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      Thomas Sully, 1783 – 1872

      100 najsłynniejszych obrazów artysty Thomas Sully

      Queen Victoria (1838) to obraz, z którego najbardziej znany jest Thomas Sully; znajduje się on w Wallace Collection, Londyn. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) oraz George Washington (1840) dopełniają trio najbardziej uwielbianych płócien. Nasz katalog obejmuje 437 dzieł autorstwa Thomas Sully. Oto 100 najsłynniejszych z nich, wraz z rokiem powstania, informacją o muzeum oraz historią każdego płótna.

      Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną na płótnie lnianym lub jako wysokiej jakości wydruk artystyczny, wykonany w wybranym przez Ciebie formacie.

      Portret Thomas Sully
      Thomas Sully · 1783 – 1872
      Urodzony · zmarł
      1783 – 1872, Horncastle
      Nurt
      Romanticism
      Dzieła w naszym katalogu
      437
      Najsłynniejsze
      Queen Victoria (1838)
      Najwięcej dzieł w
      Metropolitan Museum of Art

      Dziesięć najpopularniejszych obrazów, których autorem jest Thomas Sully

      Thomas Jefferson (1743-1826), LL.D. 1786 (1823) autorstwa Thomas Sully
      2

      Thomas Jefferson (1743-1826), LL.D. 1786

      1823 · Oil On Canvas · Yale University Art Gallery, Nowe Havane

      Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…

      Dr. Edward Hudson (1810) autorstwa Thomas Sully
      4

      Dr. Edward Hudson

      1810 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.

      Child Asleep (The Rosebud) (1841) autorstwa Thomas Sully
      5

      Child Asleep (The Rosebud)

      1841 · Oil On Canvas · Metropolitan Museum of Art, Nowy Jork

      In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…

      The Coleman Sisters (1844) autorstwa Thomas Sully
      6

      The Coleman Sisters

      1844 · Acrylic On Canvas · National Gallery of Art, Waszyngton

      Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.

      William B. Wood as "Charles de Moor" (1810) autorstwa Thomas Sully
      7

      William B. Wood as "Charles de Moor"

      1810 · Oil · National Gallery of Art, Waszyngton

      In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…

      Thomas Sully (1815) autorstwa Thomas Sully
      8

      Thomas Sully

      1815 · Oil · National Portrait Gallery, Waszyngton

      The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…

      Colonel Samuel Boyer Davis (1819) autorstwa Thomas Sully
      9

      Colonel Samuel Boyer Davis

      1819 · Oil On Canvas · Crystal Bridges Museum of American Art, Bentonville

      Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853) (1831) autorstwa Thomas Sully
      10

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)

      1831 · Oil On Canvas · Harvard Art Museums, Cambridge

      The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…

      Thomas Sully: płótna od 11 do 100 w rankingu

      John Finley (1821) autorstwa Thomas Sully
      #11

      John Finley

      1821 · Metropolitan Museum of Art

      Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…

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      Mother and Son (1840) autorstwa Thomas Sully
      #14

      Mother and Son

      1840 · Metropolitan Museum of Art

      Mother and Son: An Allegory of Domestic Harmony This magnificent portrait by Thomas Sully, completed in 1840, transcends mere representation; it embodies a profound meditation on familial bonds…

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      Mary Anne Heide Norris (1830) autorstwa Thomas Sully
      #17

      Mary Anne Heide Norris

      1830 · Philadelphia Museum of Art

      Thomas Sully's "Mary Anne Heide Norris," painted in 1830, is more than just a likeness; it’s a carefully constructed tableau of wealth, status, and the idealized femininity prized…

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      Thomas Ash II (1807) autorstwa Thomas Sully
      #18

      Thomas Ash II

      1807 · National Portrait Gallery

      This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

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      John Vaughan (1819) autorstwa Thomas Sully
      #23

      John Vaughan

      1819 · National Portrait Gallery

      Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…

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      William Alston (1826) autorstwa Thomas Sully
      #26

      William Alston

      1826 · Cincinnati Art Museum

      Thomas Sully’s William Alston, Class of 1825 presents a formal portrait of a single male figure. The work, executed in oil, captures the likeness of Alston during a…

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      Self-Portrait (1850) autorstwa Thomas Sully
      #63

      Self-Portrait

      1850 · National Gallery of Art

      The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…

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      Major John Biddle (1818) autorstwa Thomas Sully
      #74

      Major John Biddle

      1818 · Metropolitan Museum of Art

      The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…

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      The David Children (1826) autorstwa Thomas Sully
      #75

      The David Children

      1826 · National Gallery of Art

      The David Children is a portrait painted by Thomas Sully in 1826. The canvas captures a mother and her young child, likely a boy, within a quiet domestic…

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      Portrait of a Woman (1810) autorstwa Thomas Sully
      #76

