okres

1. Crouching nude The Detroit Institute of Arts — Francis Bacon, 1952
2. Voice — Edvard Munch, 1893
3. untitled (4282) — Edvard Munch
4. untitled (4297) — Edvard Munch
5. untitled (4770) — Edvard Munch
6. Mason and Mechanic — Edvard Munch, 1908
7. Near the window, self-portrait — Edvard Munch, 1942

ruch

1. Crouching nude The Detroit Institute of Arts — Francis Bacon, 1952
2. Voice — Edvard Munch, 1893
3. untitled (4282) — Edvard Munch
4. The Lonely Ones — Edvard Munch, 1935
5. untitled (4297) — Edvard Munch
6. untitled (5971) — Edvard Munch
7. Melancholia — Edvard Munch, 1894
8. untitled (4770) — Edvard Munch
9. Mason and Mechanic — Edvard Munch, 1908
10. Near the window, self-portrait — Edvard Munch, 1942

atmosfera

1. Crouching nude The Detroit Institute of Arts — Francis Bacon, 1952
2. untitled (4297) — Edvard Munch
3. untitled (5971) — Edvard Munch
4. Melancholia — Edvard Munch, 1894
5. untitled (4770) — Edvard Munch
6. Mason and Mechanic — Edvard Munch, 1908

tematyka

1. Melancholia — Edvard Munch, 1894
2. Voice — Edvard Munch, 1893
3. untitled (4282) — Edvard Munch
4. untitled (4297) — Edvard Munch
5. Near the window, self-portrait — Edvard Munch, 1942

słowa kluczowe

1. untitled (4770) — Edvard Munch
2. Voice — Edvard Munch, 1893
3. The Lonely Ones — Edvard Munch, 1935
4. Melancholia — Edvard Munch, 1894
5. Near the window, self-portrait — Edvard Munch, 1942

tonacja

1. Crouching nude The Detroit Institute of Arts — Francis Bacon, 1952
2. Voice — Edvard Munch, 1893
3. untitled (4282) — Edvard Munch
4. untitled (4297) — Edvard Munch
5. untitled (5971) — Edvard Munch
6. Melancholia — Edvard Munch, 1894
7. untitled (4770) — Edvard Munch
8. Mason and Mechanic — Edvard Munch, 1908
9. Near the window, self-portrait — Edvard Munch, 1942

kolor główny

1. untitled (4282) — Edvard Munch
2. untitled (5971) — Edvard Munch
3. untitled (4770) — Edvard Munch
4. Near the window, self-portrait — Edvard Munch, 1942

inne