Francis Egerton, 1st Earl of Ellesmere (1867) to obraz, z którego najbardziej znany jest Edwin Longsden Long; znajduje się on w National Portrait Gallery, Londyn. Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) oraz Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 86 dzieł autorstwa Edwin Longsden Long. Oto 82 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is part of the collection held by the National Portrait Gallery in London, United Kingdom.
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man deeply embedded in the machinery of British governance. As a prominent Conservative politician, his presence carries the weight of significant public service. He once held the high office of First Lord of the Treasury, navigating the complex currents of political power during…
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his gaze is directed toward the horizon. The subject wears a dark, fur-trimmed coat that provides a heavy texture against the lighter elements of the scene. His right hand holds a metallic telescope, a tool of navigation, which catches the light coming from…
A formal three-quarter length portrait, this 1850 work captures the poised presence of the Hon. Harriet Margaret Maxwell, Viscountess Bangor. The subject is positioned slightly off-center, her gaze establishing an intimate yet respectful connection with the viewer. She is draped in a dark silk or satin cloak, the heavy folds of which contrast with the delicate white lace of her attire. The composition relies on a somber, elegant atmosphere, utilizing…
The portrait depicts Mary Dickinson, Viscountess Clifden of Gowran, seated in a three-quarter length pose. She is positioned slightly off-center against a dark, matte blue background that suggests the presence of heavy drapery. The subject holds a small musical instrument, specifically a guitar or mandolin, with her hands resting near its rounded body. Her gown is composed of creamy whites, ivories, and golds, featuring delicate lace ruffles at the sleeves…
In "A Spanish Girl Praying" by Edwin Long, a quiet moment of devotion unfolds within a vertical portrait. The young girl is captured from the waist up, her presence felt through a slight off-center positioning that suggests a subtle, living movement. She gazes upward and away from the viewer, her eyes fixed on something unseen beyond the frame. Her hands are clasped tightly in prayer, clutching a set of rosary…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long. Painted about 1890, the image captures a moment of stillness and observation. A male figure sits at the heart of the composition, draped in a heavy, reddish-brown robe that anchors him to the setting. He appears lost in a moment of creative…
A young Egyptian woman moves through a space of heavy, ancient stillness. She stands centered within an interior that breathes the air of a bygone era, her form framed by the geometric precision of architectural elements. There is a profound sense of duty in her posture as she presents an offering, perhaps food or drink, toward the viewer. Her expression carries a weight of quiet dignity, tinged with a subtle…
A Moment Frozen in Time: Edwin Long’s Reverie on Esther Edwin Long’s “Queen Esther,” completed in 1878, isn't merely a depiction of biblical legend; it’s an exquisitely crafted…
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Cztery tematy najczęściej pojawiające się na tych płótnach, z których każdy wraz z jego najbardziej cenionym przykładem.
7 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Edwin Longsden Long | Obrazy z tej listy |
|---|---|---|---|
 National Portrait Gallery |
Londyn | 3 | Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, lord randolph churchill |
 National Gallery of Victoria |
Melbourne | 2 | Queen Esther, queen esther |
 Lanhydrock House |
Bodmin | 1 | Mary Dickinson, Viscountess Clifden of Gowran (1853-1921) |
 Fries Museum |
Leeuwarden | 1 | Stafford Henry Northcote 1st Earl of Iddesleigh by Edwin Longsden Long |
 Yale Center for British Art |
New Haven | 1 | The Daughters Of Our Empire |
 Art Gallery of New South Wales |
Sydney | 1 | A Dorcas meeting in the 6th century |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | Uncle Tom and Little Eva |
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his…
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is…
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long.…
Francis Egerton, 1st Earl of Ellesmere (1867), National Portrait Gallery, Londyn. Następują po nim Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) oraz Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850).
Edwin Longsden Long, urodzony/a w 1829, miał/a 38 lat: Francis Egerton, 1st Earl of Ellesmere pochodzi z 1867.
Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht, The Hon. Harriet Margaret Maxwell, Viscountess Bangor (1805-1880), Mary Dickinson, Viscountess Clifden of Gowran (1853-1921), A Spanish Girl Praying, the artists model, Alethe Attendant of the Sacred Iblis - oil on panel -, confession i las hilanderas. Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.
W naszym katalogu znajduje się 86 dzieł artysty Edwin Longsden Long, datowanych od 1850 do 1890.
Większość znajduje się w National Portrait Gallery (Londyn), National Gallery of Victoria (Melbourne) i Lanhydrock House (Bodmin); powyższa lista wymienia każde muzeum oraz jego płótna.
W 1880s, który obejmuje 5 z 82 dzieł na tej stronie, wśród nich znajduje się Sir Stafford Henry Northcote, 1st Earl of Iddesleigh.
Najwcześniejsze płótno pochodzi z Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850), a najpóźniejsze z the artists model (1890).
Girls (6), Ancient egypt (4) i Man (3), w ramach 82 dzieł na tej stronie.
Oil On Canvas, użyte w 6 z 82 dzieł na tej stronie.
Academic realism, co pokazują płótna na tej stronie.
Muzeum National Portrait Gallery, Londyn posiada 3 dzieł widocznych na tej stronie, w tym Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh i lord randolph churchill.
Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.
