Papier

Przewodnik po pracach studentów

Schynige plate

Imię i nazwisko Klasa Data

Ferdinand Hodler, Schynige plate (1909). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Ferdinand Hodler topimpressionists.com/pl/artists/ferdinand-hodler_pl/
Daty życia artysty
1853 – 1918
Technika malarska
1909
Technika wykonania
Oil On Canvas
Wymiary oryginału
68 x 98 cm
Ruch
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Epoka
Modern
Artistic style
Symbolism, Abstraction
Notable elements or techniques
Thick impasto, flattened perspective
Subject or theme
Swiss Alps landscape

W kontekście

Schynige plate — Ferdinand Hodler

Jakie są wymiary?

Oryginalne wymiary to 68 × 98 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 65 w chwili śmierci.

Namalowane, gdy artysta miał 56 lat. Artysta dożył 65 lat. 190 z 311 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Ferdinand Hodler (1853–1918) ▲ to dzieło, 1909 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1895 Główne lata aktywności zawodowej: 1895–1911 Późne dzieła: od 1911

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

  • Landscape of the Swiss Alps, 1918 topimpressionists.com/pl/art/ferdinand-hodler-landscape-of-the-swiss-alps-D49PRA-en/
  • Holy Hour, 1913 topimpressionists.com/pl/art/ferdinand-hodler-holy-hour-D3XNX5-en/
  • Wiersze topimpressionists.com/pl/art/ferdinand-hodler-wiersze-9GEUST-pl/

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: topimpressionists.com/pl/art/similar/ferdinand-hodler-schynige-plate-8XY29T-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Putty #d1d6cb

    Paleta w katalogu

    • #D1D6CB
    • #919990
    • #555385
    • #6B7C8A

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Putty
    Nasycenie
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Balanced W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Discordant Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Ferdinand Hodler z ostatnich dwunastu miesięcy — łącznie 18 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 61,6%24 700 visits
    2. 2 Singapur 10,7%4 300 visits
    3. 3 Stany Zjednoczone Ameryki 9,7%3 900 visits
    4. 4 Hongkong 8,7%3 500 visits
    5. 5 Szwajcaria 1,5%600 visits
    6. 6 Meksyk 1,5%600 visits
    7. 7 Holandia 1,2%500 visits
    8. 8 Włochy 1,0%400 visits
    9. 9 Brazylia 0,7%300 visits
    10. 10 Hiszpania 0,7%300 visits
    11. · 8 innych krajów 2,7%1 000 visits

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Ferdinand Hodler

    1. 1 Study for, 1908 1,3%600 visits
    2. 2 Sunset on Lake Geneva, 1915 1,1%500 visits
    3. 3 Studium postaci, 1909 1,1%500 visits
    4. 4 Self portrait, 1916 1,1%500 visits
    5. 5 Composition study, 1899 1,1%500 visits
    6. 6 Communication with the Infinite, 1892 1,1%500 visits
    7. 7 Studium Figury Stałej, 1910 1,1%500 visits
    8. 8 Cztery Pary Miłości, 1908 1,1%500 visits
    9. 9 Studium trzech postaci, 1899 1,1%500 visits
    10. 10 Lauterbrunnen Valley and dust stream in the moonlight, 1894 1,1%500 visits
    11. 11 Valentine Godé-Darel on her Deathbed, 1915 1,1%500 visits
    12. 12 On the Bank of the Maggia in the Evening, 1893 0,9%400 visits
    13. 13 Dents du Midi from Champéry, 1916 0,9%400 visits
    14. 14 Holy Hour, 1913 0,9%400 visits
    15. 15 Landscape of the Swiss Alps, 1918 0,9%400 visits
    16. 16 Lumberjack, study, 1910 0,9%400 visits
    17. 17 Chłop zbiera kwiaty, 1895 0,9%400 visits
    18. 18 Composition study, 1887 0,9%400 visits
    19. 19 Portret kobiety, 1912 0,9%400 visits
    20. — Schynige plate, 1909 ten obraz 0,0%0 visits

    Razem dzieła te stanowią 19,5% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 570 dzieł tego artysty, z których 241 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Schynige plate — Ferdinand Hodler

    The Majesty of the Alps: A Vision in Color

    In the heart of the Swiss landscape, where the earth meets the heavens, Ferdinand Hodler captured a moment of profound geological and spiritual grandeur in his 1909 masterpiece, Schynige Plate. This breathtaking oil on canvas is far more than a mere depiction of a mountain range; it is an immersive experience that transports the viewer to the rugged heights of the Alps. The composition is dominated by towering, majestic peaks that pierce a heavy, cloud-swept sky, creating a sense of verticality that commands respect. Through his unique lens, Hodler transforms the familiar topography of Switzerland into a rhythmic dance of shapes and colors, where undulating green hills in the foreground serve as a soft, inviting prelude to the formidable, snow-dusted giants above.

