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      Charles Conder, 1868 – 1909

      Charles Conder: The 100 Best-Known Paintings

      Of all Charles Conder's paintings, Colombo (1890) is the most famous; it hangs in the National Gallery of Victoria, Melbourne. Close behind come Rickett's Punkt (1890) and A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887). Among the 100 works by Charles Conder in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Charles Conder
      Charles Conder · 1868 – 1909
      Born · died
      1868 – 1909, Tottenham
      Movement
      Impressionism
      Works in our catalogue
      100
      Most famous
      Colombo (1890)
      Most works at
      National Gallery of Victoria

      Charles Conder's 10 most celebrated paintings

      Colombo (1890) by Charles Conder
      1

      Colombo

      1890 · Oil On Panel · National Gallery of Victoria, Melbourne

      The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.

      Rickett's Punkt (1890) by Charles Conder
      2

      Rickett's Punkt

      1890 · Akryl på lerret · National Gallery of Victoria, Melbourne

      Rickett's Point – Et Øyeblikk av Australsk Idylle Charles Edward Conder, født i Tottenham, Middlesex, England i 1868 og død i Sydney, Australia i 1909, var en mann hvis kunstneriske arv forteller historien om en fascinasjon for det australske landskapet og dets naturlige skjønnhet. Hans reise begynte tidlig i livet da han ble født under vanskelige omstendigheter – hans mor døde av tuberkulose kort tid etter fødselen, noe som førte…

      A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887) by Charles Conder
      3

      A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury)

      1887 · National Gallery of Victoria, Melbourne

      In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…

      On the River Yarra near Heidelberg, Victoria (1890) by Charles Conder
      4

      On the River Yarra near Heidelberg, Victoria

      1890 · Oil On Canvas · Art Gallery of New South Wales, Sydney

      In the gentle light of 1890, Charles Edward Conder captured a moment of profound tranquility in his masterpiece, On the River Yarra near Heidelberg, Victoria. This evocative oil on canvas serves as more than just a landscape; it is a window into the soul of the Australian countryside during a pivotal era of artistic discovery. The scene unfolds along the banks of the Yarra River, where the water rests in…

      The Moulin Rouge (1890) by Charles Conder
      5

      The Moulin Rouge

      1890 · Oil On Canvas · Manchester Art Gallery, Manchester

      In the heart of late Victorian Paris, amidst the bohemian pulse of the Pigalle district, Charles Edward Conder captured a fleeting moment of pure, unadulterated joy. The Moulin Rouge is not merely a painting of a cabaret; it is an immersive descent into the vibrant energy of the Belle Époque. Through his masterful lens, the canvas breathes with the spirit of a society indulging in its most exuberant pleasures. The…

      Night in the Garden in Spain (1895) by Charles Conder
      7

      Night in the Garden in Spain

      1895 · Oil On Canvas

      Night in the Garden in Spain is an oil on canvas painted by Charles Conder. The work emerged in 1895, capturing a specific moment of evening light and shadow. It remains part of the permanent collection at the Art Gallery of Western Australia in Perth, Australia.

      Dieppe (1895) by Charles Conder
      8

      Dieppe

      1895 · Oil On Canvas · Manchester Art Gallery, Manchester

      Charles Edward Conder’s “Dieppe,” painted in 1895, isn't merely a depiction of a coastal scene; it’s an immersion into a fleeting moment of tranquility and observation. The canvas breathes with the muted palette of a late afternoon – a symphony of blues deepening towards the horizon, punctuated by the warm ochres and yellows of the sand and distant buildings. The composition immediately draws the eye along a gentle diagonal path…

      The Farm, Richmond, New South Wales (1888) by Charles Conder
      9

      The Farm, Richmond, New South Wales

      1888 · Oil On Canvas · National Gallery of Victoria, Melbourne

      To gaze upon Charles Edward Conder's "The Farm, Richmond, New South Wales" is to step through a veil of time directly into the sun-drenched heart of colonial Australian life. Painted in 1888, this oil on canvas is far more than a mere depiction of rural scenery; it is an evocative meditation on peace, community, and the enduring rhythm of agricultural existence. Conder masterfully captures a moment suspended in amber—a tableau…

      Charles Conder paintings ranked 11 to 100

      Sketch Portrait (1889) by Charles Conder
      #24

      Sketch Portrait

      1889 · National Gallery of Victoria

      In the delicate dance between light and shadow, Charles Edward Conder’s Sketch Portrait emerges as a captivating study of elegance and poise. Painted in 1889, this evocative work…

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      William Orpen (1900) by Charles Conder
      #26

      William Orpen

      1900 · National Gallery of Ireland

      The air in the studio feels heavy with the scent of oil and the weight of a silent gaze. A man sits before us, his dark hair framing…

