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      Veronese, 1528 – 1588

      Veronese's 100 Most Famous Paintings

      Bryllup ved Kana (1563) is the painting Veronese is best remembered for; it belongs to the Louvre, Paris. Feast in the House of Levi (1573) and Lucretia (1580) complete the trio of best-loved canvases. Our catalogue counts 522 works by Veronese. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Veronese
      Veronese · 1528 – 1588
      Born · died
      1528 – 1588, Verona
      Movement
      Renessanse
      Works in our catalogue
      522
      Most famous
      Bryllup ved Kana (1563)
      Most works at
      Palazzo Ducale

      The ten best-loved paintings by Veronese

      Bryllup ved Kana (1563) by Veronese
      1

      Bryllup ved Kana

      1563 · Olje på lerret · Louvre, Paris

      Paolo Veroneses “Bryllup ved Kana” er mer enn bare et bilde; det er en dør inn i en overdådig verden, et øyeblikks fanget fra en tid da kunst og religion smeltet sammen i en symfoni av farger, lys og menneskelig handling. Denne monumentale komposisjonen, som nå pryder veggene i Louvre-museet i Paris, er et bevis på Veroneses mesterskap som dekorasjonskunstner og hans evne til å skape bilder som både forfører…

      Feast in the House of Levi (1573) by Veronese
      2

      Feast in the House of Levi

      1573 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venezia

      Paolo Veronese's 1573 masterpiece, *Feast in the House of Levi*, residing within the Gallerie dell’Accademia in Venice, isn’t merely a painting; it’s an immersive theatrical experience captured on canvas. Measuring a staggering 555 cm by 1280 cm – a scale that demands reverence and immediate engagement – the work immediately overwhelms with its sheer abundance of figures, vibrant colors, and meticulously rendered architectural details. It's a testament to Veronese’s unparalleled…

      Lucretia (1580) by Veronese
      3

      Lucretia

      1580 · Olje på lerret · Kunsthistorisches Museum, Wien

      Paolo Veroneses “Lucretia” er mer enn bare et portrett; det er en levende skildring av renæssance-elegance, sorg og dygd. Ferdigstilt i 1580, er dette mesterverket et fascinerende innblikk i den italienske kunstens gullalder, der Veronese, sammen med Titian og Tintoretto, utformet en unik stil som kombinerte luksus, drama og en dyp følelse av menneskelig erfaring. Bildet, nå en del av et privat samlingsverk, forteller en historie om mot, tap og…

      Bryllupet i Kana (1563) by Veronese
      4

      Bryllupet i Kana

      1563 · Olje på lerret · Louvre, Paris

      Paolo Veroneses monumentale mesterverk, "Bryllupet i Kana," er mer enn bare et maleri; det er en visuell symfoni som fanger essensen av renessansens overdådige eleganse og den bibelske fortellingens dype åndelighet. Skapt i 1563 for refektoriet i San Giorgio Monastery i Venezia, utstråler dette enorme lerretet en følelse av feiring og mirakuløs transformasjon som fortsatt berører oss i dag. Veronese, en mester i farge og komposisjon, skapte et verk som…

      The Wedding at Cana by Veronese
      5

      The Wedding at Cana

      Oil On Canvas · Grand Palais, Paris

      To step into the world of Paolo Veronese is to enter a grand Venetian ballroom, where the air feels thick with the scent of celebration and every surface seems to shimmer with an almost impossible light. His monumental masterpiece, The Wedding at Cana, is not merely a depiction of a biblical miracle; it is an immersive theatrical experience. Painted in 1563, this colossal oil on canvas transforms the sacred story…

      Dialectics (1578) by Veronese
      6

      Dialectics

      1578 · Oil On Canvas · Palazzo Ducale, Venezia

      The Enigmatic Dance of Thought: Veronese’s “Dialectics” Paolo Veronese's "Dialectics," painted in 1578-82, is not merely a portrait; it’s an invitation into the very heart of Renaissance intellectualism. More than just a depiction of a woman – identified by some scholars as Veronica Franco, a celebrated Venetian courtesan and poet – the painting unfolds as a complex allegorical tableau, brimming with philosophical symbolism and executed in Veronese's signature opulent style.…

