Hva inneholder denne siden?
Denne siden viser hvor mange som besøker sidene til Charles Bargue på dette nettstedet. Et besøk betyr at én person har åpnet en side. Hvert diagram nedenfor har sin egen korte forklaring.
Statistikken ble nullstilt 1. juli 2026 — ingen data er tilgjengelig før denne datoen.
Charles Bargue: what a year of visits tells
The canvas most opened is Study for L'Aimee: 300 visits in a year, 18% of everything read about Charles Bargue. It is followed by A Bashi-Bazouk and The sentry. Page of the painter: 1500 visits. Canvases: 1700. Total: 3200. Readership grows: 1100% more visits from Aug 2026 to Sep 2026. Best month: Jul 2026, 1900 visits. The readers browse on computers (69%), phones (28%) and tablets (3%). They choose Rolig (Kontrast) more than the catalog suggests: 29% of visits, 12% of canvases.
The 10 most viewed canvases of Charles Bargue
The 10 canvases of Charles Bargue that TopImpressionists.com readers opened most in the last twelve months, in order of visits.
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1
Study for L'Aimee
300 visits · 17.6%
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2
A Bashi-Bazouk, 1875
200 visits · 11.8%
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3
The sentry
200 visits · 11.8%
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4
The chess game
100 visits · 5.9%
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5
A footman sleeping (1871)
100 visits · 5.9%
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6
Prayer in a Mosque
100 visits · 5.9%
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7
An eastern coffehouse
100 visits · 5.9%
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8
The sentinel
100 visits · 5.9%
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9
Marchand oriental
100 visits · 5.9%
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10
The Artist's Model
100 visits · 5.9%
When do readers come to the page of Charles Bargue?
Hver søyle representerer én måned og viser antall sidevisninger for denne kunstneren i løpet av de siste tolv månedene.
The figures in a table
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 1200 | 700 |
| Aug 2026 | 0 | 100 |
| Sep 2026 | 300 | 900 |
When do readers open the canvases of Charles Bargue?
Hver søyle representerer én måned. Den viser det totale antallet besøk på alle kunstverkene til denne kunstneren, måned for måned, over ett år.
The monthly figures of both charts are in the first table, above.
What do the readers of Charles Bargue choose, compared with what the painter made?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
Stemning
Emosjonell tone
Lysstyrke
Fargemetning
Fargepalett
Fargeintensitet
Kontrast
Fargeharmoni
The figures in a table
| Stemning | Artworks of the artist | Visits |
|---|---|---|
| Elegant | 62.5% | 66.7% |
| Dramatisk intensitet | 12.5% | 22.2% |
| Harmonisk | 12.5% | 11.1% |
| Jordnære toner | 12.5% | 0.0% |
| Emosjonell tone | Artworks of the artist | Visits |
|---|---|---|
| Rolig | 37.5% | 44.4% |
| Ettertenksomt | 50.0% | 33.3% |
| Mysteriefylt | 12.5% | 22.2% |
| Lysstyrke | Artworks of the artist | Visits |
|---|---|---|
| Mørkest | 18.8% | 23.5% |
| Myk skygge | 12.5% | 11.8% |
| Mild lysstyrke | 43.8% | 35.3% |
| Lyssterk balanse | 18.8% | 23.5% |
| Lyssterk | 6.2% | 5.9% |
| Fargemetning | Artworks of the artist | Visits |
|---|---|---|
| Dempet | 12.5% | 17.6% |
| Subtile farger | 31.2% | 17.6% |
| Balansert mykhet | 18.8% | 17.6% |
| Tydelig fargepreg | 37.5% | 47.1% |
| Livlig farge | 0.0% | 0.0% |
| Fargepalett | Artworks of the artist | Visits |
|---|---|---|
| Jordnær | 46.7% | 50.0% |
| Nøytrale toner | 26.7% | 18.8% |
| Mørke toner | 20.0% | 12.5% |
| Pastellfarger | 6.7% | 18.8% |
| Fargeintensitet | Artworks of the artist | Visits |
|---|---|---|
| Monokromatisk | 25.0% | 29.4% |
| Balansert | 37.5% | 23.5% |
| Klar og intens | 37.5% | 47.1% |
| Kontrast | Artworks of the artist | Visits |
|---|---|---|
| Rolig | 12.5% | 29.4% |
| Mild | 31.2% | 35.3% |
| Balansert | 12.5% | 5.9% |
| Sterk kontrast | 18.8% | 17.6% |
| Uttalelse | 25.0% | 11.8% |
| Fargeharmoni | Artworks of the artist | Visits |
|---|---|---|
| Uharmonisk fargepalett | 0.0% | 0.0% |
| Mykt sammensatt palett | 0.0% | 0.0% |
| Balansert harmoni | 0.0% | 0.0% |
| Sterk fargeharmoni | 43.8% | 35.3% |
| Samstemt palett | 56.2% | 64.7% |
What are the favourite canvases of Charles Bargue, month by month?
