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      Max Liebermann, 1847 – 1935

      The 100 Most Famous Max Liebermann Paintings, Ranked

      The best-loved painting by Max Liebermann is Fri time på Amsterdam barnehjem (1876). Self Portrait with Kitchen Still LIfe (1873) and Corner of a Dutch Village with Washing Hung up to Dry (1890) come next among the canvases readers know best. Our catalogue holds 280 works by Max Liebermann: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Max Liebermann
      Max Liebermann · 1847 – 1935
      Born · died
      1847 – 1935, Berlin
      Movement
      Impressionist painting
      Works in our catalogue
      280
      Most famous
      Fri time på Amsterdam barnehjem (1876)
      Most works at
      Alte Nationalgalerie

      Top 10 Max Liebermann paintings: the canvases everyone knows

      Fri time på Amsterdam barnehjem (1876) by Max Liebermann
      1

      Fri time på Amsterdam barnehjem

      1876 · Olje på lerret

      Max Liebermanns "Free Hour at Amsterdam Orphanage" fra 1876 er et verk som fanger essensen av hverdagslivet i det viktorianske Amsterdam. Det er ikke en krønike, men snarere et øyeblikksbilde – et stille øyeblikk der kvinner og barn samles i en utendørs gårdsplass, omgitt av en atmosfære rik på sosial interaksjon og kulturell arv. Bildet inviterer oss inn i en verden av enkelhet og fellesskap, et bilde som forteller en…

      Self Portrait with Kitchen Still LIfe (1873) by Max Liebermann
      2

      Self Portrait with Kitchen Still LIfe

      1873 · Oil On Canvas · Stadtisches Museum, Gelsenkirchen

      To stand before Max Liebermann’s Self Portrait with Kitchen Still Life is not merely to observe a painting; it is to step directly into the vibrant, sun-drenched moments of late nineteenth-century Berlin. Created in 1873, this oil on canvas captures more than just a likeness; it encapsulates the artist's profound belief that true beauty resides within the quotidian—the humble objects and simple acts of daily life. Liebermann, a master whose…

      Corner of a Dutch Village with Washing Hung up to Dry (1890) by Max Liebermann
      3

      Corner of a Dutch Village with Washing Hung up to Dry

      1890 · Oil On Panel · Harvard Art Museums, Cambridge

      The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…

      Portrait of Richard Strauss (1918) by Max Liebermann
      4

      Portrait of Richard Strauss

      1918 · Oil · Alte Nationalgalerie, Berlin

      This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.

      Restaurant De oude Vink (1905) by Max Liebermann
      5

      Restaurant De oude Vink

      1905 · Oil

      There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…

      Self-portrait (1916) by Max Liebermann
      6

      Self-portrait

      1916 · Oil On Canvas · Kunsthalle Bremen, Bremen

      An older man sits in a moment of quiet creation, his presence filling the space with a heavy, contemplative dignity. He faces the viewer directly, his gaze steady and unblinking, even as his hands remain occupied with the tools of his trade. In his right hand, he holds a palette, while his left hand brings a brush toward an easel, capturing a fragment of life in real-time. The light enters…

      The Preserve Makers (1879) by Max Liebermann
      7

      The Preserve Makers

      1879 · Oil On Canvas · Museum der bildenden Künste, Leipzig

      The Preserve Makers is a somber and intimate realist painting that captures a group of women gathered within a dimly lit, rustic interior. The composition is dense and crowded, utilizing a shallow depth of field that brings the figures into the immediate foreground to create a sense of enclosure and shared labor. These women are engaged in the communal task of preparing vegetables, their presence evoking a sense of quiet…

      More Max Liebermann canvases, 11 to 100

      The farrier (1874) by Max Liebermann
      #11

      The farrier

      1874 · Staatliche Kunsthalle Karlsruhe

      The farrier (Beim Hufschmied) is an oil on panel painting by Max Liebermann. Created about 1874, the work belongs to the genre art category. It captures a specific…

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      Albert Einstein (1879–1955) (1922) by Max Liebermann
      #13

      Albert Einstein (1879–1955)

      1922 · The Royal Society

      Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…

      Have it painted by hand →
      Portrait Dr. Wilhelm Bode (1909) by Max Liebermann
      #15

      Portrait Dr. Wilhelm Bode

      1909 · Alte Nationalgalerie

      In this 1909 oil painting, titled Portrait Dr. Wilhelm Bode, the artist Max Liebermann presents a formal study of a man of significant intellectual standing. The work captures…

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      The Siblings (1876) by Max Liebermann
      #16

