Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      Thomas Sully, 1783 – 1872

      100 av Thomas Sullys mest kjente malerier

      Queen Victoria (1838) er maleriet Thomas Sully er mest kjent for; det tilhører Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 437 verk av Thomas Sully. Her er de 100 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Thomas Sully
      Thomas Sully · 1783 – 1872
      Født · død
      1783 – 1872, Horncastle
      Bevegelse
      Romanticism
      Verker i vår katalog
      437
      Mest kjente
      Queen Victoria (1838)
      Flest verk hos
      Metropolitan Museum of Art

      De ti mest kjente maleriene av Thomas Sully

      Thomas Jefferson (1743-1826), LL.D. 1786 (1823) av Thomas Sully
      2

      Thomas Jefferson (1743-1826), LL.D. 1786

      1823 · Oil On Canvas · Yale University Art Gallery, New Haven

      Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…

      George Washington (1840) av Thomas Sully
      3

      George Washington

      1840 · Oil On Canvas · Metropolitan Museum of Art, New York

      Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.

      Dr. Edward Hudson (1810) av Thomas Sully
      4

      Dr. Edward Hudson

      1810 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.

      Child Asleep (The Rosebud) (1841) av Thomas Sully
      5

      Child Asleep (The Rosebud)

      1841 · Oil On Canvas · Metropolitan Museum of Art, New York

      In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…

      The Coleman Sisters (1844) av Thomas Sully
      6

      The Coleman Sisters

      1844 · Acrylic On Canvas · National Gallery of Art, Washington

      Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.

      William B. Wood as "Charles de Moor" (1810) av Thomas Sully
      7

      William B. Wood as "Charles de Moor"

      1810 · Oil · National Gallery of Art, Washington

      In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…

      Thomas Sully (1815) av Thomas Sully
      8

      Thomas Sully

      1815 · Oil · National Portrait Gallery, Washington, D.C.

      The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…

      Colonel Samuel Boyer Davis (1819) av Thomas Sully
      9

      Colonel Samuel Boyer Davis

      1819 · Oil On Canvas · Crystal Bridges Museum of American Art, Bentonville

      Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853) (1831) av Thomas Sully
      10

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)

      1831 · Oil On Canvas · Harvard Art Museums, Cambridge

      The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…

      Thomas Sully: lerreter 11 til 100 på rangeringen

      John Finley (1821) av Thomas Sully
      #11

      John Finley

      1821 · Metropolitan Museum of Art

      Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…

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      John Sergeant (1811) av Thomas Sully
      #13

      John Sergeant

      1811 · National Portrait Gallery

      This portrait of John Sergeant was painted by Thomas Sully in 1811. The sitter, a man of significant political and legal standing, is captured here in a moment…

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      Mother and Son (1840) av Thomas Sully
      #14

      Mother and Son

      1840 · Metropolitan Museum of Art

      Mother and Son: An Allegory of Domestic Harmony This magnificent portrait by Thomas Sully, completed in 1840, transcends mere representation; it embodies a profound meditation on familial bonds…

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      Isabella Tod Stewart (1837) av Thomas Sully
      #16

      Isabella Tod Stewart

      1837 · Isabella Stewart Gardner Museum

      The sitter faces the viewer with a steady, direct gaze, her presence anchored by the deep shadows of a dark background. A soft, directional light brushes the right…

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      Mary Anne Heide Norris (1830) av Thomas Sully
      #17

      Mary Anne Heide Norris

      1830 · Philadelphia Museum of Art

      Thomas Sully's "Mary Anne Heide Norris," painted in 1830, is more than just a likeness; it’s a carefully constructed tableau of wealth, status, and the idealized femininity prized…

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      Thomas Ash II (1807) av Thomas Sully
      #18

      Thomas Ash II

      1807 · National Portrait Gallery

      This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

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      John Vaughan (1819) av Thomas Sully
      #23

      John Vaughan

      1819 · National Portrait Gallery

      Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…

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      Thomas Heyward, Jr. (1854) av Thomas Sully
      #24

      Thomas Heyward, Jr.