      Venus og Adonis (1586) by Veronese
      7

      Venus og Adonis

      1586 · Olje på lerret · Kunsthistorisches Museum, Wien

      Paolo Veroneses «Venus og Adonis», malt i 1586, er mer enn bare et bilde; det er en levende portal til den rike og overdådige verdenen av 16. århundrets Venezia. Dette monumentale verket, nå bevart i Museo del Prado i Madrid, utstråler en unik blanding av mytologi, lidenskap og teknisk mesterskefiende – et testament til Veroneses evne til å fange essensen av sin tid og skape kunst som fortsatt forblir betagende.…

      Mars Undressing Venus (1570) by Veronese
      8

      Mars Undressing Venus

      1570 · Oil On Canvas · Nasjonal Galleri i Scotland, Edinburgh

      In the heart of the Italian Renaissance, where the shimmering canals of Venice met the intellectual fervor of humanist thought, Paolo Veronese breathed life into one of the era's most captivating narratives. Mars Undressing Venus is not merely a painting; it is a theatrical performance captured in oil, a monumental tableau that invites the viewer into a private, mythic moment. Completed around 1570, this masterpiece orchestrates a delicate dance between…

      Sala dell'Olimpo (1560) by Veronese
      9

      Sala dell'Olimpo

      1560 · Fresco · Villa Barbaro, Matera

      Paolo Veronese’s *Sala dell’Olimpo*, painted in 1560, is more than just a fresco; it’s an immersive journey into the heart of classical mythology and Renaissance grandeur. This monumental work, likely intended for a lavish ceiling, immediately overwhelms with its scale and density – a teeming world populated by gods, heroes, and allegorical figures engaged in a dramatic narrative that speaks to themes of power, victory, and divine authority. The sheer…

      Takdekorasjon (detalje) (1578) by Veronese
      10

      Takdekorasjon (detalje)

      1578 · Olje på lerret · Palazzo Ducale, Venezia

      Takdekorasjonen, et utsnitt fra Paolo Veroneses monumentale verk i Dogepalasset i Venezia, er mer enn bare et dekorativt grep; det er en oppslukende teateropplevelse gjengitt i livlig fresko. Fullført rundt 1578, fanger dette partiet et mikrokosmos av hele komposisjonen – en blendende fremvisning av figurer, arkitektonisk prakt og en mesterlig manipulering av lys som umiddelbart trekker betrakteren inn i dets overdådige verden. Veronese, en venetiansk mester kjent for sin dramatiske…

      Veronese: canvases 11 to 100 of the ranking

      Bryllupet i Kana (detalj) (12) (1563) by Veronese
      #11

      Bryllupet i Kana (detalj) (12)

      1563 · Louvre

      Et storslått venetiansk skue: Avdukingen av Paolo Veroneses «Bryllupet i Kana» (Detalj) Paolo Veroneses «Bryllupet i Kana» – og særlig dette utsøkte detaljpanelet – er ikke bare et…

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      Assumption of the Virgin (1586) by Veronese
      #13

      Assumption of the Virgin

      1586 · Gallerie dell'Accademia di Venezia

      Paolo Veronese’s “Assumption of the Virgin,” completed in 1586, is more than simply a religious depiction; it’s an immersive theatrical experience rendered in oil on canvas. Measuring a…

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      Plato (1560) by Veronese
      #18

      Plato

      1560 · Biblioteca Marciana

      Paolo Veronese’s “Plato,” painted circa 1560 and currently residing in the Biblioteca Nazionale Marciana in Venice, is more than simply a portrait; it's a meticulously crafted embodiment of…

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      Saint Sebastian (1565) by Veronese
      #19