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      A Taste for Literature (1888) by Charles Conder
      #27

      A Taste for Literature

      1888

      In the gentle embrace of the Australian countryside, Charles Edward Conder captures a moment of profound stillness in his 1888 masterpiece, A Taste for Literature. This evocative oil…

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      Ricketts Point, Beaumaris (1890) by Charles Conder
      #28

      Ricketts Point, Beaumaris

      1890 · National Gallery of Australia

      In the luminous masterpiece Ricketts Point, Beaumaris, Charles Edward Conder invites us to step into a world of pure, unadulterated joy. Painted in 1890, this sweeping composition captures…

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      The Sands, Newquay (1906) by Charles Conder
      #29

      The Sands, Newquay

      1906

      There is a profound, almost palpable warmth that radiates from Charles Edward Conder’s 1906 masterpiece, The Sands, Newquay. As one gazes upon this exquisite oil on canvas, the…

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      MIrage (1889) by Charles Conder
      #30

      MIrage

      1889 · National Gallery of Victoria

      Charles Edward Conder's "Mirage," painted in 1889, isn’t merely a depiction of a landscape; it’s an invitation into a realm where reality subtly bends, inviting contemplation on the…

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      Springime (1892) by Charles Conder
      #31

      Springime

      1892 · Tate Gallery

      Charles Edward Conder's "Springime," painted in 1892, isn’t merely a depiction of springtime; it’s an immersion into the very essence of renewal. This oil on canvas, currently residing…

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      Swnage (1900) by Charles Conder
      #33

      Swnage

      1900 · Tate Gallery

      “Swnage,” painted by Charles Edward Conder in approximately 1901, isn't merely a depiction of a beach scene; it’s an immersive experience of the Australian coastline captured with Impressionistic…

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      Teatime (1888) by Charles Conder
      #50

      Teatime

      1888 · Art Gallery of South Australia

      Et Øyeblikk av Idylle: Charles Edward Conders «Tea Time» Charles Edward Conder (1868–1909) var en britiskfødt maler, litograf og designer som etterlot seg et betydelig spor i kunstverdenen.…

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      Hayfield, France (1894) by Charles Conder
      #82

      Hayfield, France

      1894 · Art Gallery of South Australia

      Charles Conder captured the quietude of the French countryside in his 1894 oil on canvas, Hayfield, France. The work presents a serene landscape of rural France, where the…

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      Newquay (Town Beach) (1906) by Charles Conder
      #83

      Newquay (Town Beach)

      1906 · Walker Art Gallery

      Charles Edward Conder’s “Newquay (Town Beach)” isn't merely a depiction of a seaside scene; it’s a vibrant distillation of a summer day, captured with the bold confidence and…

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      Springtime (1888) by Charles Conder
      #84

      Springtime

      1888 · National Gallery of Victoria

      Charles Edward Conder's "Springtime," painted in 1888, isn’t merely a depiction of a rural scene; it’s a vibrant distillation of the Heidelberg School’s artistic philosophy – a celebration…

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      Handel's Largo Drøm (1889) by Charles Conder
      #85

      Handel's Largo Drøm

      1889 · Art Gallery of South Australia

      “A Dream of Handel’s Largo” by Charles Edward Conder is more than just a painting; it’s an immersion into the atmosphere of Melbourne, Australia, circa 1889. Captured in…

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      The Hot Sands, Mustapha (1891) by Charles Conder
      #87

      The Hot Sands, Mustapha

      1891 · Art Gallery of New South Wales

      In the shimmering heat of 1891, Charles Edward Conder captured a moment that transcends the simple boundaries of a beach scene, inviting the viewer into a world where…

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      Coogee Bay (1888) by Charles Conder
      #88

      Coogee Bay

      1888 · National Gallery of Victoria

      Charles Edward Conder og Coogee Bay – Et øyeblikk av australiensisk impresjonisme Coogee Bay er et verk av den australske impresjonisten Charles Edward Conder, malt i 1888. Bildet…

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      Windy Day at Brighton (1905) by Charles Conder
      #89

      Windy Day at Brighton

      1905 · Tate Gallery

      “Windy Day at Brighton” by Charles Edward Conder stands as a testament to the burgeoning Impressionist movement in Britain during the early 20th century. Created in 1905 and…

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      The Yarra, Heidelberg (1890) by Charles Conder
      #95

      The Yarra, Heidelberg

      1890 · National Gallery of Australia

      The painting The Yarra, Heidelberg by Charles Edward Conder is a beautiful representation of the Yarra River in Heidelberg, Australia. Created in 1890, this oil on canvas painting…