      The Siblings

      1876 · Staatliche Kunstsammlungen

      In the quietude of Max Liebermann’s 1876 masterpiece, “The Siblings,” time seems to suspend its forward march, allowing a singular moment of human connection to breathe. This monochrome…

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      Swimmers (1875) by Max Liebermann
      #17

      Swimmers

      1875 · Dallas Museum of Art

      We are looking at Swimmers, a work by Max Liebermann that captures a quiet, unposed moment of daily life. Also known by the title Swimming boys, this painting…

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      Dutch Farmhouse with Woman (1882) by Max Liebermann
      #33

      Dutch Farmhouse with Woman

      1882 · Frye Art Museum

      To gaze upon Max Liebermann’s "Dutch Farmhouse with Woman" is to step across the threshold of time and into a moment suspended in golden, gentle light. This 1882…

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      A Dutch lacemaker (1881) by Max Liebermann
      #55

      A Dutch lacemaker

      1881 · Hamburger Kunsthalle

      The painting titled A Dutch lacemaker (Eine holländische Klöpplerin) is an oil on canvas work by the artist Max Liebermann. This specific piece was executed in 1881. The…

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      Gerhart Hauptmann (1912) by Max Liebermann
      #56

      Gerhart Hauptmann

      1912 · Hamburger Kunsthalle

      A dignified and somber oil portrait of an elderly man, rendered with expressive, painterly brushstrokes that convey a sense of psychological depth and realism. The composition is a…

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      Children Bathing in the Sea (1899) by Max Liebermann
      #62

      Children Bathing in the Sea

      1899 · Bavarian State Painting Collections

      To gaze upon Max Liebermann's "Children Bathing in the Sea" is to be instantly transported to a perfect summer afternoon. This painting is more than just a depiction…

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      Parrot Avenue (1902) by Max Liebermann
      #76

      Parrot Avenue

      1902 · Kunsthalle Bremen

      Max Liebermann's "Parrot Avenue," painted in 1902, is a captivating example of Impressionism that transports viewers to a vibrant scene of urban life. Measuring 88 x 72 cm,…

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      Jewish Street in Amsterdam (1908) by Max Liebermann
      #88

      Jewish Street in Amsterdam

      1908 · Städel Museum

      Jewish Street in Amsterdam is an oil painting by Max Liebermann. Created in 1908, the work depicts a bustling street market scene located in Amsterdam. The subject matter…

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      Max Liebermann's canvases, period by period

      What Max Liebermann painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Max Liebermann's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Max Liebermann Paintings from this list
      Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 17 Portrait of Richard Strauss, Portrait Study of Emil Rathenau, Portrait Dr. Wilhelm Bode
      Hamburger Kunsthalle, HamburgHamburger Kunsthalle Hamburg 8 The Net Menders, The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe, A Dutch lacemaker
      Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 7 Self portrait in painting smock (Selbstbildnis im Malkittel), Children Bathing in the Sea, Still life of meat (Fleischstillleben)
      Wallraf-Richartz-Museum, KölnWallraf-Richartz-Museum Köln 6 Two riders on the beach, Self-portrait, The artist's daughter riding
      Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 The farrier, The Basketweavers (Die Korbflechter), Copy of the Bohémienne after Frans Hals (Young woman)
      Stadtisches Museum, GelsenkirchenStadtisches Museum Gelsenkirchen 3 Self Portrait with Kitchen Still LIfe, The Flower Terrace in the Wannsee Garden, Facing Northwest
      Kunsthalle Bremen, BremenKunsthalle Bremen Bremen 3 Self-portrait, Parrot Avenue
      Staatliche KunstSammlungen Dresden, DresdenStaatliche KunstSammlungen Dresden Dresden 3 Alfred von Berger, On the Alster in Hamburg

      Max Liebermann's best-loved canvas of each decade

      1. 1860s
      2. 1870s
        Fri time på Amsterdam barnehjem (1876) by Max Liebermann
        Canvas 1 of 100

        Fri time på Amsterdam barnehjem

        Age 23 – 32

        Max Liebermanns "Free Hour at Amsterdam Orphanage" fra 1876 er et verk som fanger essensen av hverdagslivet i det viktorianske Amsterdam. Det er ikke en krønike, men snarere…

      3. 1880s
      4. 1890s
      5. 1900s
        Restaurant De oude Vink (1905) by Max Liebermann
        Canvas 5 of 100

        Restaurant De oude Vink

        Age 53 – 62

        There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among…

      6. 1910s
        Portrait of Richard Strauss (1918) by Max Liebermann
        4 of 100

