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      Clyfford Still, 1904 – 1980

      100 najsłynniejszych obrazów artysty Clyfford Still

      PH-247 (1951) to obraz, z którego najbardziej znany jest Clyfford Still. PH-1007 (1976) oraz Untitled (1946) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 160 dzieł autorstwa Clyfford Still. Oto 100 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026.

      Portret Clyfford Still
      Clyfford Still · 1904 – 1980
      Urodzony · zmarł
      1904 – 1980, Grandin
      Nurt
      Abstract expressionism
      Dzieła w naszym katalogu
      160
      Najsłynniejsze
      PH-247 (1951)
      Najwięcej dzieł w
      Metropolitan Museum of Art

      Dziesięć najpopularniejszych obrazów, których autorem jest Clyfford Still

      PH-247 (1951) autorstwa Clyfford Still
      1

      PH-247

      1951 · Oil On Canvas

      The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.

      PH-1007 (1976) autorstwa Clyfford Still
      2

      PH-1007

      1976 · Oil On Canvas

      PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.

      Untitled (1946) autorstwa Clyfford Still
      3

      Untitled

      1946 · Oil On Canvas · Metropolitan Museum of Art, Nowy Jork

      Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.

      1948 C (1948) autorstwa Clyfford Still
      4

      1948 C

      1948 · Oil On Canvas

      In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…

      PH-923 (1974) autorstwa Clyfford Still
      5

      PH-923

      1974 · Oil On Canvas

      In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…

      PH-160 (1957) autorstwa Clyfford Still
      6

      PH-160

      1957 · Oil On Canvas

      Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.

      PH-272 (1950) autorstwa Clyfford Still
      7

      PH-272

      1950 · Oil On Canvas

      In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…

      PH-223 (1956) autorstwa Clyfford Still
      8

      PH-223

      1956 · Oil On Canvas

      Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…

      1950 A No. 2 (1950) autorstwa Clyfford Still
      9

      1950 A No. 2

      1950 · Oil On Canvas

      To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…

      1950-W (1950) autorstwa Clyfford Still
      10

      1950-W

      1950 · Oil On Canvas · Metropolitan Museum of Art, Nowy Jork

      Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…

      Clyfford Still: płótna od 11 do 100 w rankingu

      PH-672 (1923) autorstwa Clyfford Still
      #17

      PH-672

      1923

      A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

      PH-448 (1935) autorstwa Clyfford Still
      #18

      PH-448

      1935

      This black and white artwork features two naked women standing in water. One of the women appears to be pregnant, while the other has her hands raised. The…

      1950 B (1950) autorstwa Clyfford Still
      #25

      1950 B

      1950 · The Phillips Collection
      PH-1034 (1973) autorstwa Clyfford Still
      #26

      PH-1034

      1973

      The painting PH-1034 is an abstract work featuring a dominant red color palette alongside black tones. The composition is characterized by a sense of movement and energy, with…

      PH-945 (1946) autorstwa Clyfford Still
      #27

      PH-945

      1946

      PH-945 is an oil on canvas painting created in 1946. The composition features a red background accented with black and yellow elements. Within the abstract design, several black…

      PH-76 (1935) autorstwa Clyfford Still
      #28

      PH-76

      1935

      In the evocative landscape of early 20th-century figurative art, PH-76 stands as a haunting testament to the power of human emotion captured through distorted form. Created in 1935…

      PH-257 (1935) autorstwa Clyfford Still
      #29

      PH-257

      1935

      In the quiet, evocative depths of PH-257, we encounter a scene that transcends mere portraiture to become a profound meditation on human connection and solitude. Painted in 1935,…

      PH-215 (1935) autorstwa Clyfford Still
      #30

      PH-215

      1935

      The painting PH-215, dated 1935, presents a profile view of a human head positioned atop a rocky, uneven surface. The subject's mouth is open, suggesting a yawn or…