      1854 · National Portrait Gallery

      Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

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      William Alston (1826) av Thomas Sully
      #26

      William Alston

      1826 · Cincinnati Art Museum

      Thomas Sully’s William Alston, Class of 1825 presents a formal portrait of a single male figure. The work, executed in oil, captures the likeness of Alston during a…

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      Mischief (Girl's Head) (1866) av Thomas Sully
      #27

      Mischief (Girl's Head)

      1866 · Reading Public Museum

      Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

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      Self-Portrait (1850) av Thomas Sully
      #63

      Self-Portrait

      1850 · National Gallery of Art

      The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…

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      Charles Carnan Ridgely (1820) av Thomas Sully
      #72

      Charles Carnan Ridgely

      1820 · National Gallery of Art

      This portrait presents Charles Carnan Ridgely, a man who held significant influence as the second master of the Hampton estate. Painted in 1820, the work captures the sitter…

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      Major John Biddle (1818) av Thomas Sully
      #74

      Major John Biddle

      1818 · Metropolitan Museum of Art

      The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…

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      The David Children (1826) av Thomas Sully
      #75

      The David Children

      1826 · National Gallery of Art

      The David Children is a portrait painted by Thomas Sully in 1826. The canvas captures a mother and her young child, likely a boy, within a quiet domestic…

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      Portrait of a Woman (1810) av Thomas Sully
      #76

      Portrait of a Woman

      1810 · Reading Public Museum

      This work is a Portrait of a Woman by the artist Thomas Sully. Executed in oil on canvas or panel, the piece belongs to the genre of portraiture,…

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      James Pollard Espy (1849) av Thomas Sully
      #79

      James Pollard Espy

      1849 · National Portrait Gallery

      This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…

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      Captain Charles Stewart (1812) av Thomas Sully
      #80

      Captain Charles Stewart

      1812 · National Gallery of Art

      This oil on canvas portrait, titled Captain Charles Stewart, was executed by the artist Thomas Sully. The work depicts Captain Charles Stewart, a United States Navy officer, in…

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      Rosalie Spang (1848) av Thomas Sully
      #81

      Rosalie Spang

      1848 · Carnegie Museum of Art

      This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…

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      Rebecca Gratz (1831) av Thomas Sully
      #82

      Rebecca Gratz

      1831

      The Rebecca Gratz painting, created by Thomas Sully in 1831, is a captivating oil on panel portrait that showcases the artist's skill in capturing the essence of his…

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      Musidora (1813) av Thomas Sully
      #83

      Musidora

      1813 · Metropolitan Museum of Art

      Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…

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      The Student (1839) av Thomas Sully
      #86

      The Student

      1839 · Metropolitan Museum of Art

      Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…

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      Equestrian Portrait of George Washington (1842) av Thomas Sully
      #87

      Equestrian Portrait of George Washington

      1842 · The Abraham Lincoln Foundation of The Union League of Philadelphia

      Grand portrait of President George Washington (1732-1799), Commander-in-Chief to the Continental Army during the American Revolution and 1st President of the United States. General Washington is not depicted…

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      Governor Peyton Randolph (1806) av Thomas Sully
      #91

      Governor Peyton Randolph

      1806 · Wilton House Museum

      In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…

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      Thomas Sullys lerreter, periode for periode

      Hva Thomas Sully malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Der Thomas Sully sine lerreter henger

      De 8 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Thomas Sully Malerier fra denne listen
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 23 George Washington, Child Asleep (The Rosebud), John Finley
      National Gallery of Art, WashingtonNational Gallery of Art Washington 22 The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 6 Thomas Sully, John Sergeant, Thomas Ash II
      Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 8 George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 7 John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 4 Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl
      Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 4 Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston
      Dallas Museum of Art, DallasDallas Museum of Art Dallas 3 Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman

      Thomas Sullys mest kjente lerreter, tiår etter tiår

      1. 1800s
        Thomas Ash II (1807) av Thomas Sully
        Lerret 18 av 100

        Thomas Ash II

        Alder 17 – 26 · National Portrait Gallery

        This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

      2. 1810s
        Dr. Edward Hudson (1810) av Thomas Sully
        Lerret 4 av 100

