Atelier — Gratis frakt til hele verden — Leveringstid 2–6 uker
      Tutankhamen, 1345 – 1327

      1 av Tutankhamens mest kjente malerier

      Astronomincal Instrument of Tutankhamun (1332) er maleriet Tutankhamen er mest kjent for; det tilhører Institute for the Study of Ancient Cultures Museum, Chicago. Vår katalog inneholder 1 verk av Tutankhamen. Her er de 1 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Tutankhamen
      Tutankhamen · 1345 – 1327
      Født · død
      1345 – 1327, Amarna
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      Astronomincal Instrument of Tutankhamun (1332)
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      Institute for the Study of Ancient Cultures Museum

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      Institute for the Study of Ancient Cultures Museum, ChicagoInstitute for the Study of Ancient Cultures Museum Chicago 1 Astronomincal Instrument of Tutankhamun

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      Astronomincal Instrument of Tutankhamun (1332)

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      Hovedsakelig i Institute for the Study of Ancient Cultures Museum (Chicago); listen ovenfor navngir hvert museum og deres lerreter.

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      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Tutankhamen

      The Dawn of a Restored Era

      In the sun-drenched landscape of ancient Egypt, a young prince ascended a throne burdened by the weight of profound religious upheaval. Born as Tutankhaten, the Living Image of Aten, his early years were defined by the radical, monotheistic shadows cast by his predecessor, Akhenaten. Yet, the boy who would become Tutankhamun possessed a destiny far greater than mere survival. As he matured, he became the architect of a profound cultural reclamation, steering the heart of Egypt away from the singular sun disc and back toward the multifaceted glory of the traditional pantheon. By reinstating Amun as the supreme deity and moving the royal court to Thebes, he did more than just change a religion; he mended the very fabric of Egyptian identity, weaving together the fractured threads of a kingdom seeking stability.

      A Legacy Carved in Gold

      While his reign was tragically brief, the artistic splendor associated with his name remains unparalleled in the annals of human history. The treasures unearthed from his resting place, KV62, serve as a breathtaking testament to the mastery of ancient Egyptian artisans. Each artifact—from the delicate ebony rods inscribed with sacred hieroglyphs to the iconic, shimmering golden mask—embodies an idealized vision of royal divinity. This artistry was not merely decorative; it was deeply symbolic, designed to bridge the gap between the mortal and the eternal. The craftsmanship seen in his funerary goods reflects a period where gold, lapis lazuli, and carnelian were used to compose a visual language of power, immortality, and the divine right of kings.

      The Eternal Echo of the Boy King

      For millennia, the boy king lay in silent repose, until the transformative moment in 1922 when Howard Carter’s expedition pierced the veil of time. The discovery of his nearly intact tomb catapulted Tutankhamun from the forgotten dust of history into the global consciousness, forever altering our perception of the New Kingdom. Today, he stands not just as a historical figure, but as an icon of archaeological wonder. His story continues to captivate the modern imagination, reminding us that even the most fleeting lives can leave an indelible mark upon the world through the enduring beauty of the art they leave behind.

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