      Saint Sebastian

      1565 · Kunsthistorisches Museum

      A heavy, classical stone column anchors the left side of the frame, its grey surface weathered and rough against the warmth of human skin. Bound to this cold…

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      The Resurrection of Christ (1570) by Veronese
      #20

      The Resurrection of Christ

      1570 · Gemäldegalerie Alte Meister

      The Resurrection of Christ by Paolo Veronese Paolo Veronese’s “The Resurrection of Christ,” completed in 1570 during his zenith as Venetian maestro, stands as an unparalleled testament to…

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      Apotheosis of Venice (1585) by Veronese
      #21

      Apotheosis of Venice

      1585 · Palazzo Ducale

      Paolo Veronese's *Apotheosis of Venice*, completed in 1585, is not merely a painting; it’s an immersive theatrical experience captured on canvas. Commissioned for the ceiling of the Sala…

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      Conquest of Smyrna (1585) by Veronese
      #22

      Conquest of Smyrna

      1585 · Palazzo Ducale

      Paolo Veronese’s “Conquest of Smyrna,” painted in 1585, isn't merely a depiction of battle; it’s an immersive theatrical experience. Commissioned for the Sala del Maggior Consiglio (Great Council…

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      Christ and the Adulteress (1585) by Veronese
      #23

      Christ and the Adulteress

      1585 · Kunsthistorisches Museum

      In this large-scale oil painting from 1585, we find ourselves drawn into a dramatic biblical scene of profound tension. The composition is panoramic, almost frieze-like, arranging several figures…

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      Aristotele (1560) by Veronese
      #24

      Aristotele

      1560 · Biblioteca Marciana

      Paolo Veronese's "Aristotle," painted in 1560, isn’t merely a portrait; it’s an invitation into the heart of philosophical contemplation. This remarkable work, now residing within the Biblioteca Marciana…

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      Crucifixion (1580) by Veronese
      #25

      Crucifixion

      1580 · San Lazzaro dei Mendicanti

      To stand before Paolo Veronese’s Crucifixion is to be swept into a whirlwind of 16th-century Venetian grandeur and profound spiritual tension. This monumental work, dating from 1580, transcends…

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      The Coronation of Hebe (1584) by Veronese
      #29

      The Coronation of Hebe

      1584 · Isabella Stewart Gardner Museum

      The Coronation of Hebe is a significant work by Paolo Veronese, though it is currently attributed to the Studio of Paolo Veronese. This large-scale oil on canvas was…

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      Christ and the Woman of Samaria (1585) by Veronese
      #30

      Christ and the Woman of Samaria

      1585 · Kunsthistorisches Museum

      The scene unfolds in the monumental work titled Christ and the Woman of Samaria. This painting, attributed to Paolo Veronese and his workshop, captures a profound moment of…

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      The Rape of Europa (1570) by Veronese
      #31

      The Rape of Europa

      1570 · National Gallery

      The Rape of Europa: A Venetian Masterpiece of Myth and Desire Paolo Veronese’s *The Rape of Europa*, painted in 1570, is not merely a depiction of a classical…

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      Crucifixion (1580) by Veronese
      #32

      Crucifixion

      1580 · Gallerie dell'Accademia di Venezia

      To stand before Paolo Veronese’s Crucifixion is to be enveloped by a wave of dramatic, almost overwhelming emotion. This monumental oil painting from 1580 does not merely depict…

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      Conversion of Saul (1570) by Veronese
      #34

      Conversion of Saul

      1570 · Eremitasjen

      The composition centers on the sudden, violent interruption of Saul’s journey. He is captured mid-fall, thrown from his horse by a force that transcends the physical. The scene…

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      Presentation in the Temple (1560) by Veronese
      #35

      Presentation in the Temple

      1560 · San Sebastiano

      Paolo Veronese’s “Presentation in the Temple,” completed in 1560, is more than just a depiction of a biblical scene; it’s a vibrant testament to the artistic flourishing of…

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      St Sebastian (1558) by Veronese
      #37

