Av alle Jan Steens malerier er The Dissolute Household (1663) det mest kjente; det henger i Metropolitan Museum of Art, New York. Like bak følger The feast of Saint Nicholas (1670) og Merry Company on a Terrace (1670). Blant de 499 verkene av Jan Steen i vår katalog, er disse 100 de mest kjente, hver vist med dato, museum og historie.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
A Symphony of Chaos: Unveiling Jan Steen’s Masterpiece The Dissolute Household is not merely a painting; it is a theatrical performance frozen in time, a vibrant window into the boisterous and often unruly heart of the Dutch Golden Age. Created around 1663 by the incomparable Jan Havickszoon Steen, this work serves as a masterful exploration of human frailty, humor, and the delightful disorder of domestic life. As one gazes upon…
Step into this room and you are immediately caught in the middle of a Dutch household in mid-December. The air feels heavy with the scent of citrus and spiced bread. We are witnessing the Feast of Saint Nicholas, a tradition where the boundaries between reward and punishment are laid bare. In the foreground, a young girl holds a tin bucket overflowing with treats, her expression one of quiet triumph. Contrast…
In the heart of the seventeenth century, amidst the burgeoning prosperity of the Dutch Golden Age, Jan Havickszoon Steen captured a moment that transcends time. "Merry Company on a Terrace" is not merely a painting; it is a vibrant, breathing window into a world of conviviality and controlled chaos. As one gazes upon this monumental canvas, completed around 1670, the viewer is immediately swept into a bustling courtyard where the…
To gaze upon Jan Steen’s “The Dancing Couple” is to be instantly swept up in the boisterous, uninhibited spirit of a seventeenth-century Dutch kermis. Painted in 1663, this masterpiece serves as much more than a mere visual record of a village fair; it is an immersive sensory experience that captures the very heartbeat of the Dutch Golden Age. Steen, a master of the human comedy, avoids the stiff formality often…
A boisterous domestic interior unfolds in a dense, multi-layered composition, capturing a moment of chaotic conviviality. The scene centers on a family gathering where the boundaries between celebration and disorder are blurred. At the heart of the room, a laughing man—often identified as a self-portrait of the artist—gestures toward the folly of the assembly, while an elderly woman in the foreground examines a sheet of music. This document contains the…
The air in the room feels thick with the sudden, boisterous energy of the Merry family. Painted by Jan Steen in 1668, this scene captures a moment of unrestrained domestic life that seems to pulse with life even now. It is a genre painting, a window into the everyday realities of the Dutch Golden Age, where the boundaries between celebration and chaos blur. One can almost hear the sudden burst…
In the heart of the seventeenth century, amidst the burgeoning prosperity of the Netherlands, Jan Steen captured a world that was as chaotic as it was charming. His masterpiece, Village School, painted around 1670, serves as a vibrant portal into the daily rhythms of rural life during the Dutch Golden Age. Unlike the grand, often stiff historical allegories favored by some of his contemporaries, Steen possessed a singular gift for…
The air in the room feels heavy with the scent of spilled wine and the frantic energy of a household left to its own devices. At the center of this swirling commotion, a man sits with a sly smirk, his fingers entwined with those of a maid as she pours a generous serving of wine for his wife. The woman, seemingly oblivious to the flirtation unfolding beside her, remains focused…
In the quiet, shadowed corners of seventeenth-century Dutch life, Jan Steen captured moments that whispered of much more than what met the eye. His masterpiece, The Lovesick Maiden, painted around 1660, is far more than a mere domestic scene; it is a profound psychological drama staged within the intimate confines of a bourgeois interior. At first glance, the viewer is drawn to the central figure—a young woman slumped in a…
In the heart of the Dutch Golden Age, few artists could capture the delightful disorder of human existence as masterfully as Jan Havickszoon Steen. His 1674 masterpiece, “Revelry at an Inn,” invites the viewer into a boisterous, sensory-rich world that feels remarkably alive even centuries after its creation. This is not a painting of quiet contemplation or distant myth; rather, it is a vivid snapshot of a bustling tavern, where…