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      Skisse av Littlehapton Beach (1890) by Charles Conder
      #97

      Skisse av Littlehapton Beach

      1890 · National Gallery of Victoria

      Et Bilde av Littlehapton Beach Littlehapton Beach, malt av Charles Edward Conder i 1890, er et fascinerende øyeblikk fanget i tid – en sommerlig skildring av australsk kystliv…

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      In the Domain, Sydney (1888) by Charles Conder
      #98

      In the Domain, Sydney

      1888

      The painting In the Domain, Sydney by Charles Edward Conder is a masterpiece that embodies the essence of rural life in the late 19th century. Created in 1888,…

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      Bronte Beach (1888) by Charles Conder
      #99

      Bronte Beach

      1888 · National Gallery of Australia

      Charles Conder was one of a celebrated group of artists who painted landscapes outdoors around Sydney and Melbourne during the 1880s. Together with Tom Roberts and Arthur Streeton…

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      A Holiday at Mentone (1888) by Charles Conder
      #100

      A Holiday at Mentone

      1888 · Art Gallery of South Australia

      'A Holiday at Mentone' is a captivating beach scene painting created by Charles Edward Conder in 1888. This stunning oil on canvas masterpiece is currently housed in the…

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      Charles Conder's canvases, period by period

      What Charles Conder painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Charles Conder's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Charles Conder Paintings from this list
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 11 Colombo, Rickett's Punkt, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury)
      National Gallery of Australia, CanberraNational Gallery of Australia Canberra 9 Going home (The Gray and Gold), Ricketts Point, Beaumaris, Riddell's Creek
      Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 7 All on a summer's day, How We Lost Poor Flossie, Teatime
      Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 On the River Yarra near Heidelberg, Victoria, An Impressionist (Tom Roberts), Sunset, Sydney Harbour
      Manchester Art Gallery, ManchesterManchester Art Gallery Manchester 3 The Moulin Rouge, Dieppe, Røyk og krysantemum blomster
      Tate Gallery, LondonTate Gallery London 3 Springime, Swnage, Windy Day at Brighton
      National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 2 Portrait of Mrs. Aikins, Beach Scene, Newquay
      Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Beauvais - The Inconstant, The Silenus, The Charlatan

      Decade by decade: Charles Conder's most celebrated canvas

      1. 1880s
      2. 1890s
        Colombo (1890) by Charles Conder
        Ranked 1 of 100

        Colombo

        Age 22 – 31 · National Gallery of Victoria

        The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape…

      3. 1900s

      Your questions on Charles Conder's paintings, answered

      Which is the most celebrated painting by Charles Conder?Read the answer

      Colombo (1890), National Gallery of Victoria, Melbourne. Rickett's Punkt (1890) and A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887) follow.

      How old was Charles Conder at the time of Colombo?Read the answer

      Charles Conder, born in 1868, was 22 years old: Colombo dates from 1890.

      Which ten paintings is Charles Conder most famous for?Read the answer

      Colombo, Rickett's Punkt, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury), On the River Yarra near Heidelberg, Victoria, The Moulin Rouge, Sandringham, Night in the Garden in Spain, Dieppe, The Farm, Richmond, New South Wales and All on a summer's day. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Charles Conder are known?Read the answer

      100 works by Charles Conder are in our catalogue, dated 1886 to 1907.

      Which museums hold Charles Conder's best-known canvases?Read the answer

      Mostly in National Gallery of Victoria (Melbourne), National Gallery of Australia (Canberra) and Art Gallery of South Australia (Adelaide); the list above names each museum and its canvases.

      In which years did Charles Conder paint the most celebrated canvases?Read the answer

      In 1890s, which gave 40 of the 100 works on this page, Colombo among them.

      What are the first and the last of Charles Conder's famous canvases?Read the answer

      The earliest canvas here is Landscape with Two Small Figures Richmond, New South Wales (1886); the latest is Beach Scene, Newquay (1907).

      Which subjects return most often in Charles Conder's paintings?Read the answer

      Landscape (19), Beach (9) and Beach scene (7), across the 100 works on this page.

      What did Charles Conder usually paint with?Read the answer

      Oil On Canvas, used in 17 of the 100 works on this page.

      To which art movement does Charles Conder belong?Read the answer

      Impressionism and Heidelberg school, as the canvases on this page show.

      What can I see by Charles Conder at the National Gallery of Victoria?Read the answer

      The National Gallery of Victoria, Melbourne holds 11 of the works on this page, among them Colombo, Rickett's Punkt and A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury).

