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      Jan Asselijn, 1610 – 1652

      De 84 mest kjente maleriene av Jan Asselijn, rangert

      Det mest kjente maleriet av Jan Asselijn er The Threatened Swan (1652), som henger i Rijksmuseum, Amsterdam. The Threatened Swan (1650) og King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 84 verk av Jan Asselijn: her er de 84 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Jan Asselijn
      Jan Asselijn · 1610 – 1652
      Født · død
      1610 – 1652, Dieppe
      Bevegelse
      Dutch golden age
      Verker i vår katalog
      84
      Mest kjente
      The Threatened Swan (1652)
      Flest verk hos
      Rijksmuseum

      Topp 10 Jan Asselijn-malerier: de mest kjente verkene

      The Threatened Swan (1652) av Jan Asselijn
      1

      The Threatened Swan

      1652 · Rijksmuseum, Amsterdam

      Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.

      The Threatened Swan (1650) av Jan Asselijn
      2

      The Threatened Swan

      1650 · Oil On Canvas · Rijksmuseum, Amsterdam

      Jan Asselijn’s “The Threatened Swan,” painted around 1650, is more than just a beautiful depiction of a majestic bird; it's a meticulously crafted political allegory that offers a fascinating glimpse into the turbulent world of 17th-century Holland. This oil on canvas masterpiece, currently residing in the Rijksmuseum in Amsterdam, immediately captivates with its dynamic composition and dramatic lighting, hallmarks of the Dutch Golden Age’s artistic prowess. The painting depicts a…

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) av Jan Asselijn
      3

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

      1634 · Oil On Canvas · Statens Museum for Kunst, København

      Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

      Landscape with a Bridge in the Italian Countryside (1652) av Jan Asselijn
      4

      Landscape with a Bridge in the Italian Countryside

      1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

      A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) av Jan Asselijn
      5

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632

      The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

      The Tiber River with the Ponte Molle at Sunset (1650) av Jan Asselijn
      8

      The Tiber River with the Ponte Molle at Sunset

      1650 · Oil · National Gallery of Art, Washington

      The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

      Flere lerreter av Jan Asselijn, fra 11 til 84

      River Bank with Herdsmen (1650) av Jan Asselijn
      #17

      River Bank with Herdsmen

      1650 · Academy of Fine Arts Vienna

      To gaze upon Jan Asselijn's River Bank with Herdsmen is to step directly into a moment of profound tranquility from the heart of the 17th century. This oil…

      Få det malt for hånd →
      Imaginary Italian Landscape (1652) av Jan Asselijn
      #19

      Imaginary Italian Landscape

      1652 · Mauritshuis Royal Picture Gallery

      In the heart of 1652, as Amsterdam flourished as a beacon of artistic brilliance, Jan Asselijn turned his gaze toward the warmth of the south. His masterpiece, Imaginary…

      Få det malt for hånd →
      PAYSAGE AVEC UNE TOUR av Jan Asselijn
      #60

      PAYSAGE AVEC UNE TOUR

      Louvre

      The Serene Majesty of “PAYSAGE AVEC UNE TOUR” – A Dutch Golden Age Masterpiece Jan Asselijn’s “PAYSAGE AVEC UNE TOUR,” a captivating landscape rendered in the rich, atmospheric…

      Bestill dette lerretet →
      Muleteers beside an Italian Ruin (1650) av Jan Asselijn
      #63

      Muleteers beside an Italian Ruin

      1650 · Rijksmuseum

      WahooArt offers high-quality hand-painted reproductions of “Muleteers beside an Italian Ruin” by Jan Asselijn, capturing the essence of this captivating artwork in stunning detail. Explore our collection today…

      Bestill dette lerretet →
      Hangout in Italy (1620) av Jan Asselijn
      #64

      Hangout in Italy

      1620 · Rijksmuseum

      Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      Bestill dette lerretet →
      Hunting Company out of Rome (1652) av Jan Asselijn
      #66

      Hunting Company out of Rome

      1652 · Rijksmuseum

      Hunting Company Out of Rome Jan Asselijn’s “Hunting Company Out of Rome,” completed in 1652, stands as a quintessential emblem of the Dutch Golden Age landscape tradition—a testament…

