Schleissheim Linden (1908) er maleriet Robert Raudner er mest kjent for; det tilhører Bavarian State Painting Collections, München. Vår katalog inneholder 1 verk av Robert Raudner. Her er de 1 mest kjente, med årstall, museum og historien bak hvert lerret.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Robert Raudner | Malerier fra denne listen |
|---|---|---|---|
| München | 1 | Schleissheim Linden |
De daterte lerretene til Robert Raudner på denne siden tilhører alle 1908: her er de, i rekkefølge etter berømmelse.
Schleissheim Linden (1908)
Robert Raudner, født i 1854, var 54 år gammel: Schleissheim Linden er fra 1908.
1 verk av Robert Raudner finnes i vår katalog.
Hovedsakelig i Bavarian State Painting Collections (München); listen ovenfor navngir hvert museum og deres lerreter.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
January 1854 brings Robert Hermann Raudner into the world at Nimkau in Silesia. He is the son of a telegraphist. The path toward the canvas begins in earnest in October 1878, when he enters the Royal Academy of Fine Arts in Munich. He joins the antique class, focusing his early efforts on drawing after the antique.
The halls of the Academy place him alongside a specific cohort of emerging talents. His classmates include Gyula Benczúr, Alexander Strähuber, Johann Leonhard Raab, and Ludwig von Löfftz. These shared studies in Munich form the technical foundation for his later work in landscape and genre painting.
After completing his formal education, Raudner settles into the municipality of Schleißheim. His professional life becomes rooted here, centered on the meticulous demands of landscape painting and etching. He moves through the late nineteenth century with a focus on the natural world and the quiet details of genre scenes.
His presence in the Munich art scene is marked by specific appearances at the Munich Glass Palace. In 1897 and 1899, he presents his works to the public, demonstrating his skill as an etcher and painter. The technical breadth of his output includes:
The momentum of his career reaches its conclusion in Munich. On 14 January 1915, Raudner dies at the age of 60. His connection to the region remains etched into the geography of Schleißheim, where a street bears his name. He leaves behind a body of work defined by the Realism movement and the disciplined techniques learned in the Munich Academy.