Papier

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Self Portrait

Imię i nazwisko Klasa Data

Barnett Samuel Marks, Self Portrait, Ealing Central Library. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Barnett Samuel Marks topimpressionists.com/pl/artists/barnett-samuel-marks/
Daty życia artysty
1827 – 1916
Wymiary oryginału
75 x 62 cm
Miejsce wystawy
Ealing Central Library topimpressionists.com/pl/museums/ealing-central-library-london/

W kontekście

Self Portrait — Barnett Samuel Marks

Jakie są wymiary?

Oryginalne wymiary to 75 × 62 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy mógł powstać ten obraz?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900
  10. 1910

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 89 w chwili śmierci.

Shaded: lata życia Barnett Samuel Marks (1827–1916) każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1883 Główne lata aktywności zawodowej: 1883–1893 Późne dzieła: od 1893

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Dla tego nagrania nie ma w dokumentacji dokładnej daty — biorąc pod uwagę lata życia artysty oraz styl dzieła, jaką dekadę byś wskazać?

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: topimpressionists.com/pl/art/similar/barnett-samuel-marks-self-portrait-AQV33Z-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Phthalo Green #1f1d1b

    Paleta w katalogu

    • #1F1D1B
    • #985B29
    • #57351F
    • #D69239

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Phthalo Green
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Serene W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Balanced Harmony Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Barnett Samuel Marks z ostatnich dwunastu miesięcy — łącznie 2 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 50,0%300 visits
    2. 2 Wielka Brytania 50,0%300 visits

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    5 najczęściej oglądanych dzieł artysty Barnett Samuel Marks

    1. 1 Self Portrait ten obraz 33,3%200 visits
    2. 2 The Dock, a Reminiscence of the Court, 1871 16,7%100 visits
    3. 3 Frederic Davison (c.1815–1889), 1885 16,7%100 visits
    4. 4 Thomas Fenn (1820–1901), 1890 16,7%100 visits
    5. 5 Daniel Thomas (1849–1884) 16,7%100 visits

    Razem dzieła te stanowią 100,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 23 dzieł tego artysty, z których 5 zostało obejrzanych co najmniej raz. This painting ranks 1 of them, with 33,3% of that attention (200 visits). To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    Barnett Samuel Marks

    Barnett Samuel Marks: A Welsh Painter Bridging Tradition and Social Realism

    Barnett Samuel Marks (1827-1916) stands as a compelling figure in 19th and early 20th century British art, a painter whose career unfolded across Cardiff and London, marked by both the refinement of classical portraiture and a growing engagement with social issues. Born into a prominent Jewish family deeply rooted in Welsh commerce and culture, Marks’ life was one of artistic ambition tempered by familial obligations and a keen awareness of his community's evolving role within British society. His legacy lies not just in the elegant portraits he created – many commissioned by wealthy patrons – but also in the poignant depictions of poverty and childhood that emerged later in his career, revealing a sensitive artist grappling with the complexities of his time.

    Marks’ early life in Cardiff was one of privilege and cultural immersion. The Marks family were significant figures in the city's burgeoning Jewish community, involved in trade, finance, and social affairs. Barnett received a private education, supplemented by artistic instruction, demonstrating an early aptitude for both music and painting. He quickly established himself as a portrait artist, catering to a clientele that included members of Cardiff’s elite – the Marchioness of Bute being particularly influential in his career. His style during this period leaned heavily towards the neoclassical tradition, characterized by meticulous detail, balanced compositions, and an emphasis on capturing the dignity and character of his subjects. These early portraits, often depicting nobility and prominent figures, showcase a mastery of technique and a keen eye for likeness – qualities that secured him recognition at the Royal Academy in London.

    Early Influences: While Marks’ formal training remains somewhat undocumented, it's clear he was influenced by the prevailing artistic currents of his time. The classical ideals championed by artists like Ingres and David undoubtedly shaped his early work.

    Cardiff Connections: His strong ties to Cardiff – both professionally and personally – remained a constant throughout his life. He continued to exhibit in the city, support local initiatives, and maintain connections with fellow artists and cultural figures.

