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      Edward Lear, 1812 – 1888

      100 av Edward Lears mest kjente malerier

      Cogoleto, Italy er maleriet Edward Lear er mest kjent for. Crescenza og Blue And Yellow Macaw fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 419 verk av Edward Lear. Her er de 100 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Edward Lear
      Edward Lear · 1812 – 1888
      Født · død
      1812 – 1888, Highgate
      Bevegelse
      Romanticism
      Verker i vår katalog
      419
      Mest kjente
      Cogoleto, Italy
      Flest verk hos
      Yale Center for British Art

      De ti mest kjente maleriene av Edward Lear

      Cogoleto, Italy av Edward Lear
      1

      Cogoleto, Italy

      Watercolor

      The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

      The Temple of Apollo at Bassae (1855) av Edward Lear
      7

      The Temple of Apollo at Bassae

      1855 · Oil On Canvas · Fitzwilliam College, Cambridge

      The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

      Edward Lear: lerreter 11 til 100 på rangeringen

      Philae, Egypt (1863) av Edward Lear
      #14

      Philae, Egypt

      1863 · Yale Center for British Art

      Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

      Få det malt for hånd →
      Between Olavano and Civitella (1842) av Edward Lear
      #16

      Between Olavano and Civitella

      1842 · Yale Center for British Art

      Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

      Ta med deg dette lyset hjem →
      Montene ved Termopyle (1852) av Edward Lear
      #18

      Montene ved Termopyle

      1852 · Bristol Museum - Art Gallery

      Edward Lear og Thermopylae: Et Landskap av Kontrast og Refleksjon Edward Lear (1812–1888) var en kunstner hvis verk ofte ble møtt med latterlig glede og et snev av…

      Bestill dette lerretet →
      Thermopylae (1872) av Edward Lear
      #45

      Thermopylae

      1872 · The Ashmolean Museum of Art And Archaeology

      In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

      Få det malt for hånd →

      Hva Edward Lear malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Der Edward Lear sine lerreter henger

      De 8 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Edward Lear Malerier fra denne listen
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
      Government Art Collection, LondonGovernment Art Collection London 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
      The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
      Israels Museum, JerusalemIsraels Museum Jerusalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
      Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
      Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Montene ved Termopyle
      Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

      Edward Lears mest kjente lerreter, tiår etter tiår

      1. 1830s
      2. 1840s
        Between Olavano and Civitella (1842) av Edward Lear
        Rangert som 16 av 100

        Between Olavano and Civitella

        Alder 28 – 37 · Yale Center for British Art

        Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

      3. 1850s
      4. 1860s
        Philae, Egypt (1863) av Edward Lear
        Lerret 14 av 100

        Philae, Egypt

        Alder 48 – 57 · Yale Center for British Art

        Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

      5. 1870s
      6. 1880s
        The Plains of Lombardy from Monte Generoso (1880) av Edward Lear
        Rangert som 15 av 100

        The Plains of Lombardy from Monte Generoso

        Alder 68 – 76 · The Ashmolean Museum of Art And Archaeology

        In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

      Edward Lears lerreter, spørsmål for spørsmål

      Hvilket maleri er Edward Lear mest kjent for?Les svaret

      Cogoleto, Italy, etterfulgt av Crescenza og Blue And Yellow Macaw.

      Hva er de ti mest kjente maleriene til Edward Lear?Les svaret

      Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy og Ithaca, Ionian Islands. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har Edward Lear skapt?Les svaret

      419 verk av Edward Lear finnes i vår katalog, datert fra 1839 til 1884.

      Hvor henger Edward Lears mest kjente malerier i dag?Les svaret

      Hovedsakelig i Yale Center for British Art (New Haven), Government Art Collection (London) og The Ashmolean Museum of Art And Archaeology (Oxford); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Edward Lear sine mest kjente lerreter?Les svaret

      I 1860s, som utgjorde 14 av de 100 verkene på denne siden, var Philae, Egypt blant dem.

      Hvilket berømt lerret av Edward Lear kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Civita Castellana (1839); det nyeste er fra Argos from Mycene (1884).

      Hvilke motiver malte Edward Lear mest av?Les svaret

      Landscape (11), Scenes (11) og Italy (11), fordelt på 100 verk på denne siden.

      Hvilket medium er mest fremtredende i Edward Lear sine malerier?Les svaret

      Watercolor, brukt i 2 av de 100 verkene på denne siden.

      Hvilken kunstretning er Edward Lear tilknyttet?Les svaret

      Romanticism, som lerretet på denne siden viser.

      Hvilke malerier av Edward Lear er i Yale Center for British Art sin samling?Les svaret

      Yale Center for British Art, New Haven har 14 av verkene på denne siden, inkludert Philae, Egypt, Between Olavano and Civitella og A Study of Ferns, Civitella.

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Edward Lear?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Edward Lear

      A Life Painted in Nonsense and Light

      Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a veritable whirlwind of siblings – Lear’s early life was profoundly shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that are profoundly reflected in his art and writing.

      From Ornithological Precision to Landscape’s Embrace

      Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a truly exceptional eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to meticulously document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots were not merely a job; they fostered a deep and enduring connection with the natural world – a connection that would become a cornerstone of his later landscape paintings. The demanding nature of this work, however, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not only offering a restorative environment but also providing an abundance of breathtaking vistas that would inform his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

      The Poet of Nonsense: A World Unbound

      While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks, in particular, are renowned for their rhythmic precision and unexpected twists. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and whimsical characters continue to delight readers of all ages.

      Influences and Artistic Development

      • Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.
      • Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
      • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
      • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

      A Legacy of Innovation and Enduring Charm

      Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

      Alle 419 verk av Edward Lear →