gammel: A Winter Sunset, Mid Quay, Greenock, 1888 er fra 1888.

      Hva er de ti mest kjente maleriene til Patrick Downie?Les svaret

      A Winter Sunset, Mid Quay, Greenock, 1888, Seascape (Sailing Boats in Bad Weather), The Day of Rest, Winter, Paisley Cross by Moonlight, Stormy Weather, Largs, 1919, Summer Moonlight, Firth of Clyde, Haddock Fishers, Ballantrae, Back to the Clyde – Sunset, The Old West Kirk, Greenock og High Street Renfrew, 1888. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har Patrick Downie skapt?Les svaret

      18 verk av Patrick Downie finnes i vår katalog, datert fra 1888 til 1928.

      Hvor henger Patrick Downies mest kjente malerier i dag?Les svaret

      Hovedsakelig i Municipal Buildings (Greenock), Culturenl (Coatbridge) og Bristol Museum - Art Gallery (Bristol); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Patrick Downie sine mest kjente lerreter?Les svaret

      I 1900s, som utgjorde 2 av de 18 verkene på denne siden, var Seascape (Sailing Boats in Bad Weather) blant dem.

      Hvilket berømt lerret av Patrick Downie kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra A Winter Sunset, Mid Quay, Greenock, 1888 (1888); det nyeste er fra Summer Moonlight, Firth of Clyde (1928).

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Patrick Downie?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Patrick Downie

      Patrick Downie (1854–1945): A Quiet Observer of Rural Scotland

      Patrick Downie was a Scottish painter who quietly documented the landscapes and daily life of rural Scotland during the late Victorian and Edwardian eras. Born in Glasgow in 1854, he possessed an innate talent for capturing the subtleties of nature and human experience—a skill that would define his artistic output and solidify his place as a significant figure within Pictorialism, a movement emphasizing atmospheric effects and tonal harmonies. Though largely unrecognized during his lifetime, Downie’s work has gained considerable appreciation in recent decades for its understated beauty and profound connection to the spirit of its time.
      • Early Life & Artistic Training:
      • Downie received a formal artistic education at Glasgow School of Art, where he honed his skills in watercolor and oil painting under instructors who championed Impressionistic principles.
      • Pictorialism & Atmospheric Rendering:
      • His involvement with Pictorialism profoundly shaped his approach to artmaking. He meticulously studied the work of artists like Frederic Church and Jules Bastien-Lepage, adopting techniques designed to convey mood and emotion through subtle gradations of color and tonal variation. This dedication resulted in paintings characterized by luminous washes and hazy skies—a deliberate departure from academic realism.
      • Subject Matter & Recurring Themes:
      • Downie’s oeuvre predominantly focused on landscapes, particularly scenes depicting Scottish moorlands and coastal vistas. However, he also excelled at portraying domestic interiors and animals, notably ducks—subjects that frequently appeared in his paintings throughout his career.

      Notable Works & Artistic Style

      Downie’s artistic style is marked by a remarkable sensitivity to light and color. He skillfully employed atmospheric perspective—a technique borrowed from Renaissance painters—to create depth and illusion within his canvases. His brushwork was deliberate yet understated, prioritizing tonal harmony over precise detail. Consider “A View of William Street from Mid Quay,” Greenock – the muted palette and hazy atmosphere perfectly encapsulate the mood of a wintry harbor town. The painting’s meticulous observation of texture and subtle shading reveals Downie's mastery of capturing the essence of his subjects. Similarly, "The Duck Pond" exemplifies his fascination with wildlife and his ability to convey tranquility through simple compositions.

      Influence & Legacy

      Downie’s artistic vision resonated within Pictorialism, contributing to its aesthetic ideals. He championed tonal painting as a means of expressing emotion and capturing the intangible qualities of nature—a stance that anticipated developments in modern art. Although he lacked widespread fame during his lifetime, Downie's paintings continue to inspire admiration for their quiet beauty and evocative portrayal of Scottish rural life. His work serves as a testament to the enduring power of observation and artistic sensitivity—qualities that remain relevant to artists and viewers alike today.

      Further Exploration

      For more information about Patrick Downie’s life and art, visit Patrick and Beatrice Haggerty Museum of Art in Milwaukee. Explore their collection featuring Keith Haring’s mural and rotating exhibitions – free admission awaits! A cultural gem on Marquette University campus.