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June

Imię i nazwisko Klasa Data

Frederick Childe Hassam, June (1905). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Frederick Childe Hassam topimpressionists.com/pl/artists/frederick-childe-hassam_pl/
Daty życia artysty
1859 – 1935
Technika malarska
1905
Technika wykonania
Oil On Canvas
Ruch
American Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Light-infused landscapes
Notable elements or techniques
Naturalistic depiction
Subject or theme
Nude figures & Tranquil scenery

W kontekście

June — Frederick Childe Hassam

Kiedy powstało to dzieło?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 76 w chwili śmierci.

Namalowane, gdy artysta miał 46 lat. Artysta dożył 76 lat. 308 z 516 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Frederick Childe Hassam (1859–1935) ▲ to dzieło, 1905 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1892 Główne lata aktywności zawodowej: 1892–1910 Późne dzieła: od 1910

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: topimpressionists.com/pl/art/similar/frederick-childe-hassam-june-8DP6QF-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #5a4c21

    Paleta w katalogu

    • #5A4C21
    • #CBBC9D
    • #93938B
    • #957F45

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Espresso
    Nasycenie
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Balanced W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Balanced Soft Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Frederick Childe Hassam z ostatnich dwunastu miesięcy — łącznie 25 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 65,1%
    2. 2 Stany Zjednoczone Ameryki 7,2%
    3. 3 Singapur 6,8%
    4. 4 Argentyna 4,3%
    5. 5 Hongkong 3,8%
    6. 6 Rumunia 3,8%
    7. 7 Australia 3,1%
    8. 8 Francja 2,0%
    9. 9 Meksyk 0,5%
    10. 10 Kanada 0,3%
    11. · 15 innych krajów 3,1%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Frederick Childe Hassam

    1. 1 Couch on the Porch, Cos Cob, 1914 3,0%
    2. 2 Zalanie w Szczęciach, 1911 2,2%
    3. 3 Celia thaxter's Garden, Isles of Shoals, Maine, 1890 2,2%
    4. 4 Mrs. Hassam in the Garden, 1896 2,2%
    5. 5 Mount Vernon Street, Boston, 1890 2,0%
    6. 6 Ogrodek wodny, 1909 1,6%
    7. 7 Lady in the Park (also known as In the Garden), 1897 0,9%
    8. 8 Street in Pont Aven - Evening, 1897 0,9%
    9. 9 Reflections (Kitty Hughes), 1917 0,7%
    10. 10 Tuileries Gardens, 1897 0,7%
    11. 11 July Fourteenth, Rue Daunou, 1910 0,7%
    12. 12 Bowl of Goldfish 0,6%
    13. 13 Poppies on the Isles of Shoals, 1890 0,6%
    14. 14 Surf, Isles of Shoals, 1913 0,6%
    15. 15 The Fourth of July, 1916 (also known as The Greatest Display of the American Flag Ever Seen in New York, Climax of the Preparedness Parade in May), 1916 0,6%
    16. 16 Gloucester, 1899 0,6%
    17. 17 The Hovel and the Skyscraper, 1904 0,6%
    18. 18 Rooftops: Pont-Aven, 1897 0,6%
    19. 19 Rainy Midnight 0,6%
    20. — June, 1905 ten obraz 0,0%

    Razem dzieła te stanowią 21,9% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 757 dzieł tego artysty, z których 374 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    June — Frederick Childe Hassam

    A Moment Frozen in Time: Exploring Frederick Childe Hassam’s “June”

    Frederick Childe Hassam's "June," painted in 1905, isn’t merely a depiction of two nude women basking in the sun; it’s an embodiment of Impressionist ideals—a celebration of fleeting beauty and the transformative power of light. Created during America’s Gilded Age, this oil on canvas captures a quintessential summer afternoon scene nestled within New England's tranquil landscape. Hassam, rejecting the academic conventions prevalent at the time, prioritized capturing immediate sensory experience rather than striving for photographic realism. This approach is evident in his masterful use of color—warm yellows and oranges dominate the palette, reflecting the radiant sunlight filtering through the trees—creating an atmosphere brimming with warmth and optimism.

    Subject Matter: The painting centers around two nude women positioned gracefully beside a body of water, likely a lake or pond. Their poses convey relaxation and contentment, inviting viewers to contemplate the serenity of nature.