        Dr. Edward Hudson

        Alder 27 – 36 · Detroit Institute of Arts

        Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…

      3. 1820s
        Thomas Jefferson (1743-1826), LL.D. 1786 (1823) av Thomas Sully
        Lerret 2 av 100

        Thomas Jefferson (1743-1826), LL.D. 1786

        Alder 37 – 46 · Yale University Art Gallery

        Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…

      4. 1830s
        Queen Victoria (1838) av Thomas Sully
        Rangert som 1 av 100

        Queen Victoria

        Alder 47 – 56 · Wallace Collection
      5. 1840s
        George Washington (1840) av Thomas Sully
        Rangert som 3 av 100

        George Washington

        Alder 57 – 66 · Metropolitan Museum of Art

        Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…

      6. 1850s
        Thomas Heyward, Jr. (1854) av Thomas Sully
        Rangert som 24 av 100

        Thomas Heyward, Jr.

        Alder 67 – 76 · National Portrait Gallery

        Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

      7. 1860s
        Mischief (Girl's Head) (1866) av Thomas Sully
        Rangert som 27 av 100

        Mischief (Girl's Head)

        Alder 77 – 86 · Reading Public Museum

        Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

      Thomas Sullys lerreter, spørsmål for spørsmål

      Hvilket maleri er Thomas Sully mest kjent for?Les svaret

      Queen Victoria (1838), Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840) følger.

      Queen Victoria: hvor gammel var Thomas Sully da det ble malt?Les svaret

      Thomas Sully, født i 1783, var 55 år gammel: Queen Victoria er fra 1838.

      Hva er de ti mest kjente maleriene til Thomas Sully?Les svaret

      Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis og Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har Thomas Sully skapt?Les svaret

      437 verk av Thomas Sully finnes i vår katalog, datert fra 1802 til 1866.

      Hvor henger Thomas Sullys mest kjente malerier i dag?Les svaret

      Hovedsakelig i Metropolitan Museum of Art (New York), National Gallery of Art (Washington) og National Portrait Gallery (Washington, D.C.); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Thomas Sully sine mest kjente lerreter?Les svaret

      I 1810s, som utgjorde 25 av de 100 verkene på denne siden, var Dr. Edward Hudson blant dem.

      Hvilket berømt lerret av Thomas Sully kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Mrs. Thomas Sully (Sarah Annis) (1802); det nyeste er fra Mischief (Girl's Head) (1866).

      Hvilke motiver malte Thomas Sully mest av?Les svaret

      Man (18), Portrait (17) og Woman (10), fordelt på 100 verk på denne siden.

      Hvilket medium er mest fremtredende i Thomas Sully sine malerier?Les svaret

      Oil On Canvas, brukt i 32 av de 100 verkene på denne siden.

      Hvilken kunstretning er Thomas Sully tilknyttet?Les svaret

      Romanticism og Neoclassicism, som lerretet på denne siden viser.

      Hvilke malerier av Thomas Sully er i Metropolitan Museum of Art sin samling?Les svaret

      Metropolitan Museum of Art, New York har 11 av verkene på denne siden, inkludert George Washington, Child Asleep (The Rosebud) og John Finley.

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Thomas Sully?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Thomas Sully

      A Transatlantic Brushstroke: The Life and Art of Thomas Sully

      Thomas Sully’s journey is a remarkable tale – one that transcends mere geography, becoming a vibrant tapestry woven from artistic influences, cultural shifts, and the burgeoning spirit of America. Born in 1783 under the skies of Horncastle, Lincolnshire, England, his life wasn't simply defined by birth; it was shaped by an itinerant childhood, culminating in his arrival in Charleston, South Carolina, at the tender age of nine. This early exposure to a transient theatrical world—his parents were actors—instilled within him a keen understanding of capturing fleeting expressions and embodying character – skills that would prove invaluable as he transitioned from the stage to the canvas. Initially drawn to the allure of performance himself, briefly pursuing a career as a tumbler, Sully’s innate talent for observation and representation soon found its true expression in painting. An apprenticeship with an insurance broker provided him with a foundational understanding of detail and precision, but it was his subsequent mentorship by Charles Fraser and later Jean Belzons that ignited the flame of his artistic passion, particularly within the realm of miniature painting – a discipline he mastered before expanding his scope to larger, more ambitious works.