    The painting stands as a quintessential example of the transition between Symbolism and Expressionism. Eschewing the photographic precision of traditional realism, Hodler utilizes a technique characterized by flattened perspectives and simplified, almost geometric forms. The mountains are rendered as powerful triangles, while the hills roll in soft, organic curves, creating a visual language that feels both ancient and modern. His use of "parallelism"—a concept Hodler pioneered—is evident in the way repetitive lines and rhythmic patterns move across the canvas, suggesting an underlying order within the wildness of nature. This structural harmony gives the work a monumental stability, making it a captivating focal point for any sophisticated interior.

    Texture, Light, and the Soul of the Landscape

    To touch the surface of Schynige Plate with one's eyes is to feel the palpable energy of the artist's brush. Hodler employed a thick, impasto technique, applying oil paints with a vigor that lends a tactile, sculptural quality to the mountainside. These heavy strokes catch the light, creating subtle shadows and highlights that change as the viewer moves around the piece. The lighting itself is masterfully diffused, evoking the quiet, contemplative atmosphere of an overcast Alpine day. There is no harsh sunlight here; instead, a soft, pervasive glow illuminates the verdant valleys and the misty peaks, lending the scene a dreamlike, almost ethereal quality.

    Beyond its physical beauty, the artwork carries a deep emotional and symbolic weight. For Hodler, the landscape was often a mirror for the human condition. The immense scale of the mountains can be interpreted as symbols of resilience, strength, and the eternal, standing in stark contrast to the fleeting nature of human life—a theme deeply rooted in his personal history of loss. There is a profound sense of solitude within the painting, yet it is not a lonely silence; rather, it is a majestic, awe-inspiring stillness that invites introspection. For collectors and designers, this piece offers more than decoration; it provides a window into a world of sublime beauty, making it an ideal acquisition for those looking to infuse their space with a sense of peace, power, and timelessness.

    Artysta i muzeum

    Artysta

    Ferdinand Hodler

    Urodzony w Zurych, Szwajcaria

    A Life Etched in Symbolism: The World of Ferdinand Hodler

    Ferdinand Hodler, a name inextricably linked to the landscape of Swiss painting and the evocative language of symbolism, emerged from modest beginnings to become one of the most significant artists of the late 19th and early 20th centuries. Born in Bern, Switzerland, in 1853, his life was profoundly shaped by early loss – a recurring theme that would deeply inform his artistic vision. The untimely deaths of his father and two younger brothers before he reached adolescence cast a long shadow, instilling within him a profound contemplation of mortality and the fleeting nature of existence. These experiences, interwoven with an acute sensitivity to the beauty and power of the natural world, became central tenets of his evolving oeuvre. Initially apprenticed to decorative painters, Hodler’s innate talent quickly transcended mere craftsmanship; he yearned for formal training and artistic exploration beyond the constraints of commercial work. This ambition led him to Geneva in 1871, where he immersed himself in study, attending science lectures alongside diligently copying masterpieces at the city's museum – a rigorous education that laid the foundation for his future innovations.

    From Realism to ‘Parallelism’: Forging a Unique Vision

    Hodler’s artistic journey was characterized by constant evolution and an unwavering pursuit of expressive power. His early works reflected the prevailing realist style of the time – portraits, landscapes, and genre scenes executed with meticulous detail. However, he soon found himself constrained by these conventions, seeking a means to convey deeper emotional truths and philosophical ideas. This quest led him towards Symbolism, a movement that rejected naturalistic representation in favor of subjective experience and evocative imagery. Yet Hodler didn’t simply adopt the tenets of Symbolism; instead, he forged his own unique path, developing what he termed “parallelism.” This distinctive style involved arranging figures and forms in rhythmic, almost geometric patterns, creating a sense of both harmony and tension – a visual representation of interconnectedness. It was an attempt to depict not just what he saw, but how he felt – the underlying emotional currents that connected all things. The Night, completed in 1890, stands as a prime example, showcasing his ability to evoke mood and atmosphere through carefully orchestrated forms and muted colors. The painting’s initial reception was controversial, highlighting the challenges faced by artists pushing against established norms. Despite this criticism, it garnered attention in Paris, establishing Hodler’s reputation beyond Switzerland's borders and signaling the arrival of a truly original voice.

