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Old Pine

Imię i nazwisko Klasa Data

Ito Jakuchu, Old Pine (1796). Dzieło w domenie publicznej.

Informacje podstawowe

Artysta
Ito Jakuchu topimpressionists.com/pl/artists/ito-jakuchu_pl/
Daty życia artysty
1716 – 1800
Obraz olejny
1796
Wymiary oryginału
101 x 40 cm

W kontekście

Old Pine — Ito Jakuchu

Jakie są wymiary?

Oryginalne wymiary to 101 × 40 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770
  8. 1780
  9. 1790
  10. 1800

Shaded: lata życia Ito Jakuchu (1716–1800) ▲ to dzieło, 1796

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: topimpressionists.com/pl/art/similar/ito-jakuchu-old-pine-D2UBPA-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Espresso #4c4237

    Paleta w katalogu

    • #4C4237
    • #B7A177
    • #978768
    • #706149
    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Espresso
    Intensywność
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Balanced Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    O tym dziele sztuki

    Old Pine — Ito Jakuchu

    The trunk of an old pine tree bends across the lower part of the painting, its contorted branches and pine boughs filling the frame with the spiky brushwork characteristic of Jakuchū’s mature painting style. The background is filled with a light ink wash, leaving fine white unpainted areas around the branches and pine needles. The luminous outlining, in combination with the unstained knots and front edge of the tree trunk, creates a sense of seeing the tree at night bathed in full moonlight.The painting is signed “Beito’ō hachijūsan-sai ga” (Painted by Beito’ō, aged 83). The “Beito’ō” signature indicates that the work was painted in the final phase of Jakuchū’s long career, when he kept a painting studio in front of the Sekihōji Temple, south of Kyoto. There he sold quickly executed ink paintings to support himself after the disastrous Kyoto fire of 1788 left him in financial ruin. Because he would exchange a quickly executed painting for a to (about four gallons) of rice, he began to call himself Beito’ō (Old Rice-Measure Man).

    Artysta i muzeum

    Artysta

    Ito Jakuchu

    Urodzony w Κυότο, Ιαπωνία

    Ito Jakuchu: A Kyoto Merchant’s Vision of Nature

    Ito Jakuchu (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist whose unconventional approach and profound connection to Zen Buddhism challenged prevailing artistic conventions. Unlike many of his contemporaries who adhered to established lineages within the Kano school—a dominant force in Kyoto’s artistic landscape—Jakuchu forged his own path, driven by personal conviction and a meticulous observation of the natural world. His legacy resides not merely in his technical prowess but also in his daring spirit, marking him as one of Japan's most original voices during a pivotal era of cultural transformation.

    Early Life & Family Background: Born into a prosperous Kyoto merchant family—specifically Masuya—Jakuchu’s upbringing instilled in him an awareness of societal shifts and the burgeoning influence of commerce. His father, Ito Genzaemon, was a successful grocer, providing young Jakuchu with considerable financial stability.

    Zen Influence & Education: Recognizing the importance of spiritual grounding, Jakuchu became a lay brother at Shokoku-ji temple, immersing himself in Zen Buddhist principles. This formative experience profoundly shaped his artistic sensibility, fostering detachment from worldly concerns and prioritizing direct perception.

    Breaking with Tradition: Style & Subject Matter

    Jakuchu’s distinctive style defied easy categorization, blending meticulous realism with playful experimentation—a hallmark of what Nobuo Tsuji termed “Lineage of Eccentrics.” He eschewed the idealized depictions favored by many Kano artists, opting instead for vibrant colors and dynamic compositions that captured the essence of life itself. His fascination with birds—particularly chickens—became a recurring motif in his oeuvre, elevating them from humble farm animals to subjects worthy of contemplative artistic exploration.

    Realistic Detail & Color Palette: Jakuchu’s paintings are characterized by an extraordinary attention to detail and a bold use of color. He achieved remarkable effects through layering pigments—a technique known as doshoku sai-e—creating luminous surfaces that seemed to pulsate with vitality.

    Zen Symbolism & Perspective: Beyond mere imitation of nature, Jakuchu employed perspective in ways that subtly conveyed Zen Buddhist ideas about emptiness and interconnectedness. His compositions often presented subjects from unconventional viewpoints, inviting viewers to contemplate their significance.

    Notable Works & Artistic Achievements

    Among Jakuchu’s most celebrated masterpieces are “Five Hundred Arhats,” a monumental depiction of Buddhist monks embodying compassion and enlightenment; “Hanshan and Shide,” capturing the serene beauty of Mount Hanshin—a pilgrimage site revered for its spiritual significance; and “Crabs and Peonies”—a harmonious blend of botanical observation and artistic innovation. His meticulous rendering of chickens, exemplified in “Rooster In The Snow,” remains a testament to his unparalleled skill and dedication.

    Five Hundred Arhats”: This ambitious project showcased Jakuchu’s mastery of polychrome painting and demonstrated his ability to convey complex spiritual concepts through visual imagery.

    "Hanshan and Shide": The painting exemplifies Jakuchu's sensitivity to landscape aesthetics and his capacity for capturing the sublime beauty of nature.

    Rediscovery & Legacy

    Despite remaining largely unknown during his lifetime, Ito Jakuchu experienced a dramatic resurgence in popularity following Nobuo Tsuji’s groundbreaking book Kisō no Keifu (Lineage of Eccentrics) in 1970. Tsuji championed Jakuchu as a pivotal figure within the “Lineage of Eccentrics,” initiating a scholarly reassessment that revolutionized perceptions of Edo period art.

    Tsuji’s Influence & Modern Recognition: Tsuji's scholarship established Jakuchu as one of Japan’s most important artists, sparking renewed interest in his work and cementing his place within the canon of Japanese art history.

    Jakuchu’s unwavering commitment to artistic originality—his willingness to challenge conventions and explore new creative possibilities—continues to inspire artists today. His enduring legacy resides not only in his technical brilliance but also in his profound engagement with Zen Buddhism, securing him a place as a visionary artist who captured the spirit of his time with unparalleled grace.

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Old Pine

    topimpressionists.com/pl/art/download/ito-jakuchu-old-pine-D2UBPA-en/

    Cytowanie dzieła

    MLA
    Jakuchu, Ito. Old Pine. 1796, https://topimpressionists.com/pl/art/ito-jakuchu-old-pine-D2UBPA-en/
    APA
    Jakuchu, Ito (1796). Old Pine [Painting]. https://topimpressionists.com/pl/art/ito-jakuchu-old-pine-D2UBPA-en/
    Chicago
    Ito Jakuchu. Old Pine. 1796. https://topimpressionists.com/pl/art/ito-jakuchu-old-pine-D2UBPA-en/
    Harvard
    Jakuchu, Ito (1796) Old Pine. Available at: https://topimpressionists.com/pl/art/ito-jakuchu-old-pine-D2UBPA-en/

    Przyjrzyj się uważnie

    Old Pine — Ito Jakuchu

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Five hundred arhats (1789) wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Ito Jakuchu miał około 80 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
    5. Co artysta mógł chcieć, abyś poczuł?

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