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Clearing

Imię i nazwisko Klasa Data

Paul Gauguin, Clearing (1873). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Paul Gauguin topimpressionists.com/pl/artists/paul-gauguin_pl/
Daty życia artysty
1848 – 1903
Technika malarska
1873
Technika wykonania
Obraz olejny na płótnie
Wymiary oryginału
38 x 46 cm
Ruch
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Epoka
– Wiek XIX

W kontekście

Clearing — Paul Gauguin

Jakie są wymiary?

Oryginalne wymiary to 38 × 46 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 55 w chwili śmierci.

Namalowane, gdy artysta miał 25 lat. Artysta dożył 55 lat. 0 z 588 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Paul Gauguin (1848–1903) ▲ to dzieło, 1873 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1885 Główne lata aktywności zawodowej: 1885–1892 Późne dzieła: od 1892

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: topimpressionists.com/pl/art/similar/eugene-henri-paul-gauguin-clearing-8EWP95-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Celadon #b3c3d2

    Paleta w katalogu

    • #B3C3D2
    • #241C12
    • #4E432C
    • #91999E

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Barwy ziemi Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Celadon
    Nasycenie
    Monochromatyczność Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Oświadczenie W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Niespójna paleta barw Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Cień Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Przygaszone Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Paul Gauguin z ostatnich dwunastu miesięcy — łącznie 60 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 54,5%
    2. 2 Stany Zjednoczone Ameryki 9,9%
    3. 3 Singapur 8,1%
    4. 4 Hongkong 7,5%
    5. 5 Francja 3,4%
    6. 6 Włochy 3,1%
    7. 7 Hiszpania 2,5%
    8. 8 Bułgaria 0,8%
    9. 9 Niemcy 0,8%
    10. 10 Brazylia 0,7%
    11. · 50 innych krajów 8,7%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Paul Gauguin

    1. 1 Skąd przychodzimy? Kim jesteśmy? Dokąd zmierzamy? 6,6%
    2. 2 Dwie kobiety na plaży, 1891 3,3%
    3. 3 Żółty Chrystus, 1889 1,8%
    4. 4 Wizja po kazaniu 1,2%
    5. 5 Mahina no Tahi (День Бога) 1,1%
    6. 6 Kiedy się pobierzesz? (znane również jako Nafea faa ipoipo.), 1892 0,8%
    7. 7 Ia Orana Maria (znane również jako Bądź pozdrowiona, Maryjo), 1891 0,8%
    8. 8 D'où venons nous Que sommes-nous Où allons-Nous (Gdzie pochodzimy. Kim jesteśmy. Dokąd idziemy) 0,7%
    9. 9 Vairumati, 1892 0,7%
    10. 10 Dwie tahitańskie kobiety, 1899 0,7%
    11. 11 Biały koń, 1898 0,7%
    12. 12 The Vision after the Sermon (also known as Jacob Wrestling the Angel), 1888 0,5%
    13. 13 Kompozycja z Trzyma Psami, 1888 0,5%
    14. 14 Manao Tupapau (also known as Spirit of the Dead Watching), 1892 0,5%
    15. 15 Tahitańskie kobiety kąpiące się, 1892 0,5%
    16. 16 Paru Paru (also known as Whispered Words, II), 1892 0,5%
    17. 17 Tahitian Women on the Beach, 1891 0,5%
    18. 18 Farma w Bretanii, 1894 0,5%
    19. 19 Karykatura, Autoportret, 1889 0,5%
    20. 222 Clearing, 1873 ten obraz 0,1%

    Razem dzieła te stanowią 22,5% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 839 dzieł tego artysty, z których 621 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 222 miejsce w zestawieniu, przyciągając 0,1% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Clearing — Paul Gauguin

    Paul Gauguin’s “Clearing”: A Journey into Serene Intensity

    Paul Gauguin's "Clearing," painted in 1873, isn’t merely a landscape; it’s an immersion into the artist’s evolving vision and a poignant glimpse of his burgeoning interest in capturing the essence of both nature and human experience. This work, residing within the early chapters of Gauguin’s artistic development, stands as a crucial precursor to his later, more intensely symbolic explorations of Tahiti and beyond. It reveals a young Gauguin grappling with color, form, and the very act of representing the world around him – a process he would relentlessly reinvent throughout his career.

    The scene itself is deceptively simple: two figures, rendered in muted tones yet imbued with a quiet dignity, stand within a grassy field. Surrounding them are trees, not sharply defined but rather suggested through dappled light and shadow, creating an atmosphere of profound tranquility. The composition isn’t concerned with dramatic perspective or meticulous detail; instead, Gauguin prioritizes the feeling of the space – a sense of openness, peace, and connection to the natural world. This deliberate choice reflects his growing departure from the prevailing Impressionist focus on fleeting moments and optical accuracy, moving towards a more subjective and emotionally driven approach to painting.