      St Sebastian

      1558 · San Sebastiano

      To stand before this depiction of Saint Sebastian is to be enveloped in a moment suspended between earthly suffering and celestial grace. The composition immediately draws the eye…

      Adoration of the Kings (1585) by Veronese
      #38

      Adoration of the Kings

      1585 · Kunsthistorisches Museum

      The painting titled Adoration of the Kings is an oil on canvas work attributed to the artist Paolo Veronese. Known also by his birth name, Paolo Caliari, the…

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      The Vision of St Helena (1575) by Veronese
      #39

      The Vision of St Helena

      1575 · National Gallery

      Paolo Veronese's "The Vision of Saint Helena," painted in 1570-75, isn’t merely a religious depiction; it’s a profound meditation on faith, prophecy, and the enduring power of divine…

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      Resurrection of Jesus (1572) by Veronese
      #44

      Resurrection of Jesus

      1572 · Staatliche KunstSammlungen Dresden

      The painting titled Resurrection of Jesus is a work by the artist Paolo Veronese. Created about 1572, this oil on canvas captures a singular moment of divine transition.…

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      Christ and the Centurion (1571) by Veronese
      #45

      Christ and the Centurion

      1571 · Museo del Prado

      In this significant oil on canvas, Christ and the Centurion, the artist Paolo Veronese presents a dramatic encounter set within a grand architectural framework. Painted in 1571, the…

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      Ceiling decoration (detail) (1578) by Veronese
      #46

      Ceiling decoration (detail)

      1578 · Palazzo Ducale

      To step before Paolo Veronese’s Ceiling Decoration (Detail) is to be transported into the very heart of the Venetian Renaissance, a period where art served as both a…

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      End wall of the Stanza del Cane (1560) by Veronese
      #48

      End wall of the Stanza del Cane

      1560 · Villa Barbaro

      Paolo Veronese's “End Wall of the Stanza del Cane,” completed in 1561, stands as a monumental testament to Venetian Renaissance artistry—a breathtaking fresco that transcends mere decoration to…

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      Apotheosis of Venice (1585) by Veronese
      #49

      Apotheosis of Venice

      1585 · Palazzo Ducale

      A Celebration of Venetian Grandeur: Exploring Paolo Veronese’s Apotheosis of Venice The Sala del Maggior Consiglio in the Doges' Palace stands as a testament to Venetian power and…

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      The Sacrifice of Isaac (1588) by Veronese
      #50

      The Sacrifice of Isaac

      1588 · Kunsthistorisches Museum

      The Sacrifice of Isaac is a religious art genre painting executed by Paolo Veronese and his workshop. This oil on canvas work depicts a specific biblical narrative through…

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      Assumption (1558) by Veronese
      #51

      Assumption

      1558 · Basilica dei Santi Giovanni e Paolo

      To gaze upon this monumental depiction of the Assumption of Mary is to be swept away by a tide of divine glory. Paolo Veronese, master of Venetian splendor,…

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      Crucifixion (detail) (1580) by Veronese
      #52

      Crucifixion (detail)

      1580 · Gallerie dell'Accademia di Venezia

      This evocative scene transports the viewer directly into the heart of a dramatic medieval epoch. Though titled Crucifixion (detail), the visual evidence presents a far grander tableau—a bustling,…

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      Last Supper (1585) by Veronese
      #54

      Last Supper

      1585 · Pinacoteca di Brera

      The air within the room feels heavy with the weight of a shared moment, yet the scene pulses with an unexpected energy. Around a long, expansive table, Jesus…

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      The Adoration of the Magi (1558) by Veronese
      #56

      The Adoration of the Magi

      1558 · Bavarian State Painting Collections

      The Adoration of the Magi is an oil on canvas painting by the artist Paolo Veronese. This work, also known as The Adoration of the Kings, depicts the…

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      Apotheosis of Venice (1585) by Veronese
      #57

      Apotheosis of Venice

      1585 · Palazzo Ducale

      To gaze upon this monumental depiction, Apotheosis of Venice, is to be swept away by a tide of color and human drama. It is not merely a painting;…