      Bestill dette lerretet →
      Italian Coast Scene av Jan Asselijn
      #81

      Italian Coast Scene

      Fitzwilliam College

      Jan Asselijn's "Italian Coast Scene," painted circa 1640-1652, isn’t merely a depiction of a coastal landscape; it’s an invitation to step into a moment of serene contemplation. This…

      Bestill dette lerretet →
      Italian Landscape av Jan Asselijn
      #82

      Italian Landscape

      Fitzwilliam College

      Jan Asselijn's "Italian Landscape," painted circa 1625-1652, isn’t merely a depiction of a picturesque vista; it’s an invitation to step into a carefully constructed world of serene beauty…

      Bestill dette lerretet →

      Jan Asselijns lerreter, periode for periode

      Hva Jan Asselijn malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Der Jan Asselijn sine lerreter henger

      De 8 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Jan Asselijn Malerier fra denne listen
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 11 The Threatened Swan, The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652
      Academy of Fine Arts Vienna, WienAcademy of Fine Arts Vienna Wien 6 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
      Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
      Gemäldegalerie, BerlinGemäldegalerie Berlin 4 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, Landscape with Swans and a Swimming Dog, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651
      Louvre, ParisLouvre Paris 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
      Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
      Eremitasjen, St. PetersburgEremitasjen St. Petersburg 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

      Jan Asselijns mest elskede lerreter fra hvert tiår

      1. 1620s
        Hangout in Italy (1620) av Jan Asselijn
        64 av 84

        Hangout in Italy

        Alder 10 – 19 · Rijksmuseum

        Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      2. 1630s
      3. 1640s
      4. 1650s
        The Threatened Swan (1652) av Jan Asselijn
        Rangert som 1 av 84

        The Threatened Swan

        Alder 40 – 42 · Rijksmuseum

        Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…

      Om Jan Asselijn sine lerreter: dine spørsmål besvart

      Hva er det mest kjente maleriet av Jan Asselijn?Les svaret

      The Threatened Swan (1652), Rijksmuseum, Amsterdam. The Threatened Swan (1650) og King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) følger.

      Hvor gammel var Jan Asselijn da The Threatened Swan ble malt?Les svaret

      Jan Asselijn, født i 1610, var 42 år gammel: The Threatened Swan er fra 1652.

      Hva er de 10 mest kjente maleriene til Jan Asselijn?Les svaret

      The Threatened Swan, The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep og Italian Landscape. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange verk malte Jan Asselijn totalt?Les svaret

      84 verk av Jan Asselijn finnes i vår katalog, datert fra 1620 til 1652.

      Hvor kan jeg se de mest kjente maleriene til Jan Asselijn?Les svaret

      Hovedsakelig i Rijksmuseum (Amsterdam), Academy of Fine Arts Vienna (Wien) og Statens Museum for Kunst (København); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Jan Asselijn sine mest kjente lerreter?Les svaret

      I 1650s, som utgjorde 27 av de 84 verkene på denne siden, var The Threatened Swan blant dem.

      Hvilke er Jan Asselijns tidligste og nyeste berømte malerier?Les svaret

      Det eldste lerretet her er fra Hangout in Italy (1620); det nyeste er fra The Threatened Swan (1652).

      Hva malte Jan Asselijn oftest?Les svaret

      Landscape (26), Figures (5) og Italy (5), fordelt på 84 verk på denne siden.

      Hvilket medium malte Jan Asselijn oftest i?Les svaret

      Oil On Canvas, brukt i 11 av de 84 verkene på denne siden.

      Hvilken kunstretning tilhører maleriet til Jan Asselijn?Les svaret

      Dutch golden age og Baroque, som lerretet på denne siden viser.

      Hvilke lerreter av Jan Asselijn henger på Rijksmuseum?Les svaret

      Rijksmuseum, Amsterdam har 11 av verkene på denne siden, inkludert The Threatened Swan, The Threatened Swan og Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652.