      Portrait of a Woman

      1810 · Reading Public Museum

      This work is a Portrait of a Woman by the artist Thomas Sully. Executed in oil on canvas or panel, the piece belongs to the genre of portraiture,…

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      James Pollard Espy (1849) autorstwa Thomas Sully
      #79

      James Pollard Espy

      1849 · National Portrait Gallery

      This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…

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      Captain Charles Stewart (1812) autorstwa Thomas Sully
      #80

      Captain Charles Stewart

      1812 · National Gallery of Art

      This oil on canvas portrait, titled Captain Charles Stewart, was executed by the artist Thomas Sully. The work depicts Captain Charles Stewart, a United States Navy officer, in…

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      Rosalie Spang (1848) autorstwa Thomas Sully
      #81

      Rosalie Spang

      1848 · Carnegie Museum of Art

      This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…

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      Rebecca Gratz (1831) autorstwa Thomas Sully
      #82

      Rebecca Gratz

      1831

      The Rebecca Gratz painting, created by Thomas Sully in 1831, is a captivating oil on panel portrait that showcases the artist's skill in capturing the essence of his…

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      Musidora (1813) autorstwa Thomas Sully
      #83

      Musidora

      1813 · Metropolitan Museum of Art

      Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…

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      The Student (1839) autorstwa Thomas Sully
      #86

      The Student

      1839 · Metropolitan Museum of Art

      Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…

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      Equestrian Portrait of George Washington (1842) autorstwa Thomas Sully
      #87

      Equestrian Portrait of George Washington

      1842 · The Abraham Lincoln Foundation of The Union League of Philadelphia

      Grand portrait of President George Washington (1732-1799), Commander-in-Chief to the Continental Army during the American Revolution and 1st President of the United States. General Washington is not depicted…

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      Governor Peyton Randolph (1806) autorstwa Thomas Sully
      #91

      Governor Peyton Randolph

      1806 · Wilton House Museum

      In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…

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      Płótna Thomas Sully epoka po epoce

      Co najczęściej malował Thomas Sully

      Cztery tematy najczęściej pojawiające się na tych płótnach, z których każdy wraz z jego najbardziej cenionym przykładem.

      Gdzie wiszą płótna Thomas Sully

      8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

      Muzeum Miasto Dzieła artysty Thomas Sully Obrazy z tej listy
      Metropolitan Museum of Art, Nowy JorkMetropolitan Museum of Art Nowy Jork 23 George Washington, Child Asleep (The Rosebud), John Finley
      National Gallery of Art, WaszyngtonNational Gallery of Art Waszyngton 22 The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams
      National Portrait Gallery, WaszyngtonNational Portrait Gallery Waszyngton 6 Thomas Sully, John Sergeant, Thomas Ash II
      Pennsylvania Academy of Fine Arts, FiladelfiaPennsylvania Academy of Fine Arts Filadelfia 8 George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 7 John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte
      Yale University Art Gallery, Nowe HavaneYale University Art Gallery Nowe Havane 4 Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl
      Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 4 Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston
      Muzeum Sztuki w Dallas, DallasMuzeum Sztuki w Dallas Dallas 3 Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman

      Najsłynniejsze płótno Thomas Sully, dekada po dekadzie

      1. 1800s
        Thomas Ash II (1807) autorstwa Thomas Sully
        Płótno 18 z 100

        Thomas Ash II

        Wiek 17 – 26 · National Portrait Gallery

        This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

      2. 1810s
        Dr. Edward Hudson (1810) autorstwa Thomas Sully
        Płótno 4 z 100

        Dr. Edward Hudson

        Wiek 27 – 36 · Detroit Institute of Arts

        Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…

      3. 1820s
        Thomas Jefferson (1743-1826), LL.D. 1786 (1823) autorstwa Thomas Sully
        Płótno 2 z 100

        Thomas Jefferson (1743-1826), LL.D. 1786

        Wiek 37 – 46 · Yale University Art Gallery

        Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…

      4. 1830s
      5. 1840s
        George Washington (1840) autorstwa Thomas Sully
        Miejsce 3 z 100

        George Washington

        Wiek 57 – 66 · Metropolitan Museum of Art

        Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…

      6. 1850s
        Thomas Heyward, Jr. (1854) autorstwa Thomas Sully
        Miejsce 24 z 100

        Thomas Heyward, Jr.

        Wiek 67 – 76 · National Portrait Gallery

        Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

      7. 1860s
        Mischief (Girl's Head) (1866) autorstwa Thomas Sully
        Miejsce 27 z 100

        Mischief (Girl's Head)

        Wiek 77 – 86 · Reading Public Museum

        Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

      Płótna Thomas Sully krok po kroku

      Z którego płótna najbardziej zapisał się Thomas Sully?Przeczytaj odpowiedź

      Queen Victoria (1838), Wallace Collection, Londyn. Następują po nim Thomas Jefferson (1743-1826), LL.D. 1786 (1823) oraz George Washington (1840).