In the heart of the Dutch Golden Age, few artists possessed the wit and psychological depth of Jan Havickszoon Steen. His 1663 masterpiece, "In Luxury, Look Out" (also…
Bestill dette lerretet →
In the heart of the Dutch Golden Age, few artists possessed the ability to capture the chaotic, beautiful, and often hilarious pulse of human existence quite like Jan…
Bestill dette lerretet →
Samson and Delilah is an oil on canvas painting by Jan Steen, executed in 1668. Originating from Holland, this work belongs to the genre of religious art. It…
Bestill dette lerretet →
In the heart of the Dutch Golden Age, few artists possessed the ability to transform a chaotic domestic moment into a timeless masterpiece quite like Jan Havickszoon Steen.…
Få det malt for hånd →
Jan Steen og "Boerenkermis": Et Kaleidoskop av Liv og Samfunn Jan Havickszoon Steen (1626–1679) er en kunstner som skiller seg ut fra sine samtidige i den nederlandske gullalderen…
Bestill dette lerretet →
A heavy, amber light spills across a cramped workshop, catching the glint of metal turning to liquid. In this dim interior, a goldsmith leans over a hearth, his…
Ta med deg dette lyset hjem →
To gaze upon Jan Havickszoon Steen's The Oyster-eater is to be invited across the threshold of a warmly lit, bustling Dutch interior from the mid-seventeenth century. This painting…
Ta med deg dette lyset hjem →
The painting A Merry Party by the renowned Dutch artist Jan Steen is a masterpiece that embodies the spirit of joy and revelry. Created in 1660, this oil…
Få det malt for hånd →
A single window on the left spills a pale, directional light across a room heavy with the scent of old parchment and dust. In the foreground, a scholar…
Bestill dette lerretet →
A solitary man sits within a deep, dark void. The light finds him suddenly, catching the edge of his profile and the upward tilt of his chin. He…
Ta med deg dette lyset hjem →
The air inside the inn feels heavy with the scent of spilled ale and old wood. A single light source, hidden from view on the left, cuts through…
Ta med deg dette lyset hjem →
The room is heavy with shadows and the scent of old wood. A single light source from the left strikes the central figure, catching the soft lavender of…
Få det malt for hånd →
A heavy, red fabric hangs overhead, casting a shadow that anchors the room in warmth. Light spills through a leaded-glass window, catching the curve of a ceramic jug…
Få det malt for hånd →
An elderly man hunches over a dark wooden table, his body a slumped silhouette against the shadows of a Dutch interior. He is consumed by a single coin,…
Ta med deg dette lyset hjem →
The Tempting Offer is a monochromatic, grayscale oil painting that captures an intimate, quiet scene between two figures in an outdoor or semi-outdoor setting. The composition is centered…
Bestill dette lerretet →
A traveling merchant stands before a rustic cottage, his hands holding the delicate, translucent tools of sight. He offers his spectacles to a cluster of peasants, a group…
Få det malt for hånd →
The composition centers on two primary figures positioned within a dark, interior palace setting. Queen Esther, dressed in luminous white and blue garments, faces King Ahasuerus. The king…
Få det malt for hånd →
A young girl stands at the center of a crowded room, her small hands gripping a tiny chalice. Around her, the air feels thick with the warmth of…
Ta med deg dette lyset hjem →
To gaze upon this scene is to step directly into the vibrant, sun-dappled heart of The Golden Age Netherlands. Jan Havickszoon Steen’s depiction of "The Bowlers" transports us…
Få det malt for hånd →
The room feels heavy with the scent of salt and the quiet tension of an unfolding encounter. In the foreground, a woman sits anchored by her bright red…
Få det malt for hånd →
The scene unfolds beneath a heavy, leafy canopy that forms a natural ceiling over a group of figures gathered outside an inn. On the left, a large, dark…
Få det malt for hånd →
To gaze upon this depiction of Man with a fiddle in bad company is to step directly into the vibrant, yet cautionary, heart of a Dutch Golden Age…
Få det malt for hånd →
The air in the room feels heavy with the scent of roasted meats and spilled ale. Light spills from an unseen window, cutting through the dim, rustic interior…
Få det malt for hånd →
A single musician occupies the center of this monochromatic oil painting. The man is positioned behind a stone ledge or windowsill, his body angled toward the viewer. He…
Bestill dette lerretet →