      Kan jeg kjøpe en reproduksjon av et lerret av Jan Asselijn?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Jan Asselijn: et liv i maling

      A Life Forged in Landscape: The World of Jan Asselijn

      Born Jean Asselin around 1610 in Dieppe, France, Jan Asselijn’s life unfolded against the backdrop of turbulent religious times and a burgeoning artistic revolution. His family, Huguenots fleeing persecution, relocated to Amsterdam in 1621 – a city pulsating with commercial energy and brimming with creative talent during the Dutch Golden Age. This move proved transformative, immersing young Jean into an environment where landscape painting was undergoing a dramatic shift away from traditional representations toward scenes imbued with palpable atmosphere and profound emotion. Initially apprenticed under Jan Martszen the Younger, he honed his skills in battle paintings before discovering his true passion: capturing the splendor of both natural vistas and animal life. The Dutch light – expansive skies and vibrant hues – would become an indelible mark on Asselijn’s artistic vision, though a journey to Italy solidified his aesthetic sensibilities and propelled him toward groundbreaking innovation.

      The Italianate Embrace & The Bentvueghels

      Like many ambitious Northern European painters of the era, Asselijn sought inspiration in Italy, arriving sometime after 1635. He wholeheartedly embraced the *Italianate* style – a genre characterized by sun-drenched landscapes, classical ruins, and pastoral scenes brimming with romanticism. He joined the ranks of the *Bentvueghels*, a peculiar society of Dutch and Flemish artists residing in Rome. These “Birds of a Feather” defied convention, adopting outlandish nicknames and prioritizing direct observation—rejecting studio work altogether. Within this spirited community, Asselijn earned the moniker "Krabbetje" (little crab) due to a congenital deformity affecting his hand – yet he flourished creatively. He absorbed influences from artists like Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s evolving style. This formative period instilled in him the ability to convey emotion, light, and narrative within his canvases—a skill that would define his oeuvre.

      Mastering Light & Symbolism: Key Works

      Upon returning to Amsterdam, Asselijn possessed a refined technique and a distinctive artistic voice. His paintings are distinguished by exceptional clarity of execution and masterful manipulation of light – qualities that swiftly garnered admiration from contemporaries like Rembrandt, who even created etchings portraying Asselijn at work—a gesture perhaps sensitive to the artist’s physical disability. While he produced historical and battle scenes, it was his landscapes and animal studies that truly cemented his reputation. The Threatened Swan, completed around 1640, stands as his most celebrated masterpiece. More than merely a depiction of avian defense, this painting became a potent emblem of Dutch national resilience against external pressures—a visual articulation of anxieties prevalent during the time and interpreted allegorically as representing Johan de Witt, a prominent Dutch statesman. Intriguingly, later owners added symbolic inscriptions to the canvas – “Holland” on one of the eggs and “Enemy of the state” beside the menacing dog—further amplifying its political significance. Other notable works include Cavalry Attack at Sunset, showcasing his initial training in battle painting with dramatic flair, and depictions of rural life like Drovers with Cattle under an Arch of the Colosseum in Rome, which harmoniously blend Italianate landscapes with animal observations—demonstrating Asselijn’s capacity to capture both visual beauty and narrative depth. The Breach of the Saint Anthony’s Dike near Amsterdam exemplifies his ability to portray a moment of national crisis—reflecting the ever-present danger posed by water and necessitating ingenious solutions for Dutch land reclamation.

      Influence & Legacy: A Lasting Impression

      Jan Asselijn's influence extended beyond his prolific output. He was revered by artists like Rembrandt, who produced etchings documenting Asselijn’s artistic process—a gesture perhaps considerate of the artist’s physical impairment. Furthermore, he served as a mentor to Frederik de Moucheron, another accomplished Dutch landscape painter who championed the Italianate style and disseminated its principles widely. Asselijn's innovative approach to light and atmosphere profoundly impacted subsequent generations of painters—laying the groundwork for greater naturalism and emotional resonance in landscape art. His works are now housed in prestigious institutions such as the Rijksmuseum in Amsterdam, ensuring his enduring legacy as a pivotal figure within the Dutch Golden Age—a testament to his artistic brilliance and lasting contribution to European art history.

      Alle 84 verk av Jan Asselijn →