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      Valentin Serov, 1865 – 1911

      100 av Valentin Serovs mest kjente malerier

      Jente med fersken (1887) er maleriet Valentin Serov er mest kjent for; det tilhører Tretyakov-galleriet, Moskva. Portrait of Anton Chekhov (1903) og Portrait of Henrietta Girshman (1907) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 289 verk av Valentin Serov. Her er de 100 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Valentin Serov
      Valentin Serov · 1865 – 1911
      Født · død
      1865 – 1911, St. Petersburg
      Bevegelse
      Realism
      Verker i vår katalog
      289
      Mest kjente
      Jente med fersken (1887)
      Flest verk hos
      Nasjonalgalleriet i Armenia

      De ti mest kjente maleriene av Valentin Serov

      Jente med fersken (1887) av Valentin Serov
      1

      Jente med fersken

      1887 · Olje på lerret · Tretyakov-galleriet, Moskva

      I det stille lyset fra 1887 fanger Valentin Serov et flyktig øyeblikk av barndom i sitt maleri, Jente med fersken. Scenen sentrerer rundt elleve år gamle Vera Mamontova, en ung jente hvis nærvær fyller rommet med en følelse av ro. Hun sitter ved et bord, med et stødig og tankefullt blikk, mens ettermiddagssolen filtreres gjennom rommet. Dette portrettet er mer enn bare en likhet; det er et vindu inn i…

      Portrait of Anton Chekhov (1903) av Valentin Serov
      2

      Portrait of Anton Chekhov

      1903 · Oil On Canvas

      is a work by the Russian artist Valentin Serov. Executed in 1903, the painting presents a focused study of the subject, a man characterized by a prominent beard. The portrait captures a sense of quiet observation, presenting the sitter in a manner that suggests introspection or weariness.

      Portrait of Henrietta Girshman (1907) av Valentin Serov
      3

      Portrait of Henrietta Girshman

      1907 · Oil On Canvas

      Valentin Serov’s “Portrait of Henrietta Girshman,” painted in 1907, is more than just a likeness; it's a carefully constructed tableau that invites the viewer to step into a private moment. Executed with a masterful blend of realism and impressionistic techniques, the painting captures the quiet intimacy of a woman preparing herself – perhaps for an evening out, or simply lost in contemplation – within the luxurious confines of her dressing…

      Winter in Abramtsevo (1886) av Valentin Serov
      4

      Winter in Abramtsevo

      1886 · Oil On Canvas

      We are looking at Winter in Abramtsevo, a landscape painting by Valentin Serov. Created in 1886, this work captures a quiet moment within the Russian countryside. The original title of the piece is Зима в Абрамцево. It remains a significant example of Serov's early engagement with the natural world and the specific atmosphere of the Abramtsevo area.

      Portrait of Pavel Tretyakov (1899) av Valentin Serov
      8

      Portrait of Pavel Tretyakov

      1899 · Watercolor · Tretyakov-galleriet, Moskva

      Valentin Alexandrovich Serov presents Portrait of Pavel Tretyakov through a vertical composition that focuses on the subject from the waist up. Positioned slightly off-center, the middle-aged man is depicted with his arms crossed, a stance that establishes a sense of introspective stillness. The subject is set against a non-descript, washed background, which creates a shallow depth and pushes the figure toward the foreground.

      Valentin Serov: lerreter 11 til 100 på rangeringen

      A Breton woman. (1901) av Valentin Serov
      #23

      A Breton woman.

      1901 · Nasjonalmuseet i Warszawa

      is an oil on canvas painting by the Russian artist Valentin Serov. Created in 1901, the work captures a solitary woman in a moment of quietude. The subject…

      Bestill dette lerretet →
      The Grand Eagle Cup (1910) av Valentin Serov
      #76

      The Grand Eagle Cup

      1910 · Nasjonalgalleriet i Armenia

      To stand before Valentin Alexandrovich Serov’s The Grand Eagle Cup is to step through a veil and into a moment suspended in time—a quiet tableau vivant imbued with…

      Få det malt for hånd →
      Portrait of Maria Akimova (1908) av Valentin Serov
      #77

      Portrait of Maria Akimova

      1908 · Nasjonalgalleriet i Armenia

      In the Portrait of Maria Akimova, created in 1908, we are invited into a private, almost whispered moment of repose. The painting presents a captivating study of a…

      Få det malt for hånd →

      Hva Valentin Serov malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Der Valentin Serov sine lerreter henger