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      Assumption (detail) (1558) by Veronese
      #58

      Assumption (detail)

      1558 · Basilica dei Santi Giovanni e Paolo

      To gaze upon this detail from Paolo Veronese’s monumental work, Assumption, is to be swept away by a tide of divine spectacle and human drama intertwined. The scene…

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      Saturn (Time) and Historia (1560) by Veronese
      #59

      Saturn (Time) and Historia

      1560 · Villa Barbaro

      To gaze upon Paolo Veronese's "Saturn (Time) and Historia" is to step directly into the opulent, sun-drenched drama of the Italian High Renaissance. This magnificent fresco, executed in…

      Marriage at Cana (detail) (1571) by Veronese
      #61

      Marriage at Cana (detail)

      1571 · Gemäldegalerie Alte Meister

      To stand before a detail from Paolo Veronese’s Marriage at Cana is to be enveloped in an atmosphere of unparalleled celebration and vibrant human connection. This work, steeped…

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      St Luke (1555) by Veronese
      #62

      St Luke

      1555 · San Sebastiano

      To stand before a depiction such as Paolo Veronese’s St Luke is to step directly into the luminous heart of the High Renaissance. This masterpiece, painted in 1555,…

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      Venice, Hercules, and Ceres (1575) by Veronese
      #64

      Venice, Hercules, and Ceres

      1575 · Gallerie dell'Accademia di Venezia

      In the heart of the sixteenth century, as the Venetian Republic reached the zenith of its political and cultural influence, Paolo Veronese breathed life into the very walls…

      St Mark (1555) by Veronese
      #67

      St Mark

      1555 · San Sebastiano

      To stand before this depiction of St Mark is to be enveloped by the vibrant, theatrical spirit of High Renaissance Venice. Paolo Veronese, the undisputed master of color…

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      Monk with a Black Boy (1558) by Veronese
      #69

      Monk with a Black Boy

      1558 · San Sebastiano

      To stand before Paolo Veronese's Monk with a Black Boy is to step directly into the luminous, richly colored heart of 16th-century Venice. This fresco fragment, dating from…

      Pietà (detail) (1581) by Veronese
      #73

      Pietà (detail)

      1581 · Eremitasjen

      Paolo Veronese's “Pietà,” a meticulously detailed study focusing on the central figure within the larger composition, stands as a testament to the Venetian painter’s mastery of color, light,…

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      Mars and Venus by Veronese
      #78

      Mars and Venus

      To stand before Paolo Veronese’s depiction of Mars and Venus is to step across the threshold into a moment suspended between conflict and profound serenity. This masterpiece, rendered…

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      The Crucifixion (1580) by Veronese
      #83

      The Crucifixion

      1580 · Szépművészeti Múzeum

      Paolo Veronese’s “Crucifixion,” painted around 1582, isn't merely a depiction of a pivotal religious event; it’s an immersive theatrical experience rendered in the vibrant, opulent style that defined…

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      The Triumph of Mordecai (1556) by Veronese
      #84

      The Triumph of Mordecai

      1556 · San Sebastiano

      A Venetian Spectacle: Decoding the Triumph of Mordecai Paolo Veronese, a titan amongst Venetian Renaissance painters, gifted us with “The Triumph of Mordecai,” a monumental oil on canvas…

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      Baptism of Christ (1561) by Veronese
      #87

      Baptism of Christ

      1561 · Santissimo Redentore

      A Venetian Masterpiece: The Baptism of Christ by Paolo Veronese The scene unfolds with an arresting grandeur – *The Baptism of Christ* by Paolo Veronese, completed in 1561,…

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      Adoration of the Magi (1573) by Veronese
      #88

      Adoration of the Magi

      1573 · National Gallery

      A Symphony of Color and Faith: Exploring Paolo Veronese’s ‘Adoration of the Magi’ Paolo Veronese, a Venetian visionary whose legacy continues to inspire awe centuries later, stands as…

