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      Masaccio, 1401 – 1428

      The 97 Most Famous Masaccio Paintings, Ranked

      The best-loved painting by Masaccio is Trójca Święta (1428). Podatek od świątyni (1425) and Wygnanie z raju (1426) come next among the canvases readers know best. Our catalogue holds 97 works by Masaccio: here are the 97 most famous, each with its year, its museum and what makes it memorable.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portret Masaccio
      Masaccio · 1401 – 1428
      Urodzony · zmarł
      1401 – 1428, San Giovanni Valdarno
      Nurt
      Wczesny renesans
      Dzieła w naszym katalogu
      97
      Najsłynniejsze
      Trójca Święta (1428)
      Najwięcej dzieł w
      Santa Maria del Carmine

      Top 10 Masaccio paintings: the canvases everyone knows

      Trójca Święta (1428) autorstwa Masaccio
      1

      Trójca Święta

      1428 · Fresk

      The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…

      Podatek od świątyni (1425) autorstwa Masaccio
      2

      Podatek od świątyni

      1425 · Fresk

      Scena ta rozgrywa się wewnątrz Kaplicy Brancacci w bazylice Santa Maria del Carmine we Florencji. To właśnie tutaj fresk zatytułowany Podatek od świątyni, wyszły spod pędzla Masaccia, tchnie życie w biblijną narrację, malując ją na ścianach kaplicy. Dzieło zamówione przez Felice Brancacciego stanowi istotną część większego cyklu poświęconego życiu św. Piotra. Powietrze w kaplicy zdaje się dźwigać ciężar tej świętej historii, gdy postacie przechodzą przez moment o głębokim znaczeniu duchowym.

      Wygnanie z raju (1426) autorstwa Masaccio
      3

      Wygnanie z raju

      1426 · Fresk

      Ciężka cisza Kaplicy Brancaccich w kościele Santa Maria del Carmine we Florencji, we Włoszech, niesie w sobie ciężar głębokiej tragedii. To tutaj ściany oddychają historią przedstawioną w dziele Wygnanie z raju, którym jest fresco namalowane przez Masaccia około 1425 roku. Powietrze zdaje się gęstnieć wokół postaci, gdy stają one w obliczu swojego nagłego, nieodwracalnego odejścia z raju. Scena ta wyznacza początek szerszej narracji, stanowiąc pierwsze fresco w cyklu poświęconym życiu…

      Rendering of the Tribute Money (detail) autorstwa Masaccio
      4

      Rendering of the Tribute Money (detail)

      Fresk

      Ten urzekający detal pochodzi z przełomowego fresku Masaccia pt. „Pieniądz pogłówkowy”, kluczowego dzieła znajdującego się w Kaplicy Brancacci we Florencji. Powstałe około 1426 roku dzieło stanowi punkt zwrotny w sztuce zachodniej, odchodząc od stylizowanych konwencji okresu gotyckiego w stronę nowej ery naturalizmu i humanistycznej ekspresji.

      Predella panel from the Pisa Altar (1426) autorstwa Masaccio
      5

      Predella panel from the Pisa Altar

      1426 · Oil On Panel · Berlińskie Muzea Państwowe, Berlin

      To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

      The Madonna of Humility (1424) autorstwa Masaccio
      6

      The Madonna of Humility

      1424 · Tempera On Panel

      In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

      Trinity (detail) (1425) autorstwa Masaccio
      7

      Trinity (detail)

      1425 · Fresco · Santa Maria Novella, Florencja

      The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

      Two panels from the Pisa Altarpiece (1426) autorstwa Masaccio
      8

      Two panels from the Pisa Altarpiece

      1426 · Tempera On Panel · Berlińskie Muzea Państwowe, Berlin

      In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

      Trinity (1425) autorstwa Masaccio
      9

      Trinity

      1425 · Fresco · Santa Maria Novella, Florencja

      To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

      Trinity (detail) (1425) autorstwa Masaccio
      10

      Trinity (detail)

