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© Wszystkie prawa zastrzeżone To dzieło znajduje się w domenie publicznej. Mark Gertler zmarł/a w 1939; autorskie prawa majątkowe wygasają 70 lat po śmierci artysty, zatem wygasły w 2009.
W kontekście
After Bathing — Mark Gertler
Row above: the year. Row below: the artist's age in that year.
Shaded: lata życia Mark Gertler (1891–1939)
Dla tego nagrania nie ma w dokumentacji dokładnej daty — biorąc pod uwagę lata życia artysty oraz styl dzieła, jaką dekadę byś wskazać?
Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.
Więcej dzieł o podobnej tematyce: topimpressionists.com/pl/art/similar/mark-gertler-after-bathing-9FJBC4-en/
Na podstawie analizy obrazu
Kolor dominujący
Rosy Brown #d3ae8f
Paleta w katalogu
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 95,7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 127 works by this artist, of which 21 were looked at at least once. This painting ranks 19 of them, with 3,4% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artysta i muzeum
Miejsce urodzenia Londyn, Wielka Brytania
Mark Gertler (born Marks Gertler; December 9, 1891), a British painter of figure subjects, portraits, and still-life, was born in Spitalfields, London. His early life and relationship with Dora Carrington were the inspiration for Gilbert Cannan’s novel Mendel. Gertler's forename was anglicised from "marks" to "mark" in 1896, when his family joined his father in London. Gertler showed signs of a great talent for drawing from an early age. He enrolled in art classes at Regent Street Polytechnic in 1906 but was forced to drop out due to poverty. In 1908, he began working as an apprentice at Clayton & Bell, a stained glass company, while attending evening classes at the polytechnic. This formative experience instilled in him a meticulous attention to detail and a fascination with capturing light and texture—qualities that would become hallmarks of his artistic style.
Gertler’s career took off when he was placed third in a national art competition in 1908. He then enrolled at Slade School of Art in London, where he became a contemporary of notable artists like Paul Nash, Edward Wadsworth, and Sir Stanley Spencer. His patrons included Lady Ottoline Morrell, who introduced him to Walter Sickert, the leader of the Camden Town Group—a collective known for its bold experimentation with color and form. Gertler’s success as a painter of society portraits was short-lived due to his temperamental nature and unwavering dedication to pursuing his artistic vision independently, resulting in considerable personal frustration and financial hardship. Despite these challenges, he persevered, producing works that continue to resonate with viewers today. Among his most celebrated paintings are Still Life with Self Portrait, a masterful depiction of self-reflection rendered in muted hues; The Basket of Fruit, Peaches and Green Bottle, and Violin Case and Flowers, each showcasing Gertler’s distinctive approach to capturing the beauty of everyday objects—a technique influenced by Impressionism and foreshadowing developments in Modern Art.
Gertler's artistic style was profoundly shaped by Post-Impressionist painters such as Vincent van Gogh and Paul Cézanne, particularly their expressive use of color and distorted forms. He absorbed the lessons of these masters, adapting them to his own sensibilities and developing a unique visual language characterized by subtle tonal gradations and an understated elegance. Gertler’s canvases often convey a sense of melancholy and introspection—themes that reflect his personal experiences and philosophical concerns. His meticulous observation of nature combined with a deliberate simplification of form resulted in images that are both visually striking and emotionally resonant.
Mark Gertler's life was marked by considerable adversity, including poverty and unfulfilled romantic aspirations. He died on June 23, 1939, and was buried at Willesden Jewish Cemetery, where many other prominent figures from London’s Jewish community rest alongside him—a testament to his enduring contribution to British art history. His work continues to be studied and admired for its expressive power and artistic innovation, securing his place as one of the most important artists of the early 20th century. Explore more of Mark Gertler's oeuvre on AllPaintingsStore: mark gertler | 127 artworks Discover other artists and their stories on AllPaintingsStore: the greatest artists painters of all time
topimpressionists.com/pl/art/download/mark-gertler-after-bathing-9FJBC4-en/
Przyjrzyj się bliżej
After Bathing — Mark Gertler
Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.
Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.
„After Bathing” jest dostępny jako szlachetna odbitka na płótnie bawełnianym lub archiwalnym papierze płótnopodobnym. Zamówienia można składać na ta strona, w wybranym przez Ciebie rozmiarze.
Autorem dzieła „After Bathing” jest Mark Gertler. Praca ta figuruje w katalogu pod nazwiskiem Mark Gertler.
„After Bathing” jest dostępny jako ręcznie malowana reprodukcja olejowa na płótnie lnianym. Zamówienie można złożyć na ta strona, wybierając spośród dostępnych rozmiarów.
„After Bathing” autorstwa Mark Gertler znajduje się w stanowi domenę publiczną – autorskie prawa majątkowe wygasły. Status ten określa zasady reprodukcji obrazu tego dzieła.
„After Bathing” skłania się ku Green to Violet Spectrum tonacji.
Aby otrzymać plik cyfrowy dzieła „After Bathing” autorstwa Mark Gertler, zamów wysokiej rozdzielczości cyfrowe zdjęcie do pobrania na ta strona.
Dzieło „After Bathing” autorstwa Mark Gertler można przymierzyć na własnej ścianie dzięki stronie Podgląd AR, wykorzystując rozszerzoną rzeczywistość na kompatybilnym urządzeniu.