The artwork titled The wedding party was painted by Jan Steen in 1660. This oil on wood panel depicts a wedding celebration taking place within an inn. The…
Ta med deg dette lyset hjem →
Jan Steen painted Baker Oostwaert and his wife in 1658. The work identifies Arent Oostwaert and his wife, Catharina Keizerswaard, a baker and his spouse from Leiden. Through…
Ta med deg dette lyset hjem →
To gaze upon Jan Havickszoon Steen’s "Cat Family" is to step directly into the warm, convivial heart of 17th-century Dutch life. This Baroque masterpiece transcends a mere depiction…
Bestill dette lerretet →
This oil on canvas, titled Ascagnes and Lucelle (The Music Lesson), was executed by the Dutch artist Jan Steen in 1667. The work presents a domestic scene centered…
Ta med deg dette lyset hjem →
A gullible couple sits enthralled by a fortune teller, their attention fixed on the promises of the future. While the woman leans in, captivated by the reading, a…
Ta med deg dette lyset hjem →
Step into this crowded room and you are immediately met with the chaotic energy of a Twelfth Night feast. The air feels thick with the sounds of music…
Ta med deg dette lyset hjem →
A small wooden hatch serves as the threshold for a profound exchange between two different worlds. A young girl, her face illuminated by a soft, directional light from…
Bestill dette lerretet →
The air in the dimly lit room feels heavy, thick with the scent of stale ale and the grey, curling ribbon of tobacco. A man leans forward, his…
Få det malt for hånd →
In this 1676 oil painting, Jan Steen captures a moment of sharp biblical friction. Jacob Confronting Laban unfolds within a crowded, dimly lit interior where the air feels…
Ta med deg dette lyset hjem →
Step closer to the panel and notice how the light settles upon the central figure. We find ourselves in a dimly lit interior, a space defined by deep…
Få det malt for hånd →
The air in the room feels heavy with the unspoken. A woman sits in a moment of stillness, her figure providing a stable vertical anchor against the shifting…
Ta med deg dette lyset hjem →
is an oil on canvas work by the Dutch artist Jan Steen, executed in 1653. This piece represents a significant moment in the artist's early career, demonstrating his…
Bestill dette lerretet →
Moses Striking Water from the Rock, painted by Jan Havickszoon Steen around 1651, draws its narrative from the book of Exodus. The work captures a pivotal moment of…
Ta med deg dette lyset hjem →
The Sense of Hearing is an oil painting on panel, executed upon a surface of oak. This work, originating from Holland, carries the hand of Jan Steen. The…
Bestill dette lerretet →
is a painting by Jan Steen, executed in 1661. The work captures a single figure immersed in the act of eating, focusing on a mundane, sensory moment of…
Ta med deg dette lyset hjem →
The Sense of Smell is an oil painting on oak panel by Jan Steen. The artist, who was born in Leyden in 1626 and died in Leyden in…
Få det malt for hånd →
In this 1668 work, Jan Steen captures a moment of heavy, unspoken tension. The scene focuses on Bathsheba as she receives a letter from Joab, a message that…
Få det malt for hånd →
The Village Alchemist is an oil painting by Jan Havickszoon Steen, dating from 1664. This work presents a lively scene set within a dimly lit interior, capturing a…
Ta med deg dette lyset hjem →
The composition presents a crowded tavern scene, characterized by a complex, multi-layered arrangement of figures. In the foreground, various individuals engage in disparate activities, creating a sense of…
Bestill dette lerretet →
Jan Steen, born in Leiden around 1626, executed Itinerant Musicians in 1659. The work is signed and dated on the base of a column in the lower left.…
Ta med deg dette lyset hjem →
The composition centers on a crowded dining table within a rustic interior, where a group of figures is gathered in a state of lively commotion. A woman at…
Ta med deg dette lyset hjem →
A single, sharp light cuts through the gloom of a dimly lit interior, striking the pale skin of a man in the center. He sits, gripped by a…
Ta med deg dette lyset hjem →
In this intimate interior, we find ourselves drawn into a private, dimly lit chamber where the air feels heavy with the scent of water and stone. The scene…
Ta med deg dette lyset hjem →
In this intimate scene from 1668, we find ourselves drawn into a dimly lit Dutch interior, witnessing a moment of profound domesticity. An elderly man leans toward a…
Få det malt for hånd →
