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1. Figure Studies after Rembrandt Etchings — Tomasz Sully
2. Five Figure Studies 2 — Tomasz Sully
3. Sketch 33 — Tomasz Sully
4. Sketch 4 — Tomasz Sully
5. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Tomasz Sully
6. Sketch 27 — Tomasz Sully
7. Child with Dog; Two Figures in Encounter; Two Figures and Child Attending to Dying Male; Figure on Deathbed — Tomasz Sully
8. Composition Sketch for an Adoration of the Magi and A Bishop Blessing — Tomasz Sully

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1. Sketch 33 — Tomasz Sully
2. Composition Sketch for an Adoration of the Magi and A Bishop Blessing — Tomasz Sully
3. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Tomasz Sully
4. Study for the left hand of 'The Woman clothed with the Sun' — Benjamin West
5. Sketch 41 — Tomasz Sully
6. Sketch 4 — Tomasz Sully
7. Five Figure Studies 2 — Tomasz Sully
8. Sketch 27 — Tomasz Sully
9. Study sheet with Madonna and child, hand and sleeve — Albrecht Dürer
10. Study nuts — Fernand Léger, 1931
11. Drapery Study. Study for Semiramis Building Babylon — hilaire-germain-edgar degas
12. Child with Dog; Two Figures in Encounter; Two Figures and Child Attending to Dying Male; Figure on Deathbed — Tomasz Sully
13. Dying Figure in the Arjpg of a Woman; Praying Woman; Standing Woman; Architectual Detail; Sleeping Figure — Tomasz Sully
14. Figure Studies after Rembrandt Etchings — Tomasz Sully
15. Two male figure studies and St Peter — Pisanello
16. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Barocci, 1579
17. Studium Rąk (Różne Studiowanie) — Leonardo da Vinci
18. Studies of a Calvary — Albrecht Dürer
19. Sketch 3 — Tomasz Sully
20. Garment study for a seated figure - Studium garderoby dla osoby siedzącej — Leonardo da Vinci, 1470
21. Study of Feet and Hands — Teodor Gericault, 1818
22. Sketch 46 — Tomasz Sully
23. Studies after the Model — Jan Lievens, 1660
24. Study of a Head Looking Upward (recto) — Michał Anioł Buonarroti, 1504

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