Pracownia — Bezpłatna wysyłka na cały świat — Czas dostawy: 2–6 tygodni
      Mary Beale, 1633 – 1699

      65 najsłynniejszych obrazów artysty Mary Beale

      King Charles II (1675) to obraz, z którego najbardziej znany jest Mary Beale; znajduje się on w National Portrait Gallery, Londyn. Bartholomew Beale (1663) oraz Portrait of a lady (1680) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 65 dzieł autorstwa Mary Beale. Oto 65 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.

      Portret Mary Beale
      Mary Beale · 1633 – 1699
      Urodzony · zmarł
      1633 – 1699, Barrow
      Nurt
      Baroque
      Dzieła w naszym katalogu
      65
      Najsłynniejsze
      King Charles II (1675)
      Najwięcej dzieł w
      National Portrait Gallery

      Dziesięć najpopularniejszych obrazów, których autorem jest Mary Beale

      King Charles II (1675) autorstwa Mary Beale
      1

      King Charles II

      1675 · Oil On Canvas · National Portrait Gallery, Londyn

      The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

      Bartholomew Beale (1663) autorstwa Mary Beale
      2

      Bartholomew Beale

      1663 · Oil On Paper · Yale Center for British Art, New Haven

      A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

      Viscountess Frances Hatton (1664) autorstwa Mary Beale
      4

      Viscountess Frances Hatton

      1664 · Oil On Canvas · Smithsonian American Art Museum, Waszyngton

      In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

      Mary Beale: płótna od 11 do 65 w rankingu

      Co najczęściej malował Mary Beale

      Cztery tematy najczęściej pojawiające się na tych płótnach, z których każdy wraz z jego najbardziej cenionym przykładem.

      Gdzie wiszą płótna Mary Beale

      8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzeum Miasto Dzieła artysty Mary Beale Obrazy z tej listy
      National Portrait Gallery, LondynNational Portrait Gallery Londyn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
      Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
      Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
      Galeria Dulwich, LondynGaleria Dulwich Londyn 2 Portrait of a Physician, Portrait of a Youth
      Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
      Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

      Najsłynniejsze płótno Mary Beale, dekada po dekadzie

      1. 1650s
      2. 1660s
        Bartholomew Beale (1663) autorstwa Mary Beale
        Płótno 2 z 65

        Bartholomew Beale

        Wiek 27 – 36 · Yale Center for British Art

        A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

      3. 1670s
        King Charles II (1675) autorstwa Mary Beale
        Płótno 1 z 65

        King Charles II

        Wiek 37 – 46 · National Portrait Gallery

        The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

      4. 1680s
        Portrait of a lady (1680) autorstwa Mary Beale
        Płótno 3 z 65

        Portrait of a lady

        Wiek 47 – 56 · National Gallery of Victoria

        Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

      5. 1690s

      Płótna Mary Beale krok po kroku

      Z którego płótna najbardziej zapisał się Mary Beale?Przeczytaj odpowiedź

      King Charles II (1675), National Portrait Gallery, Londyn. Następują po nim Bartholomew Beale (1663) oraz Portrait of a lady (1680).

      King Charles II: w jakim wieku był Mary Beale, gdy powstało to dzieło?Przeczytaj odpowiedź

      Mary Beale, urodzony/a w 1633, miał/a 42 lat: King Charles II pochodzi z 1675.

      Jakie są dziesięć najsłynniejszych płócien Mary Beale?Przeczytaj odpowiedź

      King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) i Self-Portrait Holding a Palette. Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.

      Ile obrazów stworzył/a Mary Beale?Przeczytaj odpowiedź

      W naszym katalogu znajduje się 65 dzieł artysty Mary Beale, datowanych od 1659 do 1697.

      Gdzie dziś znajdują się najsłynniejsze płótna Mary Beale?Przeczytaj odpowiedź

      Większość znajduje się w National Portrait Gallery (Londyn), Antony House i Sutton House; powyższa lista wymienia każde muzeum oraz jego płótna.

      Kiedy Mary Beale namalował swoje najsłynniejsze płótna?Przeczytaj odpowiedź

      W 1680s, który obejmuje 10 z 65 dzieł na tej stronie, wśród nich znajduje się Portrait of a lady.

      Które słynne płótno Mary Beale powstało jako pierwsze, a które jako ostatnie?Przeczytaj odpowiedź

      Najwcześniejsze płótno pochodzi z Anna Maria, Countess of Shrewsbury (1642–1702) (1659), a najpóźniejsze z Portrait of Nell Gwyl (1697).

      Jakie tematy najczęściej malował Mary Beale?Przeczytaj odpowiedź

      Portraits (14), Royalty (12) i Portrait (6), w ramach 65 dzieł na tej stronie.

      Która technika najczęściej pojawia się w obrazach Mary Beale?Przeczytaj odpowiedź

      Oil On Canvas, użyte w 4 z 65 dzieł na tej stronie.

      Z jakim nurtem związany jest Mary Beale?Przeczytaj odpowiedź

      Baroque, co pokazują płótna na tej stronie.

      Które obrazy Mary Beale znajdują się w zbiorach National Portrait Gallery?Przeczytaj odpowiedź

      Muzeum National Portrait Gallery, Londyn posiada 6 dzieł widocznych na tej stronie, w tym King Charles II, Thomas Sydenham i Charles Beale the Elder.

      Gdzie mogę kupić reprodukcję obrazu Mary Beale?Przeczytaj odpowiedź

      Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.

      Poznaj artystę: Mary Beale

      A Life Illuminated: The World of Mary Beale

      Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

      Navigating Convention: Portraiture and Family Life

      In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

      A Baroque Sensibility: Style and Technique

      Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

      Breaking Barriers: Legacy and Historical Significance

      Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like TopImpressionists, TopImpressionists, and others, guaranteeing her enduring presence in the cultural landscape.

      Useful Information

      Wszystkie 65 dzieła artysty Mary Beale →