Jan Steen executed The Leiden Baner Arend Oosterwaert and His Wife Catharina Keyzerswaert about 1658. This work functions as both a portrait and a genre piece, capturing Arend…
Bestill dette lerretet →
In this oil on panel work, a group of four figures occupies a dimly lit, rustic interior. The composition centers on a wooden table where three adults and…
Bestill dette lerretet →
is an oil on panel by the Dutch artist Jan Steen. This work of religious art captures a quiet, domestic moment of devotion. It is also known by…
Bestill dette lerretet →
The oil on panel painting titled Cavalier Playing a Lute to a Lady (‘Lucelle and Ascagnes’) was executed by the Dutch artist Jan Steen. This work is categorized…
Få det malt for hånd →
The scene unfolds on an outdoor terrace, where three figures are positioned against a backdrop of a vast, pale sky and a distant, hazy landscape. In the lower…
Få det malt for hånd →
Jan Havickszoon Steen produced Couple at an Inn Table in 1660. This oil on panel work captures a specific moment of social interaction within a Dutch interior. The…
Få det malt for hånd →
The oil on canvas titled Rape of the Sabine Women captures a moment of profound upheaval. Jan Steen, an artist born in Leiden, Netherlands, in 1626, rendered this…
Bestill dette lerretet →
The Unruly Guest by Jan Steen captures a moment of boisterous interaction within a Dutch Golden Age interior. Painted in 1665, this genre scene centers on the friction…
Ta med deg dette lyset hjem →
The composition presents a crowded, boisterous interior scene filled with figures engaged in various activities. A pyramidal arrangement of bodies directs the eye through a series of overlapping…
Få det malt for hånd →
The painting depicts a large banquet scene with several individuals gathered around a dining table. The central focus is a woman sitting at the table, who appears to…
Bestill dette lerretet →
Jan Havickszoon Steen’s “Tric-Trac Players,” painted in 1667, isn't merely a depiction of a game; it’s a vibrant window into the social fabric and psychological landscape of 17th-century…
Ta med deg dette lyset hjem →
The artwork titled Twelfth-Night Feast is a painting by the artist Jan Steen. This work is executed in oil on canvas and dates to 1662. It depicts a…
Bestill dette lerretet →
In this work, titled The Doctor and His Patient, the artist Jan Steen presents a quiet, domestic scene centered on a medical consultation. The setting is a modestly…
Bestill dette lerretet →
Jan Havickszoon Steen's "The Bean Feast," painted in 1668, is more than just a depiction of a communal meal; it’s a vibrant window into the everyday life and…
Bestill dette lerretet →
To stand before a work by Jan Havickszoon Steen is to step unceremoniously into the heart of 17th-century Dutch life. This painting, The Doctor's Visit, is not merely…
Få det malt for hånd →
De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jan Steen | Malerier fra denne listen |
|---|---|---|---|
 National Gallery |
London | 10 | The Interior of an Inn, A Pedlar selling Spectacles outside a Cottage, An Interior with a Man offering an Oyster to a Woman |
 Rijksmuseum |
Amsterdam | 34 | The Feast of St. Nicholas, Interior with a Woman Feeding a Parrot, Known as ‘The Parrot Cage’, Man with a fiddle in bad company, Jan Havicksz. Steen (copy after), 1670 - 1700 |
 Mauritshuis |
Haag | 16 | 'As the Old Sing, so Pipe the Young', The Oyster-eater, An Old Couple Making Caudle |
 Eremitasjen |
St. Petersburg | 9 | Esther before Ahasuerus, Smoker, Tric-Trac Players |
 Metropolitan Museum of Art |
New York | 7 | The Dissolute Household, Merry Company on a Terrace, The Lovesick Maiden |
 Museum Boijmans Van Beuningen |
Rotterdam | 7 | The feast of Saint Nicholas, The village wedding, Cutting for the stone |
 Szépművészeti Múzeum |
Budapest | 5 | A Merry Party (detail), A Merry Party (detail), Cat family |
 Statens Museum for Kunst |
København | 5 | The Miser, Singer with a Guitar, Couple at an Inn Table |
The scene unfolds beneath a heavy, leafy canopy that forms a natural ceiling over a group of figures gathered outside an inn. On the left, a large, dark…
A Symphony of Chaos: Unveiling Jan Steen’s Masterpiece The Dissolute Household is not merely a painting; it is a theatrical performance frozen in time, a vibrant window into…
Step into this room and you are immediately caught in the middle of a Dutch household in mid-December. The air feels heavy with the scent of citrus and…
The Dissolute Household (1663), Metropolitan Museum of Art, New York. The feast of Saint Nicholas (1670) og Merry Company on a Terrace (1670) følger.