    Style & Technique: Hassam’s Impressionist style is characterized by loose brushstrokes and broken color—a technique pioneered by artists like Claude Monet and Georges Seurat. Instead of blending colors seamlessly, Hassam applied pigment in small dots or dashes, allowing the viewer's eye to blend them optically. This method maximizes luminosity and conveys a sense of movement.

    Historical Context: “June” reflects the broader artistic currents of its era—the burgeoning interest in plein air painting (painting outdoors) and the desire to depict everyday life with honesty and sensitivity. Hassam’s work aligns with the broader Impressionist movement's rejection of traditional subject matter and stylistic conventions.

    The inclusion of trees and birds serves as more than mere decorative elements; they symbolize renewal and vitality—themes central to the Impressionist preoccupation with capturing the rhythms of seasonal change. The dappled sunlight filtering through the foliage reinforces this sense of organic beauty, mirroring the natural world’s ephemeral qualities. Furthermore, Hassam's meticulous attention to detail—particularly in rendering the textures of skin and water—demonstrates his commitment to portraying reality as perceived by the senses.

    Similar Works: Hassam’s “Shoveling Snow,” also executed in 1905, exemplifies his versatility and ability to convey emotion through landscape painting. Both pieces showcase his profound understanding of how light interacts with color and form, cementing his legacy as one of America's foremost Impressionist painters. You can admire Hassam’s artistic vision at the Huntington Museum of Art.

    Ultimately, “June” transcends its visual representation; it evokes a feeling of peaceful contemplation—a reminder to appreciate the simple pleasures of life and to embrace the beauty that surrounds us. Its enduring appeal lies in Hassam's ability to distill complex emotions into a single frame, creating an artwork that continues to inspire awe and wonder. Explore high-quality reproductions at AllPaintingsStore.com for a glimpse into this timeless masterpiece.

    Artysta i muzeum

    Artysta

    Frederick Childe Hassam

    Urodzony w Boston, Stany Zjednoczone

    A Pioneer of American Impressionism: The Life and Art of Frederick Childe Hassam

    Frederick Childe Hassam, born in Boston on October 17, 1859, stands as a pivotal figure in the development of American Impressionism. His artistic journey, beginning with an early inclination towards drawing and culminating in recognition as one of the nation’s most celebrated painters, is a testament to his dedication and unique vision. Unlike many of his contemporaries who sought formal training exclusively abroad, Hassam largely honed his skills through self-study and practical experience, initially finding work as an illustrator for prominent magazines such as Harper's Weekly and Scribner’s Monthly. This formative period instilled within him a keen observational eye and a talent for narrative composition—qualities that would consistently characterize his distinctive style. While he did eventually travel to Europe in 1886, undertaking brief studies in Paris, it was the American landscape and urban life that truly ignited his artistic imagination. He wasn’t merely replicating European techniques; rather, he adapted them to capture a distinctly American experience, imbuing his work with a fresh perspective and vibrant energy.

    Early Years and Artistic Foundations

    Hassam's early years were marked by a burgeoning interest in art, nurtured through informal lessons and a keen eye for detail. Born into a family of modest means—his father was a cutlery merchant—he initially pursued an accounting career but quickly realized his true calling lay in the visual arts. A pivotal moment arrived in 1872 when a devastating fire ravaged much of Boston’s commercial district, including his father's business. To assist his family financially, Hassam secured employment as a draftsman at Little, Brown & Company, where he honed his technical skills and developed a reputation for precision. Simultaneously, he continued to cultivate his artistic talent through classes at the Lowell Institute and the Boston Art Club, absorbing influences from various movements while simultaneously forging his own distinctive style. His early work primarily consisted of watercolor landscapes, often depicting scenes of rural New England—a period marked by a deep appreciation for the region’s natural beauty and picturesque charm. The influence of J.M.W. Turner, with his masterful use of light and atmosphere, proved particularly formative during his European studies in 1886.

    Capturing Light and Modern Life

    Hassam's art is immediately recognizable for its luminous quality, achieved through a meticulous manipulation of light and color. He embraced the core principles of Impressionism—capturing fleeting moments and atmospheric effects—but infused his work with a uniquely American sensibility. Rather than simply replicating European techniques, he sought to depict scenes that resonated with the experiences of everyday life in America. His paintings frequently portray bustling urban environments like New York City and Boston, showcasing fashionable ladies strolling along Fifth Avenue, horse-drawn carriages navigating crowded streets, or quiet moments within domestic interiors. These weren’t merely depictions of places; they were insightful portraits of a rapidly evolving society, capturing the dynamism and vibrancy of late 19th and early 20th century America. Works such as The Sonata (1893) exemplify his ability to evoke mood and atmosphere through subtle color harmonies and delicate brushwork, creating an intimate and contemplative experience for the viewer. Similarly, his coastal scenes, like Gloucester (1899), transform ordinary harbors into shimmering visions of tranquility—a testament to his sensitivity to light and atmospheric conditions.