    The Seeds of Synthetism: Color and Form

    “Clearing” is deeply rooted in Gauguin’s nascent exploration of what would later become known as “Synthetism.” This revolutionary style, developed during his time in Brittany, sought to move beyond mere representation, aiming instead to synthesize color and form into a unified visual experience. Notice the bold, flattened planes of color – the greens of the field, the browns of the trees, the subtle blues of the sky – applied with thick, visible brushstrokes. These aren’t attempts to mimic reality; they are deliberate choices designed to evoke mood and atmosphere. Gauguin's use of complementary colors—the juxtaposition of green and orange, for example—creates a vibrant energy that subtly animates the scene.

    Furthermore, the figures themselves are rendered with an almost schematic quality. Their forms are simplified, their features indistinct, serving primarily as anchors within the landscape rather than subjects of intense scrutiny. This simplification is characteristic of Gauguin’s desire to strip away extraneous detail and focus on the essential elements of his subject matter – in this case, the harmony between humanity and nature.

    A Post-Impressionist Prelude

    Painted during a transitional period in art history, “Clearing” bridges the gap between Impressionism and the more radical movements that would follow. While influenced by the Impressionists’ interest in light and color, Gauguin rejects their emphasis on capturing fleeting moments of visual sensation. Instead, he utilizes these techniques to create a mood of contemplative serenity – a feeling that anticipates his later explorations of primitivism and symbolism.

    The painting's historical context is also significant. Gauguin’s early years were marked by a restless search for authenticity and meaning, fueled by his upbringing in Peru and his subsequent return to France. This quest for genuine experience—a rejection of the superficiality of Parisian society—is powerfully reflected in “Clearing.” The figures within the clearing represent a moment of respite, a connection to something deeper than the everyday world.

    Recreating the Serenity: A Hand-Painted Reproduction

    For art enthusiasts seeking to bring the tranquility of Gauguin’s "Clearing" into their homes, AllPaintingsStore.com offers a meticulously crafted hand-painted oil painting reproduction on canvas. This isn't simply a print; it’s an artistic interpretation, painstakingly executed by skilled artisans who understand and respect the nuances of Gauguin’s style. The reproduction faithfully captures the bold colors, visible brushstrokes, and overall atmosphere of the original, ensuring that its serene beauty is preserved for generations to come.

    Discover more about Paul Gauguin and his artworks on AllPaintingsStore: Paul Gauguin | Eugène Henri Paul Gauguin (1848-1903)

    Paul Gauguin: Portrait of Two Children (also known as Paul and Jean Schuffenecker)

    Paul Gauguin: Clearing II

    Paul Gauguin: Title in Swedish: Landskap från Bretagne

    Related Works

    Paul Gauguin: Clearing (38 x 46 cm, Post-Impressionism, Oil On Canvas)

    Artysta i muzeum

    Artysta

    Paul Gauguin

    Urodzony w Paryż, Francja

    Eugène Henri Paul Gauguin: A Revolutionary Journey Through Color and Spirit

    Eugène Henri Paul Gauguin, a name synonymous with vibrant color, rebellious spirit, and a profound shift in the landscape of modern art, stands as one of the most influential figures of the late 19th and early 20th centuries. Born in Paris in 1848, his life was anything but conventional—a tapestry woven from unexpected threads of aristocratic heritage, financial ambition, and an unwavering pursuit of artistic authenticity. Gauguin’s journey wasn't merely a career change; it represented a fundamental transformation of worldview, a rejection of the constraints of European society in favor of exploring alternative cultures and expressing deeply personal emotions through his art.

    From Parisian Stockbroker to Bohemian Artist

    Gauguin’s early years were shaped by an unusual upbringing. His father, a journalist known for his radical views, and his mother, descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer— instilled in him a unique perspective that would profoundly influence his artistic vision. This heritage fostered a lifelong fascination with cultures beyond the confines of Europe, fueling a desire to find truth and beauty in places untouched by Western conventions. After receiving a formal education, Gauguin unexpectedly found himself drawn to the burgeoning world of finance, becoming a stockbroker—a profession seemingly at odds with the creative aspirations simmering within him. However, this period proved to be a crucial testing ground, exposing him to the pressures and disappointments of bourgeois society, ultimately pushing him towards a radical departure. The financial crisis of 1882 served as a catalyst, forcing him to abandon his lucrative career and wholeheartedly embrace the artistic calling he had long suppressed. This wasn’t simply a profession change; it was a complete reimagining of his life's purpose. He sought guidance from Camille Pissarro, who recognized his potential and introduced him to the avant-garde circles of Paris, but Gauguin quickly surpassed Impressionism, yearning for something more—a means of conveying not just what he saw, but what he felt.