      1425 · Acrylic On Canvas · Santa Maria Novella, Florencja

      Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

      More Masaccio canvases, 11 to 97

      Trinity (scheme of the perspective) (1425) autorstwa Masaccio
      #12

      Trinity (scheme of the perspective)

      1425 · Santa Maria Novella

      Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…

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      Crucifixion (1426) autorstwa Masaccio
      #22

      Crucifixion

      1426 · Museo di Capodimonte

      Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…

      Have it painted by hand →
      Distribution of Alms and Death of Ananias (1425) autorstwa Masaccio
      #48

      Distribution of Alms and Death of Ananias

      1425

      In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…

      Madonna with Child and Angels (1426) autorstwa Masaccio
      #78

      Madonna with Child and Angels

      1426 · National Gallery

      Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…

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      Adoration of the Magi (1426) autorstwa Masaccio
      #85

      Adoration of the Magi

      1426 · Berlińskie Muzea Państwowe

      To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…

      Have it painted by hand →
      St. Andrew (1426) autorstwa Masaccio
      #93

      St. Andrew

      1426 · Muzeum J. Paula Getty'ego

      A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…

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      Crucifixion of St Peter (1426) autorstwa Masaccio
      #97

      Crucifixion of St Peter

      1426 · Berlińskie Muzea Państwowe

      Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…

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      Masaccio's canvases, period by period

      What Masaccio painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Masaccio's canvases hang

      8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzeum Miasto Dzieła artysty Masaccio Obrazy z tej listy
      Santa Maria del Carmine, FlorencjaSanta Maria del Carmine Florencja 7 Widok na Kapelę Brancacci (przed odrestaurowaniem), Fresko z Kapelli Brancacci (prawy widok), Fresko z Kaplicy Brancacci (lewy widok)
      Berlińskie Muzea Państwowe, BerlinBerlińskie Muzea Państwowe Berlin 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
      Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
      Santa Maria Novella, FlorencjaSanta Maria Novella Florencja 4 Trinity (detail), Trinity, Trinity (detail)
      Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
      National Gallery of Art, WaszyngtonNational Gallery of Art Waszyngton 2 Profile Portrait of a Young Man, Madonna of Humility
      National Gallery, LondynNational Gallery Londyn 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
      Museo di Capodimonte, NapoliMuseo di Capodimonte Napoli 1 Crucifixion

      Masaccio's best-loved canvases, year by year

      Some ten years of painting, 1420 to 1428, hold the dated canvases of Masaccio on this page: walk through them year by year.

      1. 1420
      2. 1422
      3. 1422
      4. 1422
        San Giovenale Triptych. Left panel (1422) autorstwa Masaccio
        Canvas 63 of 97

        San Giovenale Triptych. Left panel

        Wiek: 21

        The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…

      5. 1422
      6. 1423
      7. 1423
      8. 1424
        The Madonna of Humility (1424) autorstwa Masaccio
        6 of 97

        The Madonna of Humility

        Wiek: 23

        In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…

      9. 1424
        Christ in the Garden of Gethsemane (detail) (1424) autorstwa Masaccio
        21 of 97

        Christ in the Garden of Gethsemane (detail)

        Wiek: 23 · Lindenau-Museum

        The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…

      10. 1424
      11. 1424
        Christ in the Garden of Gethsemane (1424) autorstwa Masaccio
        62 of 97

        Christ in the Garden of Gethsemane

        Wiek: 23 · Lindenau-Museum

        The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…

      12. 1425
        Podatek od świątyni (1425) autorstwa Masaccio
        Canvas 2 of 97

        Podatek od świątyni

        Wiek: 24

        Scena ta rozgrywa się wewnątrz Kaplicy Brancacci w bazylice Santa Maria del Carmine we Florencji. To właśnie tutaj fresk zatytułowany Podatek od świątyni, wyszły spod pędzla Masaccia, tchnie…