        Portrait of Richard Strauss

        Age 63 – 72 · Alte Nationalgalerie

        This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped…

      7. 1920s
        Albert Einstein (1879–1955) (1922) by Max Liebermann
        Canvas 13 of 100

        Albert Einstein (1879–1955)

        Age 73 – 82 · The Royal Society

        Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…

      8. 1930s
        The Surgeon Dr. Ferdinand Sauerbruch (1932) by Max Liebermann
        Canvas 57 of 100

        The Surgeon Dr. Ferdinand Sauerbruch

        Age 83 – 88 · Hamburger Kunsthalle

        The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated…

      About Max Liebermann's canvases: your questions answered

      What is the best-known painting by Max Liebermann?Read the answer

      Fri time på Amsterdam barnehjem (1876), followed by Self Portrait with Kitchen Still LIfe (1873) and Corner of a Dutch Village with Washing Hung up to Dry (1890).

      What age was Max Liebermann when Fri time på Amsterdam barnehjem was painted?Read the answer

      Max Liebermann, born in 1847, was 29 years old: Fri time på Amsterdam barnehjem dates from 1876.

      What are the 10 most famous paintings by Max Liebermann?Read the answer

      Fri time på Amsterdam barnehjem, Self Portrait with Kitchen Still LIfe, Corner of a Dutch Village with Washing Hung up to Dry, Portrait of Richard Strauss, Restaurant De oude Vink, Self-portrait, The Preserve Makers, Schreitender Bauer, KIRCHGANG IN Laren and Alfred von Berger. Each canvas in the ranking above comes with its year and its museum.

      How many works did Max Liebermann paint in all?Read the answer

      280 works by Max Liebermann are in our catalogue, dated 1865 to 1932.

      Where can I see Max Liebermann's most famous canvases?Read the answer

      Mostly in Alte Nationalgalerie (Berlin), Hamburger Kunsthalle (Hamburg) and Bavarian State Painting Collections (München); the list above names each museum and its canvases.

      When did Max Liebermann paint the best-loved canvases?Read the answer

      In 1910s, which gave 18 of the 100 works on this page, Portrait of Richard Strauss among them.

      Which are Max Liebermann's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Portrait of Felix Liebermann (1865); the latest is The Surgeon Dr. Ferdinand Sauerbruch (1932).

      What did Max Liebermann paint most often?Read the answer

      Man (10), Portrait (6) and Garden scene (6), across the 100 works on this page.

      Which medium did Max Liebermann paint in most often?Read the answer

      Oil On Canvas, used in 29 of the 100 works on this page.

      Which movement is Max Liebermann's painting part of?Read the answer

      Impressionist painting, as the canvases on this page show.

      Which Max Liebermann canvases hang at the Alte Nationalgalerie?Read the answer

      The Alte Nationalgalerie, Berlin holds 9 of the works on this page, among them Portrait of Richard Strauss, Portrait Study of Emil Rathenau and Portrait Dr. Wilhelm Bode.

      Can I buy a reproduction of a Max Liebermann canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Max Liebermann: a life in paint

      A Life Immersed in Light: The World of Max Liebermann

      Max Liebermann, født i Berlin i 1847, var en kunstner hvis vei til å bli en av Tysklands fremste impresjonister ikke var forutbestemt. I utgangspunktet ble han veiledet mot de anseelige yrkene juss og filosofi ved Universitetet i Berlin, men hans sanne kall resonerte langt sterkere fra lerretet enn fra domstolen. Denne tidlige perioden av intellektuell utforskning formet imidlertid uunngåelig hans observante øye og gjennomtenkte tilnærming til å skildre verden rundt ham. Det var en bevisst endring – studier i Weimar, Paris og Nederland – som virkelig tente hans kunstneriske lidenskap, og eksponerte ham for mangfoldige stiler og la grunnlaget for en karriere definert av å fange flyktende øyeblikk med en utsøkt følsomhet for lys og farge. Han malte ikke bare det han så; han overførte selve opplevelsens essens til lerretet. Liebermanns tidlige verk skildret ofte hverdagslige scener, spesielt de av arbeiderklassen, gjengitt med en naturalisme som utfordret den rådende romantiserte æstetikken på den tiden. Disse maleriene var ikke ment som sosial kommentar, men snarere som ærlige fremstillinger av menneskelig eksistens, fylt med verdighet og respekt.