    The Allure of Brittany and the Seeds of Tahiti

    Initially influenced by the Impressionists’ exploration of light and color, Gauguin soon grew frustrated with their focus on capturing fleeting moments of reality. He sought a deeper connection to his subjects, a way to express universal truths through symbolic imagery. This led him to Brittany, where he spent several years immersing himself in the rugged landscapes and deeply rooted traditions of its people. During this period, he began experimenting with flattened forms, bold outlines, and a simplification of composition—techniques that moved him further away from naturalism and closer to a more expressive style. He was particularly captivated by Breton folklore and mythology, incorporating elements of these stories into his paintings. This exploration laid the groundwork for his future journey to Tahiti, where he hoped to find inspiration in Polynesian culture.

    Tahitian Dreams: A Quest for Authenticity

    In 1891, Gauguin embarked on a transformative voyage to Tahiti, seeking refuge from the perceived superficiality of European society and hoping to discover a more authentic way of life. This wasn’t merely a vacation; it was a deliberate attempt to immerse himself in a culture untouched by Western influence. He meticulously documented his experiences through painting, depicting Polynesian women, landscapes, and religious practices with an intensity that bordered on obsession. His use of color became increasingly bold and non-naturalistic, serving not to replicate reality but to express emotion and spiritual meaning. Iconic paintings like “Vahine no te miti” (Woman with Mango), “Manao Tupapau” (Watched by the Spirit of the Dead), and “The Day of Gods emerged from this period, solidifying his reputation as a visionary artist. However, Gauguin’s time in Tahiti was not without its complexities. His relationships with young Polynesian women sparked controversy and raised ethical questions that continue to be debated today.

    Symbolism, Synthetism, and the Legacy of a Rebel

    Gauguin's artistic style evolved throughout his career, encompassing elements of Symbolism, Synthetism, and Post-Impressionism. He rejected traditional academic painting techniques, favoring bold colors, simplified forms, and flattened perspectives—techniques that challenged conventional notions of representation. His work is characterized by a sense of mystery and emotional intensity, often conveying themes of spirituality, death, and the search for meaning. Gauguin’s influence extended far beyond his own lifetime, inspiring generations of artists to break free from established conventions and explore new ways of expressing themselves. Artists such as Pablo Picasso, Henri Matisse, and countless others owe a debt to his pioneering spirit and innovative approach to art. Despite facing financial difficulties and declining health during his time in Tahiti and later on the Marquesas Islands, Gauguin remained relentlessly dedicated to his artistic vision. He died in 1903 on Hiva Oa, a remote island in the Marquesas archipelago, largely unrecognized for his genius—a tragic irony considering the profound impact of his work. Today, Paul Gauguin is celebrated as a revolutionary artist who fundamentally altered the course of modern art, leaving behind a legacy that continues to captivate and inspire.

    Key Artistic Characteristics

    Bold Color Palette: Employed vibrant, non-naturalistic colors to express emotion and symbolism.

    Simplified Forms: Reduced forms to their essential elements, creating a sense of abstraction.

    Flattened Perspective: Challenged traditional perspective by flattening the picture plane.

    Symbolic Imagery: Used recurring motifs and symbols to convey deeper meanings.

    Influence of Japanese Prints (Japonisme): Incorporated elements of Japanese art, such as flattened perspectives and decorative patterns.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Clearing

    topimpressionists.com/pl/art/download/eugene-henri-paul-gauguin-clearing-8EWP95-en/

    Jak cytować to dzieło

    MLA
    Gauguin, Paul. Clearing. 1873, https://topimpressionists.com/pl/art/eugene-henri-paul-gauguin-clearing-8EWP95-en/
    APA
    Gauguin, Paul (1873). Clearing [Painting]. https://topimpressionists.com/pl/art/eugene-henri-paul-gauguin-clearing-8EWP95-en/
    Chicago
    Paul Gauguin. Clearing. 1873. https://topimpressionists.com/pl/art/eugene-henri-paul-gauguin-clearing-8EWP95-en/
    Harvard
    Gauguin, Paul (1873) Clearing. Available at: https://topimpressionists.com/pl/art/eugene-henri-paul-gauguin-clearing-8EWP95-en/

    Przyjrzyj się uważnie

    Clearing — Paul Gauguin

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Skąd przychodzimy? Kim jesteśmy? Dokąd zmierzamy?, wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne dla obu prac oraz jedną różnicę.
    4. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Gdzie można to dostrzec w tym dziele?
    5. Paul Gauguin miał około 25 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Kiedy i z jakich materiałów wykonano "Clearing"?

    Technika wykonania dzieła „Clearing” – Paul Gauguin to Obraz olejny na płótnie, a datowanie pracy pochodzi z 1873.

    Do jakiego nurtu należy "Clearing"?

    „Clearing” – Paul Gauguin należy do nurtu Post-Impressionism. Nurt ten stanowi stylistyczny kontekst dzieła.

    W jakiej technice wykonano „Clearing” – Paul Gauguin?

    Technika wykonania dzieła „Clearing” – Paul Gauguin to Obraz olejny na płótnie. Reprodukcje mają na celu wierne oddanie wyglądu tej techniki.