      13. 1425
        Trinity (detail) (1425) autorstwa Masaccio
        7 of 97

        Trinity (detail)

        Wiek: 24 · Santa Maria Novella

        The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…

      14. 1425
        Trinity (1425) autorstwa Masaccio
        9 of 97

        Trinity

        Wiek: 24 · Santa Maria Novella

        To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…

      15. 1425
        Trinity (detail) (1425) autorstwa Masaccio
        10 of 97

        Trinity (detail)

        Wiek: 24 · Santa Maria Novella

        Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…

      16. 1426
        Wygnanie z raju (1426) autorstwa Masaccio
        Ranked 3 of 97

        Wygnanie z raju

        Wiek: 25

        Ciężka cisza Kaplicy Brancaccich w kościele Santa Maria del Carmine we Florencji, we Włoszech, niesie w sobie ciężar głębokiej tragedii. To tutaj ściany oddychają historią przedstawioną w dziele…

      17. 1426
        Predella panel from the Pisa Altar (1426) autorstwa Masaccio
        Canvas 5 of 97

        Predella panel from the Pisa Altar

        Wiek: 25 · Berlińskie Muzea Państwowe

        To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…

      18. 1426
        Two panels from the Pisa Altarpiece (1426) autorstwa Masaccio
        Ranked 8 of 97

        Two panels from the Pisa Altarpiece

        Wiek: 25 · Berlińskie Muzea Państwowe

        In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…

      19. 1426
        Widok na Kapelę Brancacci (przed odrestaurowaniem) (1426) autorstwa Masaccio
        Ranked 11 of 97

        Widok na Kapelę Brancacci (przed odrestaurowaniem)

        Wiek: 25 · Santa Maria del Carmine

        Obraz, przedstawiający widok na kapelę Brancacci w Santa Maria del Carmine we Florencji, jest świadectwem rewolucyjnego spojrzenia Masaccio na malarstwo. Zrobiony przed odrestaurowaniem, uchwycił on pierwotny, surowy charakter…

      20. 1427
      21. 1427
        Baptism of the Neophytes (1427) autorstwa Masaccio
        20 of 97

        Baptism of the Neophytes

        Wiek: 26

        The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…

      22. 1427
        Plate of Nativity (Berlin Tondo) (1427) autorstwa Masaccio
        77 of 97

        Plate of Nativity (Berlin Tondo)

        Wiek: 26 · Berlińskie Muzea Państwowe

        In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…

      23. 1428
        Trójca Święta (1428) autorstwa Masaccio
        1 of 97

        Trójca Święta

        Wiek: 27

        The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important…

      24. 1428
      25. 1428

      About Masaccio's canvases: your questions answered

      What is the best-known painting by Masaccio?Read the answer

      Trójca Święta (1428), followed by Podatek od świątyni (1425) and Wygnanie z raju (1426).

      What age was Masaccio when Trójca Święta was painted?Read the answer

      Masaccio, born in 1401, was 27 years old: Trójca Święta dates from 1428.

      What are the 10 most famous paintings by Masaccio?Read the answer

      Trójca Święta, Podatek od świątyni, Wygnanie z raju, Rendering of the Tribute Money (detail), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity i Trinity (detail). Each canvas in the ranking above comes with its year and its museum.

      How many works did Masaccio paint in all?Read the answer

      97 works by Masaccio are in our catalogue, dated 1420 to 1428.

      Where can I see Masaccio's most famous canvases?Read the answer

      Mostly in Santa Maria del Carmine (Florencja), Berlińskie Muzea Państwowe (Berlin) i Gemäldegalerie (Berlin); the list above names each museum and its canvases.

      When did Masaccio paint the best-loved canvases?Read the answer

      In 1426, which gave 41 of the 97 works on this page, Wygnanie z raju among them.

      Which are Masaccio's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Madonna of Humility (1420); the latest is Trójca Święta (1428).

