Scene in West Coast Sounds (1863) to obraz, z którego najbardziej znany jest John Gully; znajduje się on w The Suter Te Aratoi o Whakatū. Morning Mist (1863) oraz Pohara Beach (1863) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 47 dzieł autorstwa John Gully. Oto 47 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty John Gully | Obrazy z tej listy |
|---|---|---|---|
| 43 | Scene in West Coast Sounds, Morning Mist, Pohara Beach | ||
| 3 | Lake Rotomahana 1872, Milford Sound, Arthur's pass | ||
| Wellington | 1 | In the Southern Alps |
Scene in West Coast Sounds (1863), The Suter Te Aratoi o Whakatū. Następują po nim Morning Mist (1863) oraz Pohara Beach (1863).
John Gully, urodzony/a w 1819, miał/a 44 lat: Scene in West Coast Sounds pochodzi z 1863.
Scene in West Coast Sounds, Morning Mist, Pohara Beach, In the Maitai Valley, Lake Rotomahana 1872, Bishopdale in 1874, In the Southern Alps, Milford Sound, Arthur's pass i Swyncombe Kaikoura. Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.
W naszym katalogu znajduje się 47 dzieł artysty John Gully, datowanych od 1863 do 1888.
Większość znajduje się w The Suter Te Aratoi o Whakatū, Te Whare O Rehua Sarjeant Gallery i Museum of New Zealand Te Papa Tongarewa (Wellington); powyższa lista wymienia każde muzeum oraz jego płótna.
W 1880s, który obejmuje 21 z 47 dzieł na tej stronie, wśród nich znajduje się In the Southern Alps.
Najwcześniejsze płótno pochodzi z Scene in West Coast Sounds (1863), a najpóźniejsze z Before the Storm - Riwaka (1888).
Muzeum The Suter Te Aratoi o Whakatū posiada 43 dzieł widocznych na tej stronie, w tym Scene in West Coast Sounds, Morning Mist i Pohara Beach.
Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.
The story of John Gully is one of profound migration and the transformative power of a new horizon. Born in 1819 amidst the historic streets of Bath, England, Gully’s early life was far removed from the ethereal beauty of the landscapes that would later define his legacy. The son of a porter, his path was initially forged in the industrial grit of Stothert's foundry, where a childhood apprenticeship in designing and drafting instilled in him a fundamental understanding of structure and form. While his formal education concluded early, a quiet passion for art began to flicker, nurtured by brief encounters with the delicate techniques of Bristol watercolourists. This period of his life was characterized by the steady rhythms of commerce and clerical work, yet beneath the surface of a banker’s routine, the seeds of a master landscape painter were being sown.
In 1852, a pivotal shift occurred when Gully, driven by the romanticized accounts of New Zealand's untamed beauty, emigrated with his family to the southern hemisphere. Arriving in Auckland and later settling in New Plymouth, he encountered a world of dramatic topography and luminous atmospheres that nothing in England could have prepared him for. This encounter with the wild, sprawling vistas of the South Pacific became the primary catalyst for his artistic evolution. Though he faced significant financial hardships and even periods of bankruptcy, these struggles seemed to deepen his connection to the land, pushing him to capture the very essence of the New Zealand wilderness through his brush.
Gully’s oeuvre is a testament to the breathtaking majesty of the New Zealand landscape, rendered with a sensitivity that transcends mere documentation. His work often focuses on the interplay between light and geological grandeur, particularly within the rugged reaches of the Southern Alps and the serene expanses of glacial lakes. There is a rhythmic quality to his compositions, where the heavy permanence of mountain ranges meets the fleeting, translucent nature of mist and water. Through his eyes, we see the St Arnaud Range or the Awatere Valley not just as geographical locations, but as living, breathing entities shaped by the elements.
Technically, Gully’s development was marked by a transition from the structured precision of his drafting background to a more fluid, atmospheric approach. His ability to render the subtle gradations of light across a lake surface or the daunting scale of a mountain peak suggests an artist deeply attuned to the nuances of the natural world. His paintings often serve as historical windows, capturing the pristine state of the New Zealand landscape before the heavy hand of colonial development had fully altered its character. In doing so, he achieved a level of historical significance that elevates his work from simple scenery to vital cultural heritage.
The legacy of John Gully remains etched in the visual memory of the landscapes he loved. His life, moving from the industrial heart of England to the remote beauty of Nelson, mirrors the very movement of light across a mountain pass—a journey from shadow into clarity. Today, his works stand as enduring tributes to a period of discovery and the timeless allure of the natural world.