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      Chaim Soutine, 1893 – 1943

      Chaim Soutine's 100 Most Famous Paintings

      Chicken Hanging in Front of a Brick Wall (1924) is the painting Chaim Soutine is best remembered for; it belongs to the Kunstmuseum Bern, Berno. Zawieszony Żabiak (1925) and Suburban Landscape with Red Houses (1917) complete the trio of best-loved canvases. Our catalogue counts 118 works by Chaim Soutine. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portret Chaim Soutine
      Chaim Soutine · 1893 – 1943
      Urodzony · zmarł
      1893 – 1943, Śmiłowicze
      Nurt
      Expressionism
      Dzieła w naszym katalogu
      118
      Najsłynniejsze
      Chicken Hanging in Front of a Brick Wall (1924)
      Najwięcej dzieł w
      Musée de l'Orangerie

      The ten best-loved paintings by Chaim Soutine

      Zawieszony Żabiak (1925) autorstwa Chaim Soutine
      2

      Zawieszony Żabiak

      1925 · Obraz olejny na płótnie · Ohara Museum of Art, Kurashiki

      Chaim Soutine’s “Hanging Duck”: A Study in Texture and Emotion “Hanging Duck,” painted circa 1925 by Chaim Soutine, is more than just an image; it's a distillation of the artist’s distinctive vision—a landscape imbued with psychological depth and rendered with uncompromising physicality. Measuring 91 x 54.5 cm, this oil on canvas resides within the Ohara Museum of Art in Kurashiki, Japan, offering visitors a rare glimpse into Soutine’s artistic process…

      Suburban Landscape with Red Houses (1917) autorstwa Chaim Soutine
      3

      Suburban Landscape with Red Houses

      1917 · Oil On Canvas

      In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

      Girl in Red (1919) autorstwa Chaim Soutine
      4

      Girl in Red

      1919 · Oil

      A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

      Portrait of a Child (1937) autorstwa Chaim Soutine
      5

      Portrait of a Child

      1937 · Oil

      In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

      Untitled (1411) autorstwa Chaim Soutine
      6

      Untitled (1411)

      A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

      Beef and calf's head (1923) autorstwa Chaim Soutine
      7

      Beef and calf's head

      1923 · Oil On Canvas · Musée de l'Orangerie, Paryż

      The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

      The Gipsy (1926) autorstwa Chaim Soutine
      8

      The Gipsy

      1926 · Oil On Canvas · Statens Museum for Kunst, Kopenhaga

      The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

      Return from School After the Storm autorstwa Chaim Soutine
      9

      Return from School After the Storm

      Oil

      Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

      Chaim Soutine: canvases 11 to 100 of the ranking

      The big altar boy (1925) autorstwa Chaim Soutine
      #13

      The big altar boy

      1925 · Centre Pompidou

      The big altar boy is an oil on canvas portrait by Chaim Soutine. Created about 1925, the work presents a young figure, likely an altar boy, centered within…

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      Man with Horse (1920) autorstwa Chaim Soutine
      #21

      Man with Horse

      1920 · Metropolitan Museum of Art

      In Man with Horse, Chaim Soutine presents a scene of heavy, shifting forms. Painted about 1920, the work centers on a figure, likely a man, moving alongside a…

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      Duck on Blue Background (1925) autorstwa Chaim Soutine
      #23

      Duck on Blue Background

      1925 · Staatliche Kunsthalle Karlsruhe

      A single avian form, likely a duck, is caught in a violent, swirling vortex of color. The subject is not rendered with anatomical precision but through a series…

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      Little Girl in Blue (1935) autorstwa Chaim Soutine
      #24

      Little Girl in Blue

      1935 · Kunstmuseum Bern

      Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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      Dead Fowl (1926) autorstwa Chaim Soutine
      #25

      Dead Fowl

      1926 · Art Institute of Chicago

      is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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      The Table (1919) autorstwa Chaim Soutine
      #27

      The Table

      1919 · Musée de l'Orangerie

      The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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      The Turkey (1925) autorstwa Chaim Soutine
      #28

      The Turkey

      1925 · Musée de l'Orangerie

      is an oil on canvas created by Chaim Soutine. Executed about 1925, the work belongs to the Jean Walter et Paul Guillaume collection. It is currently held at…

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      Wiejska Dziewczyna [La Fille de Ferme] (1919) autorstwa Chaim Soutine
      #50

      Wiejska Dziewczyna [La Fille de Ferme]