      PH-751 (1944) autorstwa Clyfford Still
      #31

      PH-751

      1944

      The canvas known as PH-751 emerges from the year 1944, a moment when Clyfford Still is actively navigating the boundaries of his own visual language. This oil on…

      PH-4 (1952) autorstwa Clyfford Still
      #32

      PH-4

      1952

      In the evocative painting PH-4, created in 1952, we are transported to a scene of profound structural presence and historical weight. At first glance, the eye is immediately…

      PH-653 (1934) autorstwa Clyfford Still
      #33

      PH-653

      1934

      PH-653 is a work by Clyfford Still, created in 1934. This piece emerged from the artist's time at Yaddo in Saratoga Springs, NY. It represents a specific moment…

      Untitled (1964) autorstwa Clyfford Still
      #34

      Untitled

      1964 · Guggenheim Museum Bilbao

      Clyfford Still’s “Untitled,” a monumental canvas from 1964, isn’t merely a painting; it’s an immersion into the heart of Abstract Expressionism and a profound meditation on American identity.…

      PH-77 (1936) autorstwa Clyfford Still
      #35

      PH-77

      1936

      In the evocative monochrome landscape of PH-77, created in 1936, we are transported to a moment of raw, unyielding human effort. This striking black and white composition captures…

      PP-104 (1952) autorstwa Clyfford Still
      #36

      PP-104

      1952

      In the pantheon of American Abstract Expressionism, few names command as much visceral respect as Clyfford Still. His work, particularly the evocative piece PP-104 from 1952, serves as…

      PH-1123 (1954) autorstwa Clyfford Still
      #37

      PH-1123

      1954

      PH-1123 is an oil painting on canvas created in 1954. The work presents a field of color characterized by irregular, fractured planes. A large section of black paint…

      PH-233 [formerly Self-Portrait] (1945) autorstwa Clyfford Still
      #39

      PH-233 [formerly Self-Portrait]

      1945 · San Francisco Museum of Modern Art

      In the mid-1940s, as the world grappled with the profound shifts of a post-war era, a new visual language was being forged in the heart of American Modernism.…

      PH-416 (1935) autorstwa Clyfford Still
      #54

      PH-416

      1935 · Nationalmuseum

      Płótna Clyfford Still epoka po epoce

      Co najczęściej malował Clyfford Still

      Cztery tematy najczęściej pojawiające się na tych płótnach, z których każdy wraz z jego najbardziej cenionym przykładem.

      Gdzie wiszą płótna Clyfford Still

      6 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzea Miasto Dzieła artysty Clyfford Still Obrazy z tej listy
      Metropolitan Museum of Art, Nowy JorkMetropolitan Museum of Art Nowy Jork 4 Untitled, 1950-W
      Smithsonian American Art Museum, WaszyngtonSmithsonian American Art Museum Waszyngton 2 Row of Elevators
      The Phillips Collection, WaszyngtonThe Phillips Collection Waszyngton 1 1950 B
      Guggenheim Museum Bilbao, BilbaoGuggenheim Museum Bilbao Bilbao 1 Untitled
      San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 1 PH-233 [formerly Self-Portrait]
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 PH-416

      Najsłynniejsze płótno Clyfford Still, dekada po dekadzie

      1. 1920s
        PH-672 (1923) autorstwa Clyfford Still
        Miejsce 17 z 100

        PH-672

        Wiek 16 – 25

        A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

      2. 1930s
        PH-81 (1935) autorstwa Clyfford Still
        12 z 100

        PH-81

        Wiek 26 – 35
      3. 1940s
        Untitled (1946) autorstwa Clyfford Still
        3 z 100

        Untitled

        Wiek 36 – 45 · Metropolitan Museum of Art

        Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top…

      4. 1950s
        PH-247 (1951) autorstwa Clyfford Still
        1 z 100

        PH-247

        Wiek 46 – 55

        The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this…

      5. 1960s
        PP-113 (1962) autorstwa Clyfford Still
        16 z 100

        PP-113

        Wiek 56 – 65
      6. 1970s
        PH-1007 (1976) autorstwa Clyfford Still
        2 z 100

        PH-1007

        Wiek 66 – 75

        PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the…

      Płótna Clyfford Still krok po kroku

      Z którego płótna najbardziej zapisał się Clyfford Still?Przeczytaj odpowiedź

      PH-247 (1951), a następnie PH-1007 (1976) i Untitled (1946).

