Still Life with Green Bowl (1935) to obraz, z którego najbardziej znany jest Hermann Euler; znajduje się on w Bawarskie Państwowe Zbiory Malarstwa, Monachium. Nasz katalog obejmuje 2 dzieł autorstwa Hermann Euler. Oto 2 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026.
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Hermann Euler | Obrazy z tej listy |
|---|---|---|---|
| Monachium | 2 | Still Life with Green Bowl, Strauss |
Płótna Hermann Euler z tego okresu, datowane na 1935, znajdują się tutaj, zestawione w kolejności według sławy.
Still Life with Green Bowl (1935)
Hermann Euler, urodzony/a w 1900, miał/a 35 lat: Still Life with Green Bowl pochodzi z 1935.
W naszym katalogu znajduje się 2 dzieł autorstwa Hermann Euler.
Większość znajduje się w Bawarskie Państwowe Zbiory Malarstwa (Monachium); powyższa lista wymienia każde muzeum oraz jego płótna.
W 1935, który obejmuje 2 z 2 dzieł na tej stronie, wśród nich znajduje się Still Life with Green Bowl.
Muzeum Bawarskie Państwowe Zbiory Malarstwa, Monachium posiada 2 dzieł widocznych na tej stronie, w tym Still Life with Green Bowl i Strauss.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.