      1919 · Nagoya City Art Museum

      白ロシア共和国(現ベラルーシ共和国)ミンスク近郊の寒村に生まれたスーチンがパリに出たのは19歳の時だった。貧困と、作品に対する無理解に苦しみながら、一人異国の地で模索する、そんな彼の才能をいち早く見い出したのがモディリアーニであった。教養もなければ、礼儀も知らず、野生児そのままといったスーチンに、モディリアーニはナイフやフォークの使い方を教え、制作の助言をし、しばしば絶望感にさいなまれる彼を励ました。しかし、彼は生涯野生児のままであった。30歳目前の若さでアメリカ人のコレクターに見い出され、作品が売れ、流行の背広に身を包むようになっても、彼の孤独と不安は、ついにいやされることはなかった。 スーチンの作品に一貫して表現されているのは、彼の孤独と不安の叫びである。その絵画世界では、あらゆるものがゆがみ、ねじまげられ、苦し気にのたうっているが、それはまさしくスーチン自身の内面の姿にほかならない。 《農家の娘》でも筆致の速さは目立つものの、スーチン特有のうねり、ゆがみの表現は比較的少なく、モデルの素朴な印象が引き立つように色彩は抑えられている。画家の描く対象との向き合い方を物語る一枚である。(出典: 名古屋市美術館展示解説カード)

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      The old mill autorstwa Chaim Soutine
      #65

      The old mill

      The old mill is an oil on canvas by Chaim Soutine. It emerged from the artist's brush around 1922-23. The paint clings to the fabric in thick, restless…

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      Landscape with trees in the wind (1919) autorstwa Chaim Soutine
      #66

      Landscape with trees in the wind

      1919 · The Ema Klabin House Museum

      This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and…

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      Windy Day, Auxerre autorstwa Chaim Soutine
      #67

      Windy Day, Auxerre

      The Phillips Collection

      Windy Day, Auxerre is a work by Chaim Soutine. Created in the summer of 1939, the painting captures a specific moment of atmospheric tension. The scene is situated…

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      The Pheasant autorstwa Chaim Soutine
      #69

      The Pheasant

      The Phillips Collection

      The Pheasant is a work by Chaim Soutine, executed between c. 1926 and c. 1927. The artist was born near Minsk, Russia, in what is now Belarus. Following…

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      Woman in Profile autorstwa Chaim Soutine
      #70

      Woman in Profile

      The Phillips Collection

      Woman in Profile is a portrait of Madame Tennent painted by Chaim Soutine. This work was created about 1937. The composition focuses on the subject from a side…

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      Chaim Soutine's canvases, period by period

      What Chaim Soutine painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Chaim Soutine's canvases hang

      8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzeum Miasto Dzieła artysty Chaim Soutine Obrazy z tej listy
      Musée de l'Orangerie, ParyżMusée de l'Orangerie Paryż 9 Beef and calf's head, The Table, The Turkey
      Metropolitan Museum of Art, Nowy JorkMetropolitan Museum of Art Nowy Jork 7 Woman in Red Blouse, Man with Horse, Apples
      The Phillips Collection, WaszyngtonThe Phillips Collection Waszyngton 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
      Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 3 Still Life with Fowl [Nature Morte à La Volaille], Wiejska Dziewczyna [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
      Muzeum Izraela, JerozolimaMuzeum Izraela Jerozolima 3 Landscape, Hill in Céret, Calf and Red Curtain
      Kunstmuseum Bern, BernoKunstmuseum Bern Berno 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Seated Woman, Still Life with Rayfish
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Dead Fowl, Landscape at Cagnes

      Chaim Soutine's most famous canvas, decade after decade

      1. 1910s
        Suburban Landscape with Red Houses (1917) autorstwa Chaim Soutine
        Canvas 3 of 100

        Suburban Landscape with Red Houses

        Wiek 17 – 26

        In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

      2. 1920s
        Chicken Hanging in Front of a Brick Wall (1924) autorstwa Chaim Soutine
        Ranked 1 of 100

        Chicken Hanging in Front of a Brick Wall

        Wiek 27 – 36 · Kunstmuseum Bern

        The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

      3. 1930s
        Portrait of a Child (1937) autorstwa Chaim Soutine
        Ranked 5 of 100

        Portrait of a Child

        Wiek 37 – 46

        In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

      Chaim Soutine's canvases, question by question

      Which canvas is Chaim Soutine most remembered for?Read the answer

      Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Berno. Zawieszony Żabiak (1925) and Suburban Landscape with Red Houses (1917) follow.

      Chicken Hanging in Front of a Brick Wall: how old was Chaim Soutine when it was painted?Read the answer

      Chaim Soutine, born in 1893, was 31 years old: Chicken Hanging in Front of a Brick Wall dates from 1924.

      What are Chaim Soutine's ten most famous canvases?Read the answer

      Chicken Hanging in Front of a Brick Wall, Zawieszony Żabiak, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm i Ceret Lanscape. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Chaim Soutine create?Read the answer

      118 works by Chaim Soutine are in our catalogue, dated 1916 to 1937.

      Where do Chaim Soutine's most famous canvases hang today?Read the answer

      Mostly in Musée de l'Orangerie (Paryż), Metropolitan Museum of Art (Nowy Jork) i The Phillips Collection (Waszyngton); the list above names each museum and its canvases.

      When did Chaim Soutine paint the most famous canvases?Read the answer

      In 1920s, which gave 38 of the 100 works on this page, Chicken Hanging in Front of a Brick Wall among them.