Jan Steen, født i 1626, var 37 år gammel: The Dissolute Household er fra 1663.
The Dissolute Household, The feast of Saint Nicholas, Merry Company on a Terrace, The Dancing Couple, 'As the Old Sing, so Pipe the Young', Merry family, Village school, Dissolute Household, The Lovesick Maiden og Revelry at an Inn. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.
499 verk av Jan Steen finnes i vår katalog, datert fra 1640 til 1676.
Hovedsakelig i National Gallery (London), Rijksmuseum (Amsterdam) og Mauritshuis (Haag); listen ovenfor navngir hvert museum og deres lerreter.
I 1660s, som utgjorde 59 av de 100 verkene på denne siden, var The Dissolute Household blant dem.
Det eldste lerretet her er fra Under the Influence outside Voorschoten (1640); det nyeste er fra Jacob Confronting Laban (1676).
Man (26), Woman (24) og People (21), fordelt på 100 verk på denne siden.
Oil On Canvas, brukt i 43 av de 100 verkene på denne siden.
Baroque realism, som lerretet på denne siden viser.
National Gallery, London har 6 av verkene på denne siden, inkludert The Interior of an Inn, A Pedlar selling Spectacles outside a Cottage og An Interior with a Man offering an Oyster to a Woman.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Jan Steen ble født i Leiden rundt 1626 inn i en familie som forsto de sosiale sammenkomstenes mekanismer. Som den eldste av minst åtte barn ble oppveksten hans formet av de kommersielle realitetene til hans far, Havick Steen. Havick var kornhandler og brygger som drev vertshuset Red Halbert. Dette hjemlige miljøet, dypt forankret i det katolske miljøet i Leiden, ga ham et direkte innblikk i de livlige og ofte kaotiske sosiale samhandlingene som senere skulle definere hans kunstneriske virke. Han var ikke bare en tilskuer til dette livet; han var et produkt av det.
Hans formelle utdanning og profesjonelle registrering avslører en mann som beveget seg gjennom de strukturerte intellektuelle systemene og laugene i Den nederlandske republikk. Steen ble registrert ved universitetet i Leiden i 1646. Innen 1648 hadde han oppnådd status som mestermaler gjennom sin registrering i Ludvig-lauget i Leiden. Denne overgangen fra student til anerkjent fagmann markerer begynnelsen på en karriere bygget på teknisk legitimitet snarere enn bare observasjon.
Detaljene rundt hans tidlige opplæring forblir et spørsmål om historisk deduksjon snarere enn dokumentert visshet. Selv om ingen offisielle lærlingprotokoller er bevart, antyder utviklingen i hans ferdigheter at han absorberte metodene til flere betydningsfulle skikkelser. Han hentet sannsynligvis teknisk kunnskap fra Jan van Goyen, Nicolaus Knüpfer og Adriaen van Ostade. Disse innflytelsene la grunnlaget for en stil som etter hvert ville prioritere de psykologiske nyansene i menneskelig atferd fremfor de storslåtte allegoriene som hans samtidige foretrakk.
Steens karriere var preget av en rastløs vandring gjennom de urbane sentrene i Den nederlandske republikken. Han forble ikke forankret på ett enkelt sted, men flyttet i stedet bosted etter hvert som hans profesjonelle liv utviklet seg. I 1649 giftet han seg med Margaretha van Goyen i Haag, en forbindelse som knyttet ham til datidens innflytelsesrike kunstneriske kretser. Denne perioden i livet hans var preget av en nomadisk yrkesutøvelse, hvor han beveget seg mellom ulike byer for å etablere sitt rykte og navigere etter kunstmarkedets skiftende krav.