      PH-247: w jakim wieku był Clyfford Still, gdy powstało to dzieło?Przeczytaj odpowiedź

      Clyfford Still, urodzony/a w 1904, miał/a 47 lat: PH-247 pochodzi z 1951.

      Jakie są dziesięć najsłynniejszych płócien Clyfford Still?Przeczytaj odpowiedź

      PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 i 1950-W. Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.

      Ile obrazów stworzył/a Clyfford Still?Przeczytaj odpowiedź

      W naszym katalogu znajduje się 160 dzieł artysty Clyfford Still, datowanych od 1920 do 1976.

      Gdzie dziś znajdują się najsłynniejsze płótna Clyfford Still?Przeczytaj odpowiedź

      Większość znajduje się w Metropolitan Museum of Art (Nowy Jork), Smithsonian American Art Museum (Waszyngton) i The Phillips Collection (Waszyngton); powyższa lista wymienia każde muzeum oraz jego płótna.

      Kiedy Clyfford Still namalował swoje najsłynniejsze płótna?Przeczytaj odpowiedź

      W 1930s, który obejmuje 41 z 100 dzieł na tej stronie, wśród nich znajduje się PH-81.

      Które słynne płótno Clyfford Still powstało jako pierwsze, a które jako ostatnie?Przeczytaj odpowiedź

      Najwcześniejsze płótno pochodzi z PH-274 (1920), a najpóźniejsze z PH-1007 (1976).

      Jakie tematy najczęściej malował Clyfford Still?Przeczytaj odpowiedź

      Color field (4), Color field painting (3) i Portrait (3), w ramach 100 dzieł na tej stronie.

      Która technika najczęściej pojawia się w obrazach Clyfford Still?Przeczytaj odpowiedź

      Oil On Canvas, użyte w 17 z 100 dzieł na tej stronie.

      Z jakim nurtem związany jest Clyfford Still?Przeczytaj odpowiedź

      Abstract expressionism, co pokazują płótna na tej stronie.

      Które obrazy Clyfford Still znajdują się w zbiorach Metropolitan Museum of Art?Przeczytaj odpowiedź

      Muzeum Metropolitan Museum of Art, Nowy Jork posiada 2 dzieł widocznych na tej stronie, w tym Untitled i 1950-W.

      Poznaj artystę: Clyfford Still

      A Pioneer of Abstract Expressionism: The Life and Art of Clyfford Still

      Clyfford Still, born in 1904 amidst the vast landscapes of Grandin, North Dakota, stands as a pivotal figure in the evolution of American art. His journey, marked by an unwavering commitment to artistic integrity and a relentless exploration of form and color, positioned him among the leading lights of Abstract Expressionism. Though often overshadowed by contemporaries like Jackson Pollock and Mark Rothko, Still’s contribution was foundational; he ventured into non-figurative painting earlier than many of his peers, forging a path toward a new visual language that would profoundly influence modern art. His early life, spent moving between North Dakota, Washington, and Alberta, Canada, instilled in him a deep connection to the natural world – a resonance that would echo throughout his artistic career. A brief period of study at the Art Students League in New York City in 1925 offered initial exposure to the art world, but it was his subsequent experiences teaching and painting on the West Coast that truly shaped his unique vision. He wasn’t simply seeking to depict nature; he aimed to capture its raw essence, its underlying forces of creation and destruction.

