Det mest kjente maleriet av Pierre Roy er Composition with Weights and Measures (1932), som henger i Israels Museum, Jerusalem. Still Life (1938) og Invitation to the Voyage (Invitation au voyage) (1929) er de neste i rekken av maleriene leserne kjenner best. Vår katalog inneholder 3 verk av Pierre Roy: her er de 3 mest kjente, hver med årstall, museum og hva som gjør dem minneverdige.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Pierre Roy | Malerier fra denne listen |
|---|---|---|---|
| Jerusalem | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) | |
| Chicago | 1 | Still Life |
Ti år med malerier, fra 1929 til 1938, finnes på de daterte lerretene til Pierre Roy på denne siden: gå gjennom dem år for år.
Composition with Weights and Measures (1932), Israels Museum, Jerusalem. Still Life (1938) og Invitation to the Voyage (Invitation au voyage) (1929) følger.
Pierre Roy, født i 1880, var 52 år gammel: Composition with Weights and Measures er fra 1932.
3 verk av Pierre Roy finnes i vår katalog, datert fra 1929 til 1938.
Hovedsakelig i Israels Museum (Jerusalem) og Art Institute of Chicago (Chicago); listen ovenfor navngir hvert museum og deres lerreter.
Det eldste lerretet her er fra Invitation to the Voyage (Invitation au voyage) (1929); det nyeste er fra Still Life (1938).
Surrealism, som lerretet på denne siden viser.
Israels Museum, Jerusalem har 2 av verkene på denne siden, inkludert Composition with Weights and Measures og Invitation to the Voyage (Invitation au voyage).
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.