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      Frederic Yates, 1854 – 1919

      16 najsłynniejszych obrazów artysty Frederic Yates, zestawienie

      Najbardziej uwielbianym obrazem Frederic Yates jest Charlotte Mason (1842–1923) (1902). Następne w zestawieniu płócien najlepiej znanych czytelnikom są Path on Nab Scar (1900) oraz At Dent, August 1904 (1904). Nasz katalog zawiera 16 dzieł autorstwa Frederic Yates: oto 16 najsłynniejszych z nich, z podaniem roku powstania, muzeum oraz tego, co czyni je wyjątkowymi.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.

      Portret Frederic Yates
      Frederic Yates · 1854 – 1919
      Urodzony · zmarł
      1854 – 1919, Southampton
      Dzieła w naszym katalogu
      16
      Najsłynniejsze
      Charlotte Mason (1842–1923) (1902)
      Najwięcej dzieł w
      Abbot Hall Art Gallery

      Najsłynniejsze 10 obrazów Frederic Yates: płótna, które zna każdy

      Charlotte Mason (1842–1923) (1902) autorstwa Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Ręcznie malowana reprodukcja olejowa od $178 27 × 37 cm Rozmiar zgodny z oryginałem $211 40 × 52 cm Zamów w oryginalnym rozmiarze →

      Więcej płócien artysty Frederic Yates, od 11 do 16

      Gdzie wiszą płótna Frederic Yates

      5 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzea Miasto Dzieła artysty Frederic Yates Obrazy z tej listy
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Najukochańsze płótna Frederic Yates rok po roku

      15 lat przy sztalugach, od 1900 do 1914: najbardziej uwielbiane płótna Frederic Yates rok po roku.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) autorstwa Frederic Yates
        16 z 16

        Girl with a Pigeon

        Wiek: 47 · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) autorstwa Frederic Yates
        Płótno 1 z 16

        Charlotte Mason (1842–1923)

        Wiek: 48

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      O płótnach Frederic Yates: odpowiedzi na Twoje pytania

      Jakie jest najsłynniejsze dzieło Frederic Yates?Przeczytaj odpowiedź

      Charlotte Mason (1842–1923) (1902), a następnie Path on Nab Scar (1900) i At Dent, August 1904 (1904).

      W jakim wieku był Frederic Yates, gdy namalowano Charlotte Mason (1842–1923)?Przeczytaj odpowiedź

      Frederic Yates, urodzony/a w 1854, miał/a 48 lat: Charlotte Mason (1842–1923) pochodzi z 1902.

      Jakie są 10 najsłynniejszych obrazów autorstwa Frederic Yates?Przeczytaj odpowiedź

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard i John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.

      Ile dzieł namalował Frederic Yates?Przeczytaj odpowiedź

      W naszym katalogu znajduje się 16 dzieł artysty Frederic Yates, datowanych od 1900 do 1914.

      Gdzie mogę zobaczyć najsłynniejsze płótna Frederic Yates?Przeczytaj odpowiedź

      Większość znajduje się w Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) i Cumbria Archive And Local Studies Centre (Barrow-in-Furness); powyższa lista wymienia każde muzeum oraz jego płótna.

      Kiedy Frederic Yates namalował swoje najbardziej uwielbiane płótna?Przeczytaj odpowiedź

      W 1904, który obejmuje 2 z 16 dzieł na tej stronie, wśród nich znajduje się At Dent, August 1904.

      Które z najsłynniejszych płócien Frederic Yates powstały na początku i na końcu jego twórczości?Przeczytaj odpowiedź

      Najwcześniejsze płótno pochodzi z Path on Nab Scar (1900), a najpóźniejsze z Rydal Water (1914).

      Które płótna Frederic Yates znajdują się w Abbot Hall Art Gallery?Przeczytaj odpowiedź

      Muzeum Abbot Hall Art Gallery, Kendal posiada 5 dzieł widocznych na tej stronie, w tym Path on Nab Scar, Rydal Valley i View near Rydal.

      Czy mogę kupić reprodukcję płótna autorstwa Frederic Yates?Przeczytaj odpowiedź

      Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.

      Frederic Yates: życie w malarstwie

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.