    Landmarks in Paint: Key Works and Their Significance

    Throughout his prolific career, Hodler produced a remarkable body of work that continues to resonate with audiences today. The Day, completed in 1893, stands as one of his most ambitious and celebrated achievements – a monumental historical painting depicting the Battle of Marignano. This artwork is not merely a depiction of military conflict; it’s a complex meditation on life, death, and renewal, rendered with an arresting blend of realism and visionary intensity. The sheer scale and emotional weight of The Day cemented Hodler’s position as a leading figure in European art. Other notable works include numerous depictions of the Swiss Alps, imbued with a sense of awe-inspiring grandeur – landscapes that capture both the physical beauty and spiritual resonance of the mountains. He also created portraits that reveal his profound understanding of human psychology, often capturing fleeting moments of emotion and introspection. Works like Truth II (1897) demonstrate Hodler’s ability to blend classical forms with modern sensibilities, creating images that are both timeless and strikingly contemporary – a testament to his innovative spirit. His paintings weren't merely representations; they were emotional landscapes, inviting viewers to contemplate the fundamental questions of existence.

    Influences and Artistic Development

    Hodler’s artistic development was shaped by a confluence of influences. Initially, he studied under local artists in Bern, absorbing traditional techniques and stylistic conventions. However, his move to Geneva exposed him to the work of Hans Holbein, Titian, and Nicolas Poussin – masters whose mastery of composition and technique profoundly impacted his own approach. More significantly, Hodler’s association with Louis Duchosal, a poet-symbolist, proved pivotal in shaping his artistic vision. Duchosal's enthusiasm for Baudelaire and Wagner introduced Hodler to the core tenets of Symbolism – an emphasis on subjective experience, dreamlike imagery, and the exploration of hidden emotions. This encounter led him away from strict realism and towards a more expressive and symbolic style. He also drew inspiration from contemporary artistic movements such as Art Nouveau, evident in his use of flowing lines and decorative elements. Hodler’s work reflects a constant dialogue between tradition and innovation, resulting in a uniquely personal and compelling aesthetic.

    A Lasting Legacy: Influence and Historical Context

    Ferdinand Hodler’s influence extended far beyond the borders of Switzerland. His innovative use of symbolism and his development of “parallelism” paved the way for Expressionism, with its emphasis on subjective emotion and distorted forms. Artists who followed in his footsteps recognized him as a precursor to their own explorations of inner experience. Hodler's work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. Today, Hodler’s works are held in major museums across Europe and beyond, ensuring that his artistic vision continues to inspire and challenge generations of viewers. He remains a towering figure in Swiss art history, celebrated not only for his technical skill but also for his profound emotional depth and unwavering commitment to exploring the mysteries of the human condition.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Schynige plate

    topimpressionists.com/pl/art/download/ferdinand-hodler-schynige-plate-8XY29T-en/

    Jak cytować to dzieło

    MLA
    Hodler, Ferdinand. Schynige plate. 1909, https://topimpressionists.com/pl/art/ferdinand-hodler-schynige-plate-8XY29T-en/
    APA
    Hodler, Ferdinand (1909). Schynige plate [Painting]. https://topimpressionists.com/pl/art/ferdinand-hodler-schynige-plate-8XY29T-en/
    Chicago
    Ferdinand Hodler. Schynige plate. 1909. https://topimpressionists.com/pl/art/ferdinand-hodler-schynige-plate-8XY29T-en/
    Harvard
    Hodler, Ferdinand (1909) Schynige plate. Available at: https://topimpressionists.com/pl/art/ferdinand-hodler-schynige-plate-8XY29T-en/

    Przyjrzyj się uważnie

    Schynige plate — Ferdinand Hodler

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: swiss alps landscape, mountain range”, “cloudy sky”. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Landscape of the Swiss Alps (1918), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy "Schynige plate" to jedno z najpopularniejszych dzieł Ferdinand Hodler?

    "Schynige plate" jest klasyfikowane jako Recognized.

    Czy mogę obejrzeć "Schynige plate" w formie pełnoekranowej prezentacji slajdów?

    Dostępna jest prezentacja zdjęć: strona Prezentacja slajdów dzieła „Schynige plate” – Ferdinand Hodler.

    Jak technika i ruch łączą się w "Schynige plate"?

    "Schynige plate" powstało przy użyciu Oil On Canvas, w stylu Expressionism.