      De 6 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Valentin Serov Malerier fra denne listen
      Nasjonalgalleriet i Armenia, JerevanNasjonalgalleriet i Armenia Jerevan 3 Wife of Kostroma manifacture's director, The Grand Eagle Cup, Portrait of Maria Akimova
      Tretyakov-galleriet, MoskvaTretyakov-galleriet Moskva 11 Jente med fersken, Portrait of Pavel Tretyakov
      Nasjonalmuseet i Warszawa, WarszawaNasjonalmuseet i Warszawa Warszawa 4 Portrait of a woman, A Breton woman.
      National Art Museum of The Republic of Belarus, MinskNational Art Museum of The Republic of Belarus Minsk 1 Portrait of O. F. Tomara
      Kiev National Picture Gallery, KyivKiev National Picture Gallery Kyiv 1 Elizaveta Alexeevna Krasilshikova
      Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 1 Still Life

      Valentin Serovs mest kjente lerreter, tiår etter tiår

      1. 1870s
        Still Life (1879) av Valentin Serov
        78 av 100

        Still Life

        Alder 5 – 14 · Finnish National Gallery
      2. 1880s
        Jente med fersken (1887) av Valentin Serov
        1 av 100

        Jente med fersken

        Alder 15 – 24 · Tretyakov-galleriet

        I det stille lyset fra 1887 fanger Valentin Serov et flyktig øyeblikk av barndom i sitt maleri, Jente med fersken. Scenen sentrerer rundt elleve år gamle Vera Mamontova,…

      3. 1890s
        Portrait of Pavel Tretyakov (1899) av Valentin Serov
        Rangert som 8 av 100

        Portrait of Pavel Tretyakov

        Alder 25 – 34 · Tretyakov-galleriet

        Valentin Alexandrovich Serov presents Portrait of Pavel Tretyakov through a vertical composition that focuses on the subject from the waist up. Positioned slightly off-center, the middle-aged man is…

      4. 1900s
        Portrait of Anton Chekhov (1903) av Valentin Serov
        2 av 100

        Portrait of Anton Chekhov

        Alder 35 – 44

        is a work by the Russian artist Valentin Serov. Executed in 1903, the painting presents a focused study of the subject, a man characterized by a prominent beard.…

      5. 1910s

      Valentin Serovs lerreter, spørsmål for spørsmål

      Hvilket maleri er Valentin Serov mest kjent for?Les svaret

      Jente med fersken (1887), Tretyakov-galleriet, Moskva. Portrait of Anton Chekhov (1903) og Portrait of Henrietta Girshman (1907) følger.

      Jente med fersken: hvor gammel var Valentin Serov da det ble malt?Les svaret

      Valentin Serov, født i 1865, var 22 år gammel: Jente med fersken er fra 1887.

      Hva er de ti mest kjente maleriene til Valentin Serov?Les svaret

      Jente med fersken, Portrait of Anton Chekhov, Portrait of Henrietta Girshman, Winter in Abramtsevo, George the Victorious, Autumn evening. Domotkanovo, Bathing a Horse, Portrait of Pavel Tretyakov, Self-Portrait og Portrait of the Artist Pavel Tchistyakov. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har Valentin Serov skapt?Les svaret

      289 verk av Valentin Serov finnes i vår katalog, datert fra 1879 til 1911.

      Hvor henger Valentin Serovs mest kjente malerier i dag?Les svaret

      Hovedsakelig i Nasjonalgalleriet i Armenia (Jerevan), Tretyakov-galleriet (Moskva) og Nasjonalmuseet i Warszawa (Warszawa); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Valentin Serov sine mest kjente lerreter?Les svaret

      I 1900s, som utgjorde 35 av de 100 verkene på denne siden, var Portrait of Anton Chekhov blant dem.

      Hvilket berømt lerret av Valentin Serov kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Still Life (1879); det nyeste er fra Portrait of N.P. Lamanova (1911).

      Hvilke motiver malte Valentin Serov mest av?Les svaret

      Famous people (50), Portraits (49) og Men (24), fordelt på 100 verk på denne siden.

      Hvilket medium er mest fremtredende i Valentin Serov sine malerier?Les svaret

      Oil On Canvas, brukt i 5 av de 100 verkene på denne siden.

      Hvilken kunstretning er Valentin Serov tilknyttet?Les svaret

      Realism og Impressionism, som lerretet på denne siden viser.

      Hvilke malerier av Valentin Serov er i Nasjonalgalleriet i Armenia sin samling?Les svaret

      Nasjonalgalleriet i Armenia, Jerevan har 3 av verkene på denne siden, inkludert Wife of Kostroma manifacture's director, The Grand Eagle Cup og Portrait of Maria Akimova.