    The Transition to Social Realism

    A pivotal moment in Marks’ artistic development occurred during the 1860s, coinciding with his move to London. The experience of urban poverty – particularly the plight of children – profoundly impacted him. Witnessing the stark realities of Victorian society fueled a desire to depict these issues through his art. This shift is most dramatically illustrated by his series of diptychs depicting young boys before and after their rescue by Dr. Barnardo’s Homes. These works, characterized by their emotional intensity and unflinching portrayal of hardship, marked a significant departure from the idealized portraits that had defined much of his earlier career.

    The reception to these social realist paintings was notably positive, with critics praising Marks' ability to convey empathy and compassion. Ruskin himself offered encouragement, recognizing the power of his work to raise awareness about the plight of vulnerable children. This period demonstrated a willingness to engage with contemporary social concerns – a characteristic that distinguished him from many of his contemporaries.

    Dr. Barnardo’s Homes Series: These paintings are arguably Marks' most significant contribution to social commentary, offering a stark contrast to the formal portraits he had previously produced.

    Ruskin’s Endorsement: The praise from John Ruskin highlighted the artistic merit and social impact of these works.

    A Royal Cambrian Academician and Continued Artistic Activity

    Barnett Samuel Marks' career continued to flourish throughout the late 19th and early 20th centuries. In 1887, he was elected a full member of the Royal Cambrian Academy, a prestigious honor that recognized his contributions to Welsh art. This affiliation solidified his position within the artistic community and provided him with further opportunities for exhibition and recognition. He remained active in Cardiff, supporting local initiatives and continuing to paint portraits on commission.

    Beyond portraiture, Marks also engaged in landscape painting, often depicting scenes of the Welsh countryside – a reflection of his strong ties to his birthplace. His later works demonstrate a growing interest in capturing the atmospheric qualities of light and shadow, suggesting an evolving artistic sensibility. He was a member of Freemasonry for over 50 years, serving as Master of the Buckingham and Chandos Lodge, further cementing his place within London’s social and cultural elite.

    Royal Cambrian Academician: This honor reflected Marks' standing as a respected artist in Wales.

    Landscape Painting: His later works reveal an exploration of landscape themes alongside portraiture.

    Legacy and Historical Significance

    Barnett Samuel Marks’ artistic legacy is complex and multifaceted. He was a skilled portraitist who successfully navigated the conventions of Victorian society, capturing the likenesses of prominent figures with technical precision and elegance. However, he was also an artist willing to confront social issues and express his compassion for those less fortunate. His shift towards social realism represents a significant moment in his career – a testament to his artistic integrity and his commitment to using art as a means of engaging with the world around him.

    Marks’ work offers valuable insights into Victorian society, reflecting both its wealth and its poverty, its formality and its compassion. His paintings serve as reminders of a time when artists were increasingly expected to engage with social concerns – a tradition that continues to resonate today. Barnett Samuel Marks remains an important figure in British art history, a painter whose career spanned decades and whose work continues to be studied and appreciated for its technical skill, emotional depth, and historical significance.

    Further Resources:

    Reverend Dr Thomas Davies

    Barnett Samuel Marks

    Biography of Barnett Samuel Marks (Victorian painter)

    Artist Biography & Facts Barnett Samuel Marks - askART

    Wikipedia: Barnett Samuel Marks

    Muzeum

    Ealing Central Library

    Prezentowane w London, United Kingdom

    Ealing Central Library: A Beacon of Literary Heritage and Artistic Exploration

    Ealing Central Library stands as a testament to London’s enduring commitment to accessible knowledge and cultural enrichment—a place where the echoes of musical innovation intertwine with the tangible legacy of local history. More than just a repository for books, it's an institution that actively cultivates engagement and celebrates artistic expression, offering visitors a multifaceted experience unlike many others in the city.

    A Hub of Diverse Resources:

    From its expansive collection of fiction and nonfiction titles to its dedicated Local History Centre brimming with photographic archives and genealogical resources, Ealing Central Library caters to an astonishing breadth of interests. The facility’s commitment to providing free computer access underscores its role as a vital community resource in the 21st century.