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      St Jerome (1580) by Veronese
      #89

      St Jerome

      1580 · Gallerie dell'Accademia di Venezia

      Paolo Veronese’s “St Jerome in the Wilderness,” completed around 1585–90, stands as a cornerstone of Venetian Renaissance art—a testament to Veronese’s unparalleled ability to capture both spiritual contemplation…

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      Mars and Neptune (1575) by Veronese
      #91

      Mars and Neptune

      1575 · Palazzo Ducale

      Paolo Veronese's "Mars and Neptune," painted in 1575-1578, isn’t merely a mythological scene; it’s a meticulously constructed theatrical tableau vivant – a vibrant snapshot of Venetian society and…

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      Music, Astronomy and Deceit (1556) by Veronese
      #94

      Music, Astronomy and Deceit

      1556 · Biblioteca Marciana

      Paolo Veronese’s “Music, Astronomy and Deceit,” painted in 1557, isn't merely a painting; it’s an immersive theatrical experience captured on canvas. This monumental tondo, now residing within the…

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      Ceiling paintings (1578) by Veronese
      #97

      Ceiling paintings

      1578 · Palazzo Ducale

      Within the opulent halls of the Palazzo Ducale in Venice, a breathtaking spectacle unfolds – Paolo Veronese's ceiling paintings, completed between 1578 and 1582. More than mere decoration,…

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      Temptation of St. Anthony (1552) by Veronese
      #98

      Temptation of St. Anthony

      1552 · Louvre

      Paolo Veronese’s “Temptation of St. Anthony” (1552), a monumental charcoal drawing now housed within WahooArt’s exquisite hand-painted reproductions, is far more than a simple depiction of a biblical…

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      Moderation (1578) by Veronese
      #99

      Moderation

      1578 · Palazzo Ducale

      Paolo Veronese's "Moderation," painted in 1578, is more than just a portrait; it’s a meticulously crafted tableau brimming with the opulent grandeur and complex symbolism that defined the…

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      Veronese's canvases, period by period

      What Veronese painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Veronese's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Veronese Paintings from this list
      Palazzo Ducale, VeneziaPalazzo Ducale Venezia 29 Dialectics, Takdekorasjon (detalje), Aged Oriental with a Young Woman
      Gallerie dell'Accademia di Venezia, VeneziaGallerie dell'Accademia di Venezia Venezia 25 Feast in the House of Levi, Assumption of the Virgin, Feast in the House of Levi (detail) (10)
      San Sebastiano, VeneziaSan Sebastiano Venezia 27 Presentation in the Temple, St Sebastian, Martyrdom of St Sebastian (detail)
      National Gallery, LondonNational Gallery London 23 The Rape of Europa, The Vision of St Helena, The Allegory of Love II: Scorn
      Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 20 Lucretia, Venus og Adonis, Saint Sebastian
      Louvre, ParisLouvre Paris 11 Bryllup ved Kana, Bryllupet i Kana, Bryllupet i Kana (detalj) (12)
      Villa Barbaro, MateraVilla Barbaro Matera 29 Sala dell'Olimpo, End wall of the Stanza del Cane, Saturn (Time) and Historia
      Pinacoteca di Brera, MilanoPinacoteca di Brera Milano 8 Last Supper, Feast at the House of Simon (detail), Feast at the House of Simon (detail)

      Veronese's most famous canvas, decade after decade

      1. 1540s
        Raising of the Daughter of Jairus (1546) by Veronese
        93 of 100

        Raising of the Daughter of Jairus

        Age 12 – 21 · Louvre

        A Symphony of Faith and Opulence: Paolo Veronese’s “Raising of the Daughter of Jairus” Paolo Veronese's "Raising of the Daughter of Jairus," completed around 1546, stands as a…

      2. 1550s
        Aged Oriental with a Young Woman (1554) by Veronese
        Canvas 14 of 100