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Valentin Serov?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Valentin Serov

      A Life Immersed in Art and Aristocracy

      Valentin Alexandrovich Serov, born into a world already resonating with artistic brilliance on January 19, 1865, in Saint Petersburg, was destined to become one of Russia’s most celebrated portraitists. His lineage itself spoke volumes – the son of composer Alexander Serov and Valentina Bergman, also a gifted musician, young Valentin grew up enveloped by creativity. This nurturing environment wasn't merely about exposure; it instilled within him a deep appreciation for harmony, form, and emotional expression—qualities that would profoundly shape his artistic vision. From an early age, he was encouraged to explore his talents, receiving initial instruction in Paris and Moscow under the watchful eye of Ilya Repin, a master of realist painting. This foundational training emphasized observation, meticulous detail, and a commitment to capturing the essence of human character. Later studies at the St. Petersburg Academy of Arts with Pavel Chistyakov further honed his technical skills, grounding him in classical principles while simultaneously fostering an emerging individuality. Serov’s upbringing wasn't solely artistic; it was also deeply intertwined with Russia’s elite circles, providing access to a world he would later immortalize on canvas.

      The Blossoming of a Portraitist: Early Works and Influences

      Serov’s early period is marked by an extraordinary sensitivity to light and atmosphere, evident in works like *Girl with Peaches* (1887) and *Girl Covered by the Sun* (1888). These paintings, now iconic treasures of the Tretyakov Gallery, weren't simply portraits; they were studies in fleeting moments, capturing the ephemeral beauty of childhood. The loose brushwork and vibrant color palette hinted at an Impressionistic sensibility, yet remained firmly rooted in a realist tradition. He wasn’t merely depicting likenesses but conveying a sense of spontaneity and inner life. This ability to capture psychological depth became a hallmark of his style. He absorbed influences from the Old Masters during visits to European museums, studying Rembrandt, Velázquez, and Veronese, learning their techniques for rendering light, shadow, and texture. The artistic colony at Abramtsevo also played a crucial role in his development, exposing him to new ideas and fostering collaborations with fellow artists like Mikhail Vrubel and Konstantin Korovin. These interactions broadened his horizons and encouraged experimentation. His portraits of the 1890s – **Konstantin Korovin**, **Isaac Levitan**, and **Nikolai Leskov** – demonstrate a growing confidence in his ability to convey not just physical appearance but also the intellectual and emotional character of his subjects.

      Navigating Tradition and Modernity: A Shifting Style

      As Serov matured, his artistic style underwent a subtle yet significant transformation. While he continued to receive commissions from Russia’s aristocracy – portraits of Grand Duke Pavel Alexandrovich, S.M. Botkin, and Felix Yusupov attest to this – his approach became more nuanced and psychologically penetrating. He moved away from the purely descriptive towards a deeper exploration of character, often employing a restrained palette dominated by blacks, greys, and browns to emphasize mood and introspection. From 1900 onwards, Serov’s work began to reflect a growing engagement with modernism, though he never fully abandoned his commitment to realism. He became involved with the influential art association *Mir Iskusstva* (“World of Art”), which championed new artistic trends and challenged traditional conventions. This association exposed him to Art Nouveau aesthetics and encouraged experimentation with form and composition. His portrait of **Maxim Gorky** (1904) exemplifies this shift, presenting a powerful and unconventional depiction of the writer as a man of the people. He skillfully balanced his academic training with emerging artistic currents, creating a unique style that was both sophisticated and emotionally resonant.

      Major Achievements and Recognition

      Serov’s career spanned several decades, during which he produced an astonishingly diverse body of work. His portraits are particularly celebrated for their psychological insight and technical mastery. He achieved widespread recognition within Russia and internationally, exhibiting his paintings in major galleries and museums across Europe. His works were lauded by critics and fellow artists alike, solidifying his reputation as one of the foremost portraitists of his generation. Notably, he was elected to the St. Petersburg Academy of Arts in 1903, a prestigious honor that further cemented his position within the Russian art establishment. His influence extended beyond painting; he also served as a respected teacher at the Moscow Institute of Painting, Sculpture, and Architecture, nurturing the talents of numerous aspiring artists. His contributions to the development of Russian portraiture are undeniable, shaping the course of artistic expression for decades to come.

      Legacy and Lasting Impact

      Valentin Serov’s untimely death on December 5, 1911, at the age of 46, cut short a brilliant career, but his legacy endures as one of Russia's most important portrait painters. He left behind a body of work that not only captured the likenesses of his contemporaries but also offered profound insights into Russian society and culture at a pivotal moment in history. His ability to combine technical mastery with psychological depth set him apart from his peers, and his paintings continue to captivate audiences today.
      • He bridged the gap between realism and modernism.
      • His portraits offer invaluable glimpses into the lives of Russia’s elite.
      • His influence can be seen in the work of subsequent generations of Russian artists.
      Serov's contribution extends beyond his paintings; he was also a dedicated teacher, shaping the artistic development of numerous students. His commitment to both tradition and innovation ensured that his influence would continue to resonate long after his passing. Exploring Serov’s work is not merely an exercise in art appreciation; it is a journey into the heart of Russian history and culture, offering a window into a world of elegance, intellect, and emotional complexity.

      Alle 289 verk av Valentin Serov →