Hver rad representerer et populært kunstverk. Hver søyle viser antall besøk dette kunstverket fikk i løpet av en måned. Høyere søyler betyr flere besøk den måneden.
The figures in a table
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A Bashi-Bazouk | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 100 |
| The chess game | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 |
| A footman sleeping (1871) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 |
| The sentinel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 |
| The sentry | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 100 |
| Prayer in a Mosque | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Turkish sentinel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| An eastern coffehouse | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 |
| Marchand oriental | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 |
| Seated Bashi-Bazouk | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
What are the devices of the Charles Bargue readers?
Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.
The figures in a table
| Device | Visits | Share |
|---|---|---|
| computers | 2200 | 68.8% |
| phones | 900 | 28.1% |
| tablets | 100 | 3.1% |
In what languages is Charles Bargue read?
Hver del representerer ett språk. Jo større delen er, desto flere besøkende har brukt nettstedet på det språket i løpet av de siste tretti dagene. Kun de ti største vises.
The figures in a table
| Language | Visits | Share |
|---|---|---|
| English | 300 | 60.0% |
| French | 100 | 20.0% |
| Portuguese | 100 | 20.0% |
How many visits per day does Charles Bargue get, and what next?
Hver søyle representerer én dag. De første søylene viser antall besøk de siste tre ukene. Søylene i den andre fargen er vårt estimat for de neste tre ukene.
The figures in a table
| Day | Visits |
|---|---|
| Sat 19 Sep | 0 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 100 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 100 |
| Fri 2 Oct | 100 |
| Sat 3 Oct | 100 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 200 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 100 |
| Fri 9 Oct | 0 |
| Sat 10 Oct (prognose) | 200 |
| Sun 11 Oct (prognose) | 0 |
| Mon 12 Oct (prognose) | 0 |
| Tue 13 Oct (prognose) | 200 |
| Wed 14 Oct (prognose) | 0 |
| Thu 15 Oct (prognose) | 200 |
| Fri 16 Oct (prognose) | 100 |
| Sat 17 Oct (prognose) | 200 |
| Sun 18 Oct (prognose) | 0 |
| Mon 19 Oct (prognose) | 0 |
| Tue 20 Oct (prognose) | 200 |
| Wed 21 Oct (prognose) | 0 |
| Thu 22 Oct (prognose) | 200 |
| Fri 23 Oct (prognose) | 100 |
| Sat 24 Oct (prognose) | 200 |
| Sun 25 Oct (prognose) | 0 |
| Mon 26 Oct (prognose) | 0 |
| Tue 27 Oct (prognose) | 200 |
| Wed 28 Oct (prognose) | 0 |
| Thu 29 Oct (prognose) | 200 |
| Fri 30 Oct (prognose) | 100 |
What readers ask about Charles Bargue
Which canvases of Charles Bargue are opened most?
- Study for L'Aimee first: 300 visits, 18% of the views. 10 canvases are ranked above.
How large is the readership of Charles Bargue on TopImpressionists.com?
- 3200 visits in twelve months: 1500 on the painter's page, 1700 on the canvases.
What devices do the readers of Charles Bargue use?
- They use computers (69%), phones (28%) and tablets (3%); computers bring 69% of the visits.
Which canvases of Charles Bargue suit the readers' taste?
- Canvases that read as Rolig (Kontrast) get 29% of the visits for 12% of the catalog.