Najbardziej cenionym obrazem Ernst Meyer jest A Roman street letter-writer writing a letter for a young girl (1827), który znajduje się w Thorvaldsen Museum w Kopenhaga. Następne w zestawieniu płócien najlepiej znanych czytelnikom są A little Italian girl by a fountain (1826) oraz Two friends (1835). Nasz katalog zawiera 11 dzieł autorstwa Ernst Meyer: oto 11 najsłynniejszych z nich, z podaniem roku powstania, muzeum oraz tego, co czyni je wyjątkowymi.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Ernst Meyer | Obrazy z tej listy |
|---|---|---|---|
| Kopenhaga | 8 | A little Italian girl by a fountain, Two Friends. A Boy Sleeping beside a Pig, A Little Boy is Taken to the Monastery by His Parents | |
| Nibe | 2 | Two friends, Two Italian boys | |
| Kopenhaga | 1 | A Roman street letter-writer writing a letter for a young girl |
A Roman street letter-writer writing a letter for a young girl (1827), Thorvaldsen Museum, Kopenhaga. Następują po nim A little Italian girl by a fountain (1826) oraz Two friends (1835).
Ernst Meyer, urodzony/a w 1797, miał/a 30 lat: A Roman street letter-writer writing a letter for a young girl pochodzi z 1827.
A Roman street letter-writer writing a letter for a young girl, A little Italian girl by a fountain, Two friends, Two Friends. A Boy Sleeping beside a Pig, A Little Boy is Taken to the Monastery by His Parents, A Little Boy being Presented to a Priest, A Neapolitan Fisherman, A Roman Alley, Udsigt mod Mammellerne (Monti Ruffi) nær Olevano i Bjerglandskab ved Civitella. Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.
W naszym katalogu znajduje się 11 dzieł artysty Ernst Meyer, datowanych od 1826 do 1846.
Większość znajduje się w Statens Museum for Kunst (Kopenhaga), Nivaagaards Malerisamling (Nibe) i Thorvaldsen Museum (Kopenhaga); powyższa lista wymienia każde muzeum oraz jego płótna.
W 1830s, który obejmuje 5 z 11 dzieł na tej stronie, wśród nich znajduje się Two friends.
Najwcześniejsze płótno pochodzi z A little Italian girl by a fountain (1826), a najpóźniejsze z A Little Boy being Presented to a Priest (1846).
Muzeum Statens Museum for Kunst, Kopenhaga posiada 8 dzieł widocznych na tej stronie, w tym A little Italian girl by a fountain, Two Friends. A Boy Sleeping beside a Pig i A Little Boy is Taken to the Monastery by His Parents.
Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.
Born Ahron Meyer on 11 May 1797 in Altona, the man who would become known as Ernst Meyer began his life far from the Mediterranean light that eventually defined his career. His early years were marked by a fractured family structure; following his parents' divorce, he moved to Copenhagen with his mother. While his father, a broker, initially intended for him to follow a path in business, a clear interest in art emerged by 1812. This divergence led to a period of hardship when his father withdrew financial support, forcing the young man to find new footing under the care of a family associate.
His formal training began at the Royal Danish Academy of Fine Arts in 1816. During this period, he earned two silver medals, yet his ambitions were met with significant resistance. He sought the academy's gold medal for history painting, attempting to prove himself through grander, more classical subjects like the story of Joseph and Pharaoh. However, repeated failures in 1819 and 1821 prompted a profound shift. He removed his works from the academy gallery and abandoned the pursuit of historical narratives entirely.
The trajectory of his life changed in 1824 when he traveled to Rome, accompanied by the sculptor Herman Wilhelm Bissen. It was here, amidst the street life of Naples and the coastal landscapes of Southern Italy, that he found a new purpose. The colorful reality of local populations provided the inspiration that historical subjects had lacked. He turned his attention to genre painting, capturing the quiet, domestic rhythms of Mediterranean life.
His work began to find an audience beyond the borders of Denmark. In 1833, a portrait of a Neapolitan fishing family caught the attention of Crown Prince Christian VIII, who purchased the piece. His depictions of sailors on Capri and the coastal life of Naples became widely recognized through various reproductions. This period marked his transition from a struggling student of history to a specialist in the observation of everyday human interaction.
The later years of Meyer's life were shaped by physical struggle. Around 1841, he began suffering from a debilitating illness, likely rheumatoid arthritis, which progressively deformed his hands and made it impossible to continue working in oils. Rather than retreating from art, he taught himself the delicate medium of watercolor. This necessity led to a refinement of his technique, as he developed a palette of subtle hues that many found superior to his earlier, heavier works.
Despite the use of crutches and the physical limitations imposed by his condition, he continued to travel and create until his death. He passed away in Rome on 31 January 1861, following a stroke during a morning walk. He was laid to rest in the Jewish section of Campo Verano, leaving behind a body of work that moved from the rigid structures of academic history to the soft, precise observations of Italian life.