Aquila 2 (2017) to obraz, z którego najbardziej znany jest Davide Rivalta; znajduje się on w THAT'S CONTEMPORARY, Milan. Bufala (2015) oraz Ghepardo (2015) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 7 dzieł autorstwa Davide Rivalta. Oto 7 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026.
2 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Davide Rivalta | Obrazy z tej listy |
|---|---|---|---|
| Milan | 6 | Aquila 2, Bufala, Ghepardo | |
| Rzym | 1 | Leoni |
Datowane płótna Davide Rivalta prezentowane na tej stronie obejmują lata od 2015 do 2018, czyli zaledwie 4 lat: oto one, rok po roku.
Aquila 2 (2017), THAT'S CONTEMPORARY, Milan. Następują po nim Bufala (2015) oraz Ghepardo (2015).
Davide Rivalta, urodzony/a w 1974, miał/a 43 lat: Aquila 2 pochodzi z 2017.
W naszym katalogu znajduje się 7 dzieł artysty Davide Rivalta, datowanych od 2015 do 2018.
Większość znajduje się w THAT'S CONTEMPORARY (Milan) i Pałac Quirinale (Rzym); powyższa lista wymienia każde muzeum oraz jego płótna.
W 2018, który obejmuje 3 z 7 dzieł na tej stronie, wśród nich znajduje się Lupo.
Najwcześniejsze płótno pochodzi z Bufala (2015), a najpóźniejsze z Lupo (2018).
Muzeum THAT'S CONTEMPORARY, Milan posiada 6 dzieł widocznych na tej stronie, w tym Aquila 2, Bufala i Ghepardo.
In the heart of Bologna, where history and contemporary thought converge, the works of Davide Rivalta breathe a silent, primal life into the modern gallery space. Born in 1974, the Italian sculptor has cultivated a practice that transcends mere representation, seeking instead to capture the very essence of the natural world. His journey began within the prestigious halls of the Academy of Fine Arts in Bologna, later expanding his artistic vocabulary through rigorous study at the Akademie der Bildenden Künste in Munich. This dual foundation in Italian tradition and German academic depth has allowed him to develop a style that is both physically grounded and spiritually evocative.
Rivalta’s artistry is defined by a profound fascination with the animal kingdom, yet he avoids the clichés of wildlife portraiture. Instead, his sculptures—ranging from the imposing Bufala (Buffalo) to the piercing gaze of the Aquila (Eagle)—explore a delicate tension between power and vulnerability. He possesses a unique ability to render creatures like wolves, lions, and cheetahs in states of docility or quiet repose. This intentional choice creates a striking contrast; by stripping away the overt violence often associated with apex predators, he reveals a majestic, almost melancholic dignity that invites the viewer into a moment of intimate connection with the wild.
The physical presence of a Rivalta sculpture is often as impactful as its subject matter. His process involves a deep engagement with texture and mass, creating works that feel as though they have emerged directly from the earth itself. Through his mastery of sculpture and installation, he builds forms that command space, using materials that evoke the ruggedness of nature. Whether it is the heavy, grounded presence of a buffalo or the sleek, predatory grace of a Ghepardo (Cheetah), each piece serves as a meditation on the weight of existence.
His work often functions within larger installations, where the placement of his animals can transform an environment into a staged, almost theatrical landscape. This approach allows him to explore themes of:
Today, Davide Rivalta stands as a significant voice in contemporary sculpture, bridging the gap between classical realism and modern conceptualism. His ability to evoke empathy for the non-human world has earned him recognition in some of the most esteemed institutions globally. From the National Gallery of Modern and Contemporary Art in Rome to the serene Château de Vullierens in Switzerland, his work resonates with a universal language of life and instinct. By teaching sculpture at the Academy of Fine Arts in his native Bologna, he also ensures that his profound respect for material and subject continues to inspire the next generation of artists.