        Aged Oriental with a Young Woman

        Age 22 – 31 · Palazzo Ducale

        To gaze upon this magnificent portrait is to step directly into the sun-drenched, richly colored world of 16th-century Venice. Paolo Veronese, the master whose brushstrokes seemed imbued with…

      3. 1560s
        Bryllup ved Kana (1563) by Veronese
        Ranked 1 of 100

        Bryllup ved Kana

        Age 32 – 41 · Louvre

        Paolo Veroneses “Bryllup ved Kana” er mer enn bare et bilde; det er en dør inn i en overdådig verden, et øyeblikks fanget fra en tid da kunst…

      4. 1570s
        Feast in the House of Levi (1573) by Veronese
        Ranked 2 of 100

        Feast in the House of Levi

        Age 42 – 51 · Gallerie dell'Accademia di Venezia

        Paolo Veronese's 1573 masterpiece, *Feast in the House of Levi*, residing within the Gallerie dell’Accademia in Venice, isn’t merely a painting; it’s an immersive theatrical experience captured on…

      5. 1580s
        Lucretia (1580) by Veronese
        Canvas 3 of 100

        Lucretia

        Age 52 – 60 · Kunsthistorisches Museum

        Paolo Veroneses “Lucretia” er mer enn bare et portrett; det er en levende skildring av renæssance-elegance, sorg og dygd. Ferdigstilt i 1580, er dette mesterverket et fascinerende innblikk…

      Veronese's canvases, question by question

      Which canvas is Veronese most remembered for?Read the answer

      Bryllup ved Kana (1563), Louvre, Paris. Feast in the House of Levi (1573) and Lucretia (1580) follow.

      Bryllup ved Kana: how old was Veronese when it was painted?Read the answer

      Veronese, born in 1528, was 35 years old: Bryllup ved Kana dates from 1563.

      What are Veronese's ten most famous canvases?Read the answer

      Bryllup ved Kana, Feast in the House of Levi, Lucretia, Bryllupet i Kana, The Wedding at Cana, Dialectics, Venus og Adonis, Mars Undressing Venus, Sala dell'Olimpo and Takdekorasjon (detalje). Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Veronese create?Read the answer

      522 works by Veronese are in our catalogue, dated 1546 to 1588.

      Where do Veronese's most famous canvases hang today?Read the answer

      Mostly in Palazzo Ducale (Venezia), Gallerie dell'Accademia di Venezia (Venezia) and San Sebastiano (Venezia); the list above names each museum and its canvases.

      When did Veronese paint the most famous canvases?Read the answer

      In 1570s, which gave 32 of the 100 works on this page, Feast in the House of Levi among them.

      Which famous Veronese canvas came first, and which came last?Read the answer

      The earliest canvas here is Raising of the Daughter of Jairus (1546); the latest is The Sacrifice of Isaac (1588).

      Which subjects did Veronese paint most?Read the answer

      Renaissance (27), Allegory (16) and Venetian painting (16), across the 100 works on this page.

      Which medium appears most in Veronese's paintings?Read the answer

      Oil On Canvas, used in 72 of the 100 works on this page.

      Which movement is Veronese associated with?Read the answer

      Renessanse, as the canvases on this page show.

      Which paintings by Veronese are held by the Palazzo Ducale?Read the answer

      The Palazzo Ducale, Venezia holds 15 of the works on this page, among them Dialectics, Takdekorasjon (detalje) and Aged Oriental with a Young Woman.

      Where can I buy a reproduction of a Veronese painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Veronese

      Sønnen til en steinhugger

      I byen Verona begynte sønnen til en steinhugger ved navn Gabriele et liv som til slutt skulle kle de storslåtte salene i Venezia i farger. Født i 1528, vokste gutten kjent som Paolo Veronese opp midt i de tunge, skulpturerte formene fra farens håndverk. Denne tidlige eksponeringen for steinens uforgjengelighet la sannsynligvis grunnlaget for den arkitektoniske presisjonen som senere skulle definere hans lerreter. Han begynte sin opplæring under Antonio Badile og studerte senere hos Giovanni Francesco Caroto, hvor han lærte det grunnleggende håndverket. Da han flyttet til Venezia på 1550-tallet, hadde de skimrende kanalene og de travle markedsplassene i Serenissima allerede begynt å forme hans visjon. Han var ingen mann av asketisk spiritualitet; i stedet søkte han å fange eksistensens overflod, og forvandlet det hellige til et spektakel av jordisk prakt.