      Embracing Impressionism in a German Context

      Liebermanns kunstneriske utvikling ble dypt påvirket av hans eksponering for fransk realisme og, viktigst av alt, den blomstrende impresjonistbevegelsen. Ånden til Édouard Manet – hans mot, hans avvisning av akademisk konvensjon, hans fokus på samtidsliv – resonerte dypt med Liebermann. Men han kopierte ikke bare det han så i Paris; heller overførte han disse prinsippene til en tysk sanselighet, og skapte et impresjonisme unikt for ham selv. Hans palett ble lysere, penslene hans løsere og mer spontane, og hans motiver skiftet mot scener av borgerskapets fritid og den rolige skjønnheten i hagen hans nær Wannsee-sjøen. Denne hagen, spesielt, ble en gjentagende motiv gjennom hele hans karriere, og tilbød et fristed fra den raskt foranderlige verden utenfor og ga uendelig inspirasjon for hans utforskninger av lys og atmosfære. Han malte ikke bare blomster og blader; han fanget selve følelsen av sommeren, varmen i solen, den lette brisen som hvisket gjennom bladverket. Ut over landskap etablerte Liebermann seg som en høyt ansett portrettist, og fullførte over 200 bestilte arbeider, inkludert ikoniske fremstillinger av figurer som Albert Einstein og Paul von Hindenburg. Disse portrettene var ikke bare likheter; de var innsiktsfulle studier av karakter, som avslørte subjektets indre liv gjennom subtile gestikuleringer og uttrykk.

      A Champion of Artistic Freedom

      Liebermann var ikke fornøyd med å bare male; han kjempet aktivt for kunstnerisk innovasjon og uavhengighet. Gjenkjennende de kvalme begrensningene som ble pålagt av den tradisjonelle kunstinstitusjonen, ble han en drivkraft bak Berlin Secession i 1898, og ledet denne avantgarde-gruppen i over ti år. Secessionen utfordret konvensjonelle normer, og ga en plattform for kunstnere som arbeidet utenfor rammen av akademisk tradisjon. Denne forpliktelsen til kunstnerisk frihet strekte seg utover hans eget arbeid; Liebermann mente hjertelig at kunstnere skulle være frie til å utforske sin visjon uten innblanding fra politiske eller ideologiske presser. Hans valg til den Preussiske Kunstakademiet i 1909 og etterfølgende presidentskap i 1920 var vitnesbyrd om hans økende innflytelse innen det tyske kunstmiljøet, men disse stillingene førte ham også ansikt til ansikt med den stigende tidevann av antisemittisme og nasjonalisme som ville true hans livsverk.

      Shadows of a Changing World: Legacy and Resilience

      Den fremveksten av nazismen kastet en mørk skygge over Liebermanns senere år. Hans prinsipielle holdning mot diskriminering førte til sin avgang fra den Preussiske Kunstakademiet i 1933, en modig handling som signaliserte hans avslag på å kompromisse sine verdier. Til tross for økende forfølgelse fortsatte han å male, og fant tilflukt og formål i kunsten sin. Han døde i Berlin i 1935, og etterlot seg et rikt arv av malerier, trykk og en dyp forpliktelse til kunstnerisk frihet. Hans kone, Martha, tok tragisk sitt eget liv i 1943 for å unngå deportasjon, et hjerteskjærende vitnesbyrd om grusomhetene ved Holocaust. I mange år etter krigen ble Liebermanns arbeid noe oversett, men de siste tiårene har det vært en ny oppdagelse av hans bidrag til tysk impresjonisme og moderne kunsthistorie. I dag er han husket ikke bare som en fremragende maler, men også som en modig forkjemper for kunstnerisk uttrykk og et symbol på motstand mot tyranni. Hans malerier fanger fortsatt seerne med sin blendende skjønnhet, innsiktsfulle observasjoner og vedvarende menneskelighet.

      Key Achievements & Lasting Influence

      • "The Twelve-Year-Old Jesus in the Temple": This early work sparked considerable debate due to its unconventional depiction of a Semitic-looking Jesus, challenging traditional religious iconography.
      • Leadership of the Berlin Secession: His pivotal role in leading this avant-garde movement challenged artistic norms and paved the way for modern art in Germany.
      • Presidency of the Prussian Academy of Arts: A significant recognition of his artistic merit, though ultimately compromised by the rise of Nazism.
      • Masterful Portraiture: His ability to capture the essence of his subjects in over 200 commissioned portraits cemented his reputation as a leading portrait painter.
      • Influence on German Impressionism: Liebermann successfully translated the principles of Impressionism into a uniquely German context, inspiring generations of artists.

      All 280 works by Max Liebermann →