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      Wilhelm Morgner, 1891 – 1917

      Wilhelm Morgner: De 39 mest kjente maleriene

      Av alle Wilhelm Morgners malerier er Goats (1911) det mest kjente. Like bak følger The Lumberjack (1911) og Soest Farmer (1912). Blant de 39 verkene av Wilhelm Morgner i vår katalog, er disse 39 de mest kjente, hver vist med dato, museum og historie.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Wilhelm Morgner
      Wilhelm Morgner · 1891 – 1917
      Født · død
      1891 – 1917, Soest
      Bevegelse
      Expressionism
      Verker i vår katalog
      39
      Mest kjente
      Goats (1911)
      Flest verk hos
      Museum Ostwall

      Wilhelm Morgners 10 mest kjente malerier

      Wilhelm Morgner sine malerier rangert fra 11 til 39

      Der Wilhelm Morgner sine lerreter henger

      De 2 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Wilhelm Morgner Malerier fra denne listen
      Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

      År for år: Wilhelm Morgners mest feirede lerreter

      Fra 1909 til 1913, totalt 5 år, forteller Wilhelm Morgners daterte lerreter en kort historie: her er den, år for år.

      1. 1909
      2. 1909
      3. 1909
      4. 1910
      5. 1910
      6. 1910
        Sower (1910) av Wilhelm Morgner
        Lerret 24 av 39

        Sower

        Alder 19
      7. 1911
        Goats (1911) av Wilhelm Morgner
        Lerret 1 av 39

        Goats

        Alder 20
      8. 1911
      9. 1911
      10. 1911
      11. 1911
      12. 1911
      13. 1911
      14. 1911
      15. 1911
        Mason (1911) av Wilhelm Morgner
        Rangert som 17 av 39

        Mason

        Alder 20
      16. 1912
      17. 1912
      18. 1912
      19. 1912
      20. 1912
      21. 1912
      22. 1912
      23. 1912
      24. 1912
      25. 1913

      Dine spørsmål om Wilhelm Morgners malerier, besvart

      Hvilket er det mest kjente maleriet av Wilhelm Morgner?Les svaret

      Goats (1911), etterfulgt av The Lumberjack (1911) og Soest Farmer (1912).

      Hvor gammel var Wilhelm Morgner da Goats ble laget?Les svaret

      Wilhelm Morgner, født i 1891, var 20 år gammel: Goats er fra 1911.

      Hvilke ti malerier er Wilhelm Morgner mest kjent for?Les svaret

      Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape og The Porter. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier av Wilhelm Morgner er kjent?Les svaret

      39 verk av Wilhelm Morgner finnes i vår katalog, datert fra 1909 til 1913.

      Hvilke museer har Wilhelm Morgners mest kjente malerier?Les svaret

      Hovedsakelig i Museum Ostwall (Dortmund) og Städel Museum (Frankfurt); listen ovenfor navngir hvert museum og deres lerreter.

      I hvilke år malte Wilhelm Morgner sine mest berømte verk?Les svaret

      I 1911, som utgjorde 15 av de 39 verkene på denne siden, var Goats blant dem.

      Hva er de første og de siste av Wilhelm Morgners berømte malerier?Les svaret

      Det eldste lerretet her er fra Schulte Stands at Open Door (1909); det nyeste er fra Ascension (1913).

      Hvilken kunstretning tilhører Wilhelm Morgner?Les svaret

      Expressionism, som lerretet på denne siden viser.

      Kan jeg bestille en håndmalt kopi av et maleri av Wilhelm Morgner?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Wilhelm Morgner: malerens historie

      The Brief, Radiant Life of Wilhelm Morgner

      In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

      Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

      A Symphony of Color and Abstraction

      As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

      This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

      • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
      • Die Aktion: A platform for the most provocative voices of German Expressionism.
      • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
      • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

      A Legacy Forged in Fire and Memory

      The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

      Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

      Alle 39 verk av Wilhelm Morgner →