      From Miniature to Monumental: Forging an American Style

      Sully’s artistic development wasn't confined by national borders; it was a dynamic process of assimilation and adaptation. A pivotal moment arrived in 1808 when he embarked on a period of study in London with Benjamin West, a celebrated figure in the British art world. While West’s influence undoubtedly shaped his early technique, it was the profound impact of Thomas Lawrence that truly resonated with Sully. Lawrence's elegant style – characterized by its masterful use of light and texture, and his remarkable ability to capture both likeness and character – became a cornerstone of Sully’s artistic philosophy. Upon returning to America in 1809, he carried this aesthetic with him, earning the moniker “the Sir Thomas Lawrence of America.” However, Sully didn't simply emulate; he skillfully adapted and refined these influences, forging a distinctly American style that blended European sophistication with a uniquely New World sensibility. His portraits weren’t merely photographic reproductions; they were imbued with a sense of warmth, dynamism, and psychological depth – reflecting the evolving identity of the nation itself. He possessed an extraordinary ability to capture not just outward appearances but also the inner lives of his subjects, imbuing each portrait with a palpable sense of personality.

      The Influence of London: A Refined Technique

      Sully’s return to England in 1809 and again in 1837 proved crucial to his artistic evolution. These visits weren't merely nostalgic trips; they were deliberate opportunities for refinement and learning. His time with Benjamin West provided a solid grounding in traditional techniques, while his interactions with Thomas Lawrence exposed him to the latest innovations in portraiture – particularly the use of loose brushwork and atmospheric effects. He meticulously studied the works of other masters, absorbing their insights and incorporating them into his own practice. The experience broadened his technical skills and deepened his understanding of composition, color theory, and light. He returned to America with a renewed sense of confidence and a more sophisticated artistic vision, ready to tackle larger-scale projects and explore new avenues of expression.

      A Portrait of an Era: Notable Works and Subjects

      Sully’s prolific output spanned over seven decades, during which he created an astonishing number of portraits – estimates range from 2,300 to over 3,000! His subjects reflected the diverse tapestry of American society at the time. He painted prominent figures such as Thomas Jefferson, John Quincy Adams, Andrew Jackson, and numerous members of the wealthy elite in Philadelphia and beyond. His most celebrated work, *The Passage of the Delaware* (1819), stands as a testament to his ability to capture dramatic historical events with both artistic flair and technical skill. The painting depicts George Washington leading his troops across the icy Delaware River on Christmas night – an iconic moment that embodies the spirit of American independence. Beyond these grand historical scenes, Sully’s portraits captured the essence of countless individuals, preserving their likenesses for posterity and offering a glimpse into the lives and personalities of those who shaped the nation's destiny.

      Legacy and Enduring Influence

      Thomas Sully’s legacy extends far beyond his impressive body of work. He was not only a gifted painter but also a dedicated teacher, mentoring numerous aspiring artists and contributing to the development of American portraiture. His influence can be seen in the works of later generations of painters, who drew inspiration from his masterful technique and his ability to capture the human spirit. Furthermore, Sully’s commitment to cultural enrichment is evident in his involvement with the Musical Fund Society of Philadelphia – a testament to his belief that art should serve as a catalyst for social progress. His paintings continue to be exhibited in museums across the United States, captivating audiences with their beauty, elegance, and enduring power. Thomas Sully remains a pivotal figure in American art history—a painter who skillfully blended European sophistication with uniquely American sensibilities, leaving behind a rich legacy of portraits that capture the essence of an era.

      Alle 437 verk av Thomas Sully →