Hans bevegelser er dokumentert med stor presisjon på tvers av flere nøkkelregioner. Mellom 1656 og 1660 var han aktiv i Warmond. Dette ble etterfulgt av et tiår tilbrakt i Haarlem, hvor han var bosatt fra 1661 til 1670. Dette tiåret i Haarlem representerer en betydelig del av hans produktive år, en periode hvor han sementerte sin posisjon i den nederlandske kunstscenen. Til slutt vendte han tilbake til sin fødeby, og bodde i Leiden fra 1670 frem til sin død.
Denne geografiske mobiliteten var ikke bare et spørsmål om personlige preferanser, men reflekterte de praktiske realitetene for en yrkesmaler på 1600-tallet. Hans evne til å tilpasse seg ulike urbane miljøer – fra den spesialiserte atmosfæren i Haarlem til de etablerte tradisjonene i Leiden – gjorde det mulig for ham å opprettholde en jevn produksjon til tross for hyppige flyttinger. Hans liv var en serie overganger mellom bryggerinæringen og de profesjonelle laugstrukturene i byene han beboet.
Jan Steens visuelle språk hviler på en skarp humoristisk sans og en dyp psykologisk innsikt som trenger helt gjennom overflaten i hans skildringer. Han nøyer seg ikke med å bare avbilde mennesker; han fanger de spesifikke, ofte kaotiske, menneskelige impulsene som driver dem. Hans tidlige komposisjoner fra 1640-tallet lente seg mot det groteske, der han benyttet overdrevne og forvrengte figurer for å fremme sine fortellinger. Denne rå, nesten sjokkerende tilnærmingen til karakterisering la selve fundamentet for de mer nyanserte sosiale observasjonene som skulle komme til å definere hans senere virke.
Kunstnerens bruk av farger er både selvsikker og overveldende. Han tar i bruk en bred palett for å skille mellom teksturene i det hjemlige liv og den kaotiske energien i et overfylt rom. Etter hvert som karrieren hans skred frem, gjennomgikk den tekniske utførelsen en tydelig endring. De tunge, tidvis grove karakteriseringene fra ungdomstiden vek plass for en mer raffinert estetikk. Hans senere verk preges av færre og mer individualiserte skikkelser, og beveger seg bort fra de trengte, groteske komposisjonene fra hans tidlige år mot en stil definert av større verdighet og mer subtile fargepaletter.
Denne utviklingen gjenspeiler en overgang fra ungdomstidens direkte satire til en mer sofistikert metode for sosial kommentar. Ved å foredle penselstrøkene sine og fokusere på det unike i det individuelle uttrykket, beveget han seg fra å skildre arketyper til å skildre virkelige mennesker. Resultatet er et kunstnerskap som balanserer menneskelig adferds absurditet med en kontrollert og bevisst teknisk presisjon.
Steens kunstnerskap forblir betydningsfullt fordi han forankret sine fortellinger i den rotete og usminkede virkeligheten i det 17. århundres liv. I The Doctor's Visit beveger han seg forbi det enkle portrettet for å skape en scene med psykologisk dybde og moralske undertoner. Denne evnen til å finne tyngde i det hverdagslige er tydelig i The Oyster-eater, datert til rundt 1658, som fanger et spesifikt og livlig øyeblikk av nederlandsk sosial interaksjon. Disse verkene støtter seg ikke på storslåtte allegorier; de henter sin kraft fra spenningen mellom karakterene og deres umiddelbare omgivelser.
Kunstneren brukte ofte kaos for å belyse menneskelige feiltrinn. The Dissolute Household (1663) og The Merry Family (1668) fungerer som visuelle studier av uorden, der han benytter livlige og larmende settinger for å fremprovosere refleksjon over konsekvensene av overflod. Selv i mer strukturerte komposisjoner, som The Dancing Couple fra 1663, forblir fokuset på de spesifikke, flyktige gestene til motivene. Hans arbeider fra midten av 1660-tallet, inkludert The Feast of St. Nicholas (ca. 1665), demonstrerer en mestring av farge og lys som gjør at disse sosiale observasjonene består gjennom tidene.