    The Artful Heartbeat:

    Perhaps most notably, Ealing Central Library houses a curated art collection—a surprising yet enriching addition that speaks volumes about the borough's appreciation for artistic pursuits. This collection isn’t merely decorative; it serves as a conduit to understanding broader cultural trends and historical contexts.

    The library’s history is rooted in the vision of its founders who recognized the importance of fostering intellectual curiosity and preserving local traditions. Over time, it has adapted gracefully to evolving societal needs while steadfastly upholding its core mission—a remarkable feat considering the dynamism of London itself.

    Notable Exhibitions & Musical Collaborations

    Ealing Central Library’s artistic endeavors extend beyond its permanent collection. A particularly striking example was a past collaboration with the Barbican Music Library, where an installation view showcased instruments utilized in Tangerine Dream's seminal album “Phaedra.” This immersive experience brought together two distinct realms of creativity—literature and music—demonstrating how institutions can enrich their communities through unexpected partnerships.

    Instrument Spotlight:

    The Barbican installation specifically highlighted the Mini Moog synthesizer, a cornerstone of Tangerine Dream’s sonic landscape. Examining this instrument offered visitors insight into not only musical technique but also the technological advancements that shaped the era.

    Architectural Context & Design Philosophy

    While precise architectural specifications remain elusive in publicly available documentation, Ealing Central Library embodies a modern aesthetic designed to maximize space and facilitate access—a deliberate response to the needs of its growing readership. The building’s design prioritizes natural light and open spaces, creating an environment conducive to both focused study and communal interaction.

    The library's ethos reflects a broader movement toward democratizing culture and empowering individuals through education. It stands as a symbol of London’s dedication to fostering intellectual growth and preserving the stories that define its identity.

    What Sets Ealing Central Library Apart?

    Ultimately, Ealing Central Library distinguishes itself from other municipal libraries through its singular blend of scholarly resources and artistic engagement. Its unwavering commitment to free access, coupled with initiatives like hosting musical installations—such as the Barbican’s Tangerine Dream exhibit—solidifies its position as a truly exceptional institution within London's cultural tapestry.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Self Portrait

    topimpressionists.com/pl/art/download/barnett-samuel-marks-self-portrait-AQV33Z-en/

    Jak cytować to dzieło

    MLA
    Marks, Barnett Samuel. Self Portrait. n.d., Ealing Central Library. https://topimpressionists.com/pl/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    APA
    Marks, Barnett Samuel (n.d.). Self Portrait [Painting]. Ealing Central Library. https://topimpressionists.com/pl/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    Chicago
    Barnett Samuel Marks. Self Portrait. n.d. Ealing Central Library. https://topimpressionists.com/pl/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    Harvard
    Marks, Barnett Samuel (n.d.) Self Portrait. Ealing Central Library. Available at: https://topimpressionists.com/pl/art/barnett-samuel-marks-self-portrait-AQV33Z-en/

    Przyjrzyj się uważnie

    Self Portrait — Barnett Samuel Marks

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła The Dock, a Reminiscence of the Court (1871), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Co artysta mógł chcieć, abyś poczuł?
    5. Gdybyś mógł zadać artyście jedno pytanie dotyczące tego dzieła, o co byś zapytał?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy kolory dzieła „Self Portrait” – Barnett Samuel Marks są żywe czy stonowane?

    Dzieło „Self Portrait” – Barnett Samuel Marks charakteryzuje się nasyceniem na poziomie Muted oraz intensywnością Monochromatic.

    Czy mogę zobaczyć podgląd „Self Portrait” – Barnett Samuel Marks przed złożeniem zamówienia?

    Aby podglądnąć reprodukcję dzieła „Self Portrait” – Barnett Samuel Marks, otwórz stronę Podgląd w pomieszczeniu danego utworu.

    Czy mogę zobaczyć obraz „Self Portrait” – Barnett Samuel Marks w widoku rentgenowskim?

    "Self Portrait" można badać warstwa po warstwie na stronie Analiza rentgenowska, która oferuje interaktywny podgląd inspirowany stołem świetlnym konserwatora, prezentujący jedenaście optycznych odczytów obrazu.