      From Representation to Revelation: The Development of a Unique Style

      The transformation from representational work to the radical abstraction for which Still is celebrated occurred between 1938 and 1942, a period of intense experimentation and self-discovery. This shift wasn’t merely stylistic; it was profoundly philosophical. He sought to strip away all recognizable imagery, believing that true artistic expression lay in confronting the fundamental elements of painting itself – color, form, and surface. Early works like *PH-616* (1929) offer a glimpse into this transitional period, showcasing his initial exploration of rural life rendered with a muted palette and evocative symbolism. These paintings weren’t simply depictions; they were imbued with a sense of longing, a quiet contemplation of the human condition within the vastness of the American landscape. As he moved further toward abstraction, these representational elements gradually dissolved into jagged planes of color, fractured surfaces, and imposing vertical forms. These weren't merely abstract shapes; they were imbued with raw emotion, existential angst, and the sublime power of nature. He worked primarily with oil paint applied with palette knives, building up layers of texture that created a dynamic interplay between light and shadow. This technique allowed him to create surfaces that seemed to pulse with energy, inviting viewers into an immersive experience—a confrontation with the very act of painting itself.

      The Language of Color and Form: Key Characteristics of Still’s Work

      Still's mature paintings are characterized by their monumental scale and dramatic color juxtapositions. He favored large canvases, believing that only through such expansiveness could he convey the full emotional weight of his vision. His compositions typically feature irregular, fractured planes of color – often dark and brooding hues punctuated by flashes of brighter tones. These forms aren’t simply arranged on the canvas; they seem to emerge from it, creating a sense of depth and spatial ambiguity. The vertical element is particularly significant in Still's work, representing what he termed “the vertical necessity of life” – a defiant assertion of human spirit against overwhelming forces. *1957-D No. 1*, with its predominantly black and yellow palette accented by white and red, exemplifies this characteristic use of color and form to evoke powerful emotional responses. He deliberately avoided titles that might suggest specific interpretations, preferring a numerical system (e.g., “1957-D No. 1”) that emphasized the painting’s purely visual qualities. This was part of his broader effort to resist categorization and maintain control over how his work was perceived. He wanted viewers to experience the paintings directly, without preconceived notions or external narratives.

      Influences and Artistic Context

      Still's artistic development was shaped by a confluence of factors. His early exposure to the rugged landscapes of North Dakota instilled in him a deep appreciation for the power and indifference of nature. The brief period spent studying at the Art Students League provided him with an understanding of European modernism, particularly the work of Cubists like Picasso and Braque. However, it was his time on the West Coast – teaching art and developing his own unique style – that proved most formative. He encountered artists like Mark Rothko, who encouraged him to embrace abstraction and explore the expressive potential of color. The post-World War II art world, characterized by a desire for new forms of artistic expression, provided fertile ground for Still’s radical ideas. Despite facing resistance from some critics and dealers, he persevered in his pursuit of pure abstraction, ultimately establishing himself as one of the leading figures of Abstract Expressionism.

      Legacy and Recognition

      Clyfford Still's influence extends far beyond his own body of work. He is considered a key progenitor of Color Field painting, a movement that emphasized the expressive potential of color as an independent element in art. His uncompromising artistic vision and rejection of conventional norms paved the way for subsequent generations of abstract painters. While he often distanced himself from the New York art world, his impact on its development was undeniable. He taught at various institutions, including Washington State University and the California School of Fine Arts, inspiring countless students to explore their own creative potential. In 1959, a comprehensive retrospective of his work at the Albright-Knox Art Gallery in Buffalo, New York, solidified his reputation as a major force in American art. Perhaps one of his most significant legacies is The Clyfford Still Museum in Denver, Colorado, which houses an extraordinary collection of over 3,125 works – representing 93 percent of his lifetime output and complete archives. This museum provides unparalleled access to the breadth and depth of his artistic vision, ensuring that his contributions will continue to be studied and appreciated for generations to come. His work continues to resonate with viewers today, offering a powerful meditation on the human condition and the enduring mysteries of existence.

      Further Exploration

      • Explore more about Clyfford Still’s artworks at TopImpressionists.com.
      • Discover the Color Field art movement.
      • Learn about artists like Mark Rothko and their influence on the art world.