      Which famous Chaim Soutine canvas came first, and which came last?Read the answer

      The earliest canvas here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

      Which subjects did Chaim Soutine paint most?Read the answer

      Portrait (5), Meat (4) i Woman (4), across the 100 works on this page.

      Which medium appears most in Chaim Soutine's paintings?Read the answer

      Oil On Canvas, used in 15 of the 100 works on this page.

      Which movement is Chaim Soutine associated with?Read the answer

      Expressionism, as the canvases on this page show.

      Which paintings by Chaim Soutine are held by the Musée de l'Orangerie?Read the answer

      The Musée de l'Orangerie, Paryż holds 7 of the works on this page, among them Beef and calf's head, The Table i The Turkey.

      Where can I buy a reproduction of a Chaim Soutine painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Chaim Soutine

      A Life Forged in Turmoil: The World of Chaim Soutine

      Chaim Soutine, a name synonymous with raw emotion and turbulent landscapes, was born into a world of profound hardship – a stark contrast to the vibrant, expressive canvases he would later create. Born in 1893 (or possibly 1894) in Smilovichi, a small Jewish shtetl near Minsk in present-day Belarus, his early life was steeped in poverty and the constraints of Orthodox religious observance. This formative experience—a childhood marked by material scarcity and the limitations imposed upon his community – would irrevocably shape his artistic vision, fueling a lifelong exploration of inner turmoil and psychological intensity. Despite a lack of formal training initially, Soutine’s innate talent for drawing blossomed, hinting at the passionate force that would define his work. He received limited instruction at an art academy in Vilna (now Vilnius) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved to be a pivotal moment, catapulting him into a vibrant artistic community and setting the stage for his unique development. The initial years in Paris were characterized by extreme poverty – a struggle mirroring the emotional turbulence simmering beneath the surface of his paintings.

      An Expressionist Apart: Style and Influences

      While often categorized as an Expressionist, reducing Soutine solely to this label significantly diminishes the complexity of his artistic vision. His style was profoundly individual, a masterful synthesis of traditional European painting – particularly the works of the Dutch Masters like Rembrandt and Chardin, and the Realism of Courbet – filtered through a lens of raw emotional intensity. He didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own deeply personal experience. Bold colors, applied with thick impasto—a textured application of paint that gives his canvases a palpable physicality—and agitated brushwork are hallmarks of his distinctive style. Soutine wasn't interested in precise representation or objective accuracy; he sought to capture the *essence* of his subjects – their emotional state, their inner turmoil – often imbuing them with a sense of unease, vulnerability, and even a touch of unsettling beauty. His landscapes weren’t simply depictions of scenery; they were visceral expressions of feeling, painted with an almost desperate energy. Similarly, his portraits—often depicting working-class individuals—stood apart for their psychological depth, revealing the dignity and fragility of his subjects in a way that challenged conventional portraiture. The influence of Rembrandt is particularly evident in Soutine’s use of light and shadow, while Chardin's quiet realism provides a foundation for his exploration of everyday objects imbued with emotional significance.

      Development and Defining Works

      Soutine’s artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) were characterized by a struggle to find his voice amidst financial hardship and the overwhelming influence of the established artistic community. He experimented with various styles, absorbing influences from Cubism and other avant-garde movements while simultaneously forging his own distinct approach. A crucial turning point came in 1919 when he spent three years painting at Céret in southern France – a period that proved transformative. Surrounded by the dramatic landscapes of the Pyrenees, Soutine developed his mature style, characterized by vibrant colors, distorted forms, and a sense of almost violent energy. These paintings—landscapes dominated by swirling trees, jagged cliffs, and fields of intense color—became emblematic of his artistic vision. The period also saw the emergence of his iconic series of portraits, particularly those depicting Russian émigrés in Paris – figures rendered with a raw honesty that exposed their vulnerability and resilience. Notable works from this era include “Suburban Landscape,” “Untitled (2161),” and numerous studies capturing the essence of Céret’s dramatic light and atmosphere.

      Recognition, Legacy, and Lasting Impact

      Despite his artistic brilliance, Soutine remained largely unrecognized during his lifetime. The art dealer Leopold Zborowski played a crucial role in promoting his work and securing his financial stability, recognizing the unique power of Soutine's vision and championing him to discerning collectors. Initial critical reception was mixed, but his reputation gradually grew over time, fueled by the increasing interest in Expressionism and the growing recognition of his distinctive style. Soutine’s innovative use of paint—particularly his mastery of impasto—and his ability to convey profound emotional depth profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in him a kindred spirit – an artist willing to push the boundaries of representation in pursuit of authentic expression. He remains a key figure within the *School of Paris*, a diverse group of artists working in the city during the early 20th century, and his legacy continues to resonate today. His works are held in prestigious museums worldwide—testaments to his enduring artistic significance. Soutine represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. He stands as a testament to the power of art to transform personal experience into universal emotion.

      Wszystkie 118 dzieła artysty Chaim Soutine →