Robert Eigenberger, 1890 – 1979
De 4 mest kjente maleriene av Robert Eigenberger, rangert
Det mest kjente maleriet av Robert Eigenberger er The Myth of Man Is Over (1950). The Sensual One (1929) og Saint Sebastian (1934) er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 4 verk av Robert Eigenberger: her er de 4 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026.
- Født · død
- 1890 – 1979, Sedlec
- Verker i vår katalog
- 4
- Mest kjente
- The Myth of Man Is Over (1950)
Topp 10 Robert Eigenberger-malerier: de mest kjente verkene
Robert Eigenbergers mest elskede lerreter fra hvert tiår
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1920s
Lerret 2 av 4The Sensual One
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1930s
3 av 4Saint Sebastian
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1940s
4 av 4Quarry with City
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1950s
Lerret 1 av 4
The Myth of Man Is Over
Om Robert Eigenberger sine lerreter: dine spørsmål besvart
Hva er det mest kjente maleriet av Robert Eigenberger?Les svaret
The Myth of Man Is Over (1950), etterfulgt av The Sensual One (1929) og Saint Sebastian (1934).
Hvor gammel var Robert Eigenberger da The Myth of Man Is Over ble malt?Les svaret
Robert Eigenberger, født i 1890, var 60 år gammel: The Myth of Man Is Over er fra 1950.
Hvor mange verk malte Robert Eigenberger totalt?Les svaret
4 verk av Robert Eigenberger finnes i vår katalog, datert fra 1929 til 1950.
Hvilke er Robert Eigenbergers tidligste og nyeste berømte malerier?Les svaret
Det eldste lerretet her er fra The Sensual One (1929); det nyeste er fra The Myth of Man Is Over (1950).
Robert Eigenberger: et liv i maling
The Life and Academic Career of Robert Eigenberger
Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.
Artistic Practice and Pseudonym
In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:
His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.