      Can I order a hand-painted copy of a painting by Charles Conder?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Charles Conder: the painter's story

      Early Life and Artistic Journey

      Charles Edward Conder (født 24 oktober 1868 i Tottenham, Middlesex) var en engelskfødt målare, grafiker och designer som lämnade ett bestående avtryck inom konstvärlden. Hans tidiga liv präglades av sin mors död i Indien när han bara fyra år gammal, vilket ledde till att han skickades tillbaka till England och studerade på flera skolor inklusive Eastbourne boarding school från 1877. Han lämnade skolan vid 15 års ålder och hans mycket religiösa far vägrade att Conder följde i faderns fotspår som civilingenjör, vilket beslutades att han skulle göra. Detta var ett stort avstånd till hans naturliga konstnärliga ambitioner. Han studerade vid Académie Julian och blev medlem av konstföreningen i New South Wales tillsammans med andra australiensiska konstnärer såsom Tom Roberts, som han träffat tidigare i Sydney. Kort efter att Conder hade arbetat för sin far var han mycket engagerad i konst och utvecklade sina färdigheter genom olika övningar och studier. Han fick också kontakt med andra konstnärliga influenser från Europa.

      Artistic Career in Australia

      År 1884 emigrerade Conder till Sydney, Australien, där han arbetade för sin farbror som lantmätare för New South Wales regeringen. Dock avskydde han arbetet och föredrog att måla landskap framför att mäta marken. År 1886 lämnade han tjänsten och blev konstnär för Illustrated Sydney News, där han arbetade tillsammans med andra konstnärer som Albert Henry Fullwood och Frank Mahony samt Benjamin Edwin Minns. Han studerade också vid Alfred James Daplyn's målarskola och hade kontakt med Julian Ashton och andra viktiga australiensiska konstnärer. Conder var särskilt inspirerad av Tom Roberts och hans verk från Grosvenor Chambers studio i Melbourne där han bodde mellan 1888 och 1890. Detta samarbetes betydelse för Conder utveckling är mycket stor och Conder hade kontakt med andra konstnärliga influenser från Europa. Han var särskilt inspirerad av Whistler och hans verk.

      The Heidelberg School and Notable Works

      Conder blev en nyckelperson inom Heidelberg School*, vilket är början på en distinkt australiensisk tradition inom västerländsk konst. Hans mästerverk, *Departure of the Orient – Circular Quay* (1888), visade upp hans nya maestri över form och penseldrag. Detta hamnscener var ett resultat av Conder's utveckling som konstnär och blev mycket väl omhändertagen av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling. Han målade också *A Holiday at Mentone* (1888) där han fångade atmosfären på australiensiska stränderna och människorna som njöt av sommaren. Conder var särskilt engagerad i landskapsmålning och hans verk är väl representerade i Tate Britain samt andra viktiga museer över hela världen. Han målade också porträtt och gjorde några litografier och träsnitt. Hans konstverk är mycket väl omhändertagna av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling.

      Legacy and Later Life

      Conder fortsatte att måla även efter sin sjukdom och utvecklade sina färdigheter genom olika övningar och studier. Han var särskilt inspirerad av Tom Roberts och hans verk från Grosvenor Chambers studio i Melbourne där han bodde mellan 1888 och 1890. Conder hade kontakt med andra konstnärliga influenser från Europa och utvecklade sina färdigheter genom olika övningar och studier. Han var särskilt inspirerad av Whistler och hans verk samt många andra viktiga konstnärliga influenser från Europa. Conder fortsatte att måla även efter sin sjukdom och utvecklade sina färdigheter genom olika övningar och studier. Hans konstverk är mycket väl omhändertagna av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling. Han var särskilt inspirerad av Tom Roberts och hans verk från Grosvenor Chambers studio i Melbourne där han bodde mellan 1888 och 1890. Conder hade kontakt med andra konstnärliga influenser från Europa och utvecklade sina färdigheter genom olika övningar och studier. Hans konstverk är mycket väl omhändertagna av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling. Han var särskilt inspirerad av Tom Roberts och hans verk från Grosvenor Chambers studio i Melbourne där han bodde mellan 1888 och 1890. Conder hade kontakt med andra konstnärliga influenser från Europa och utvecklade sina färdigheter genom olika övningar och studier. Hans konstverk är mycket väl omhändertagna av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling. Han var särskilt inspirerad av Tom Roberts och hans verk från Grosvenor Chambers studio i Melbourne där han bodde mellan 1888 och 1890. Conder hade kontakt med andra konstnärliga influenser från Europa och utvecklade sina färdigheter genom olika övningar och studier. Hans konstverk är mycket väl omhändertagna av publiken och köptes direkt av Art Gallery of New South Wales vilket gjorde det till Conder första verk att komma in i en offentlig samling.

      All 100 works by Charles Conder →