      What did Masaccio paint most often?Read the answer

      Saints (30), Religious (25) i Renaissance (15), across the 97 works on this page.

      Which medium did Masaccio paint in most often?Read the answer

      Tempera On Panel, used in 6 of the 97 works on this page.

      Which movement is Masaccio's painting part of?Read the answer

      Wczesny renesans, as the canvases on this page show.

      Which Masaccio canvases hang at the Santa Maria del Carmine?Read the answer

      The Santa Maria del Carmine, Florencja holds 7 of the works on this page, among them Widok na Kapelę Brancacci (przed odrestaurowaniem), Fresko z Kapelli Brancacci (prawy widok) i Fresko z Kaplicy Brancacci (lewy widok).

      Can I buy a reproduction of a Masaccio canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Masaccio: a life in paint

      Masaccio (1401-1428): The Dawn of Renaissance Realism

      Tommaso di Ser Giovanni di Simone Guidi, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

      Early Life and Training

      Masaccio's origins were humble; he descended from a family involved in cabinet making – Ser Giovanni Cassai, his father, practiced this craft. Orphaned at age five due to his father’s untimely death, Masaccio was cared for by his brother, Giovanni (Lo Scheggia), who also pursued artistic endeavors. The details surrounding Masaccio's formative years remain shrouded in obscurity—a rarity amongst Renaissance artists—underscoring the mystery surrounding his rapid ascent and innovative techniques. It is believed he began his apprenticeship around 12 years old, though definitive documentation of his master remains elusive. This lack of verifiable training contributes to speculation about how he achieved such remarkable artistic prowess. He joined the painters’ guild in Florence on January 7, 1422, marking his emergence as an independent artist and signaling a decisive step toward establishing himself within the burgeoning Florentine art scene.

      Artistic Development and Major Works

      Masaccio's artistic journey commenced with an initial fascination for Giotto di Bondone—a predecessor who championed naturalism—but he swiftly surpassed Giotto’s achievements in mastering perspective and anatomical accuracy. He drew inspiration from Filippo Brunelleschi’s groundbreaking rediscovery of linear perspective, particularly Brunelleschi’s architectural innovations at the Duomo in Florence. Masaccio pioneered several transformative techniques that fundamentally reshaped painting:
      • Linear Perspective: Employing vanishing points and mathematical precision, he created a convincing illusion of depth on canvas—a technique previously unheard of in art—effectively capturing spatial realism.
      • Chiaroscuro: He skillfully manipulated light and shadow to sculpt forms with astonishing detail, generating volume and conveying emotion with unparalleled effectiveness.
      • Naturalism: Masaccio depicted human figures with meticulous anatomical precision and expressive gestures, departing from stylized representations prevalent in earlier artistic traditions.
      His most celebrated achievements reside within the Brancacci Chapel frescoes—a monumental undertaking begun in 1425 and completed shortly before his death. These paintings, including “The Tribute Money,” “Expulsion from Paradise,” and “St. Peter Baptizing the Neophytes,” stand as enduring symbols of Early Renaissance artistry, demonstrating Masaccio’s mastery of perspective, narrative depth, and emotional resonance. Furthermore, "Holy Trinity," commissioned by Lorenzo Medici, exemplifies his profound understanding of theological symbolism alongside technical brilliance.

      Historical Significance and Legacy

      Masaccio's influence extended far beyond his lifetime, profoundly impacting subsequent generations of artists—Leonardo da Vinci, Michelangelo, Raphael—who sought to emulate his unparalleled skill in portraying the human form and conveying emotion. Vasari famously lauded Masaccio as “the best painter of his generation,” recognizing him as a catalyst for artistic innovation and establishing a new standard for naturalism that would dominate Western art for decades to come. Despite his tragically curtailed life, Masaccio’s legacy persists as one of the most significant figures in Renaissance history—a testament to the transformative power of artistic genius and an enduring inspiration for artists across centuries.

      Wszystkie 97 dzieła artysty Masaccio →