    The Ten American Painters and Artistic Independence

    A defining moment in Hassam’s career was his involvement with “The Ten American Painters,” a group formed in 1897 as a direct response to the conservative policies of the Society of American Artists. This collective, comprised of artists like John Henry Twachtman, Willard Leroy Metcalf, and Edmund Tarbell, sought to establish an independent platform for exhibiting their work and promoting a more progressive approach to art. Hassam assumed the role of the group’s first president, solidifying his position as a leader within the American art world. This period marked a significant shift towards artistic independence—a deliberate rejection of academic constraints and a commitment to exploring individual styles without compromise. The exhibitions organized by “The Ten” played a crucial role in elevating Impressionism's status as a legitimate and respected movement within the United States, providing a vital alternative to established art institutions.

    Patriotism and Later Years: The Flag Paintings

    With the outbreak of World War I, Hassam’s artistic focus underwent a dramatic transformation. Inspired by a surge of patriotic fervor sweeping across America, he embarked on a series of paintings depicting American flags waving proudly along Fifth Avenue in New York City. These “Flag” paintings, created between 1916 and 1919, represent perhaps his most iconic works—powerful expressions of civic pride and wartime solidarity. Far from being mere symbolic representations, these canvases convey an intense sense of energy and optimism amidst the turmoil of global conflict. Victory Day, May 1919, a particularly striking example, captures the jubilant atmosphere of New York City following the armistice. Throughout his later years, Hassam continued to paint prolifically, experimenting with etching and lithography alongside his oil paintings—demonstrating an enduring commitment to his artistic principles and a willingness to adapt to evolving techniques.

    Legacy and Enduring Influence

    Frederick Childe Hassam passed away in East Hampton, New York, on August 27, 1935, leaving behind a vast and influential body of work. His legacy extends far beyond his technical mastery—he played a pivotal role in establishing American Impressionism as a distinct artistic movement. He demonstrated that American artists could not only embrace European techniques but also adapt them to create something uniquely their own. Hassam’s paintings continue to resonate with audiences today, offering glimpses into a bygone era and reminding us of the enduring power of art to capture the spirit of a time and place. His influence can be seen in the work of countless artists who followed him, solidifying his position as one of the most important figures in American art history. His dedication to capturing light, color, and the essence of modern life ensures that his paintings will continue to inspire and captivate generations to come.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania June

    topimpressionists.com/pl/art/download/frederick-childe-hassam-june-8DP6QF-en/

    Jak cytować to dzieło

    MLA
    Hassam, Frederick Childe. June. 1905, https://topimpressionists.com/pl/art/frederick-childe-hassam-june-8DP6QF-en/
    APA
    Hassam, Frederick Childe (1905). June [Painting]. https://topimpressionists.com/pl/art/frederick-childe-hassam-june-8DP6QF-en/
    Chicago
    Frederick Childe Hassam. June. 1905. https://topimpressionists.com/pl/art/frederick-childe-hassam-june-8DP6QF-en/
    Harvard
    Hassam, Frederick Childe (1905) June. Available at: https://topimpressionists.com/pl/art/frederick-childe-hassam-june-8DP6QF-en/

    Przyjrzyj się uważnie

    June — Frederick Childe Hassam

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: nude figures, landscape painting, outdoor scene. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Zalanie w Szczęciach (1911), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. American Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Jakie emocje przekazuje „June” – Frederick Childe Hassam?

    „June” budzi Calm emocje. Ton emocjonalny opisuje wrażenie, jakie wywołuje to dzieło.

    Jaki nastrój budzi "June"?

    Nastrój dzieła „June” – Frederick Childe Hassam opisuje się jako Serene. Klasyfikacja ta może pomóc w dopasowaniu pracy do konkretnego wnętrza.

    Jaką paletę barw i jakie emocje łączy ze sobą "June"?

    Paleta Neutrals dzieła „June” – Frederick Childe Hassam współgra z jego Calm wydźwiękiem emocjonalnym. Kolor jest jednym ze sposobów, w jakie praca przekazuje emocje.