      Flyttingen til Venezia ble katalysatoren for en transformasjon. Han absorberte kolorismen til Titian, men nektet å bare etterligne mestrene som hadde gått foran ham. I stedet syntetiserte han de grasiøse linjene til Raphael og elegansen til Parmigianino til en stil som føltes unikt venetiansk. Verkstedet hans ble et sted for enorm produktivitet, hvor hans bror Benedetto og sønnene Gabriele og Carlo bidro til å opprettholde en arv preget av storslått skala og nitid detaljrikdom. Han var en mann som forsto at et maleri kunne være et vindu inn i en verden av luksus, hvor lyset danser over silke og gullbroderier glitrer under tyngden av et festlig måltid.

      Festens spektakel

      Paolo Veronese fant sitt største uttrykk i det monumentale narrativet, særlig i scenene som transformerte bibelske hendelser til storslåtte venetianske banketter. Hans verk fra 1563, Bryllupet i Kana, skapt for benediktinerklosteret San Giorgio Maggiore, står som et dyptgående eksempel på denne tilnærmingen. Snarere enn en enkel religiøs illustrasjon, ble lerretet et panorama over 1500-tallets samfunn, fylt med elegant kledde skikkelser og musikere. Han hadde en evne til å få det guddommelige til å føles samtidsaktuelt, som om Bibelens mirakler utspilte seg i selve palassene i Venezia. Denne forkjærligheten for det teatralske førte ham ofte i konflikt med myndighetene. Da han malte Måltidet i Levi’s hus, reagerte inkvisisjonen på inkluderingen av samtidige figurer og den tilsynelatende respektløse atmosfæren i scenen. Veronese forsvarte sine valg med en dristig overbevisning, og hevdet at en maler besatt den samme kreative friheten som en poet eller en hoffnarr.

      Hans evne til å mestre komplekse komposisjoner gjorde det mulig for ham å skape illusjoner av dybde som trakk betrakteren inn i hjertet av scenen. Han brukte perspektiv for å bygge enorme, arkitektoniske rom som føltes håndfaste. Hans mesterskap innen oljemaling muliggjorde en rikdom av teksturer, hvor tyngden av en tung kappe eller glansen i en polert overflate kunne føles gjennom blikket. Han malte ikke bare historie; han gjenoppfant den gjennom linsen av venetiansk rikdom og prakt.

      En arv av farge og lys

      Virkningen av hans arbeid strakte seg langt utover grensene til Republikken Venezia. Hans dramatiske komposisjoner og spesifikke bruk av farger har gjenlydt gjennom århundrene, påvirket utviklingen av barokken og funnet et uventet liv i den visuelle estetikken i moderne film. Han var en del av den store trioen av venetianske malere, sammen med Titian og Tintoretto, men han okkuperte et rom helt sitt eget gjennom sin rene ekshibisjonisme. Mens andre kanskje fokuserte på det sublime eller det dype, fokuserte Veronese på gleden ved den synlige verden.

      Hans innflytelse kan spores gjennom verkene til mange som fulgte etter, fra Rubens' storslåtthet til Renoirs delikate penselstrøk. Selv i hans senere år, da han arbeidet med intrikate portretter som Lucretia, demonstrerte han en evne til å komprimere sin karakteristiske storhet inn i et enkelt, sjelelig blikk. Han døde i 1588 og etterlot seg et livsverk som forblir et livsviktig bindeledd til renessansens ånd – en periode som søkte å finne det guddommelige i skjønnheten i den jordiske sfære.

      All 522 works by Veronese →