      Queen Victoria: w jakim wieku był Thomas Sully, gdy powstało to dzieło?Przeczytaj odpowiedź

      Thomas Sully, urodzony/a w 1783, miał/a 55 lat: Queen Victoria pochodzi z 1838.

      Jakie są dziesięć najsłynniejszych płócien Thomas Sully?Przeczytaj odpowiedź

      Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis i Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Każde płótno w powyższym rankingu zawiera informację o roku powstania oraz muzeum.

      Ile obrazów stworzył/a Thomas Sully?Przeczytaj odpowiedź

      W naszym katalogu znajduje się 437 dzieł artysty Thomas Sully, datowanych od 1802 do 1866.

      Gdzie dziś znajdują się najsłynniejsze płótna Thomas Sully?Przeczytaj odpowiedź

      Większość znajduje się w Metropolitan Museum of Art (Nowy Jork), National Gallery of Art (Waszyngton) i National Portrait Gallery (Waszyngton); powyższa lista wymienia każde muzeum oraz jego płótna.

      Kiedy Thomas Sully namalował swoje najsłynniejsze płótna?Przeczytaj odpowiedź

      W 1810s, który obejmuje 25 z 100 dzieł na tej stronie, wśród nich znajduje się Dr. Edward Hudson.

      Które słynne płótno Thomas Sully powstało jako pierwsze, a które jako ostatnie?Przeczytaj odpowiedź

      Najwcześniejsze płótno pochodzi z Mrs. Thomas Sully (Sarah Annis) (1802), a najpóźniejsze z Mischief (Girl's Head) (1866).

      Jakie tematy najczęściej malował Thomas Sully?Przeczytaj odpowiedź

      Man (18), Portrait (17) i Woman (10), w ramach 100 dzieł na tej stronie.

      Która technika najczęściej pojawia się w obrazach Thomas Sully?Przeczytaj odpowiedź

      Oil On Canvas, użyte w 32 z 100 dzieł na tej stronie.

      Z jakim nurtem związany jest Thomas Sully?Przeczytaj odpowiedź

      Romanticism i Neoclassicism, co pokazują płótna na tej stronie.

      Które obrazy Thomas Sully znajdują się w zbiorach Metropolitan Museum of Art?Przeczytaj odpowiedź

      Muzeum Metropolitan Museum of Art, Nowy Jork posiada 11 dzieł widocznych na tej stronie, w tym George Washington, Child Asleep (The Rosebud) i John Finley.

      Gdzie mogę kupić reprodukcję obrazu Thomas Sully?Przeczytaj odpowiedź

      Tak. Każdy obraz na tej stronie można zamówić z jego własnej podstrony jako ręcznie malowaną reprodukcję olejną lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze.

      Poznaj artystę: Thomas Sully

      A Transatlantic Brushstroke: The Life and Art of Thomas Sully

      Thomas Sully’s story is one of remarkable journeys – a transatlantic passage not just across oceans, but through artistic styles and cultural landscapes. Born in 1783 under the skies of Horncastle, Lincolnshire, England, his early life was shaped by an itinerant upbringing as the son of actors Matthew and Sarah Chester Sully. This exposure to performance, with its demands for capturing fleeting expressions and embodying character, would prove profoundly influential on his artistic sensibilities. His family’s relocation to Charleston, South Carolina in 1792 marked a new chapter, offering opportunities within the burgeoning American theater scene. It was here, amidst the vibrant energy of colonial life, that young Thomas began to develop his own artistic talents, initially drawn to the world of theatrical design and eventually discovering a passion for painting. His innate ability to observe and render detail, honed through his experience with stagecraft – particularly in creating realistic costumes and props – laid the foundation for his future success as a portrait painter.

      From Miniature to Monumental: Forging an American Style

      Sully’s artistic development wasn't confined by geographical boundaries; it was a process of continuous adaptation and refinement. A pivotal moment arrived when, beginning in 1808, he embarked on a period of study in London with the esteemed Benjamin West, a leading figure in British art. While West’s influence was significant, it was the encounter with Thomas Lawrence that truly resonated deeply with Sully. Lawrence's elegant style – characterized by its refined grace, masterful use of light and texture, and remarkable ability to capture both likeness and character – captivated the young American artist. Returning to the United States imbued with this aesthetic, Sully quickly earned the moniker “the Sir Thomas Lawrence of America.” However, he didn’t simply imitate; instead, he skillfully adapted and integrated these influences into a distinctly American style. This involved a careful balancing act: retaining the European sophistication while simultaneously incorporating elements that reflected the unique sensibilities of the New World. His portraits weren't merely technical exercises in likeness; they were explorations of personality, imbued with psychological depth and emotional resonance – a hallmark of his distinctive approach.

      The Influence of London and the Pursuit of Perfection

      Sully’s time in London proved to be transformative, not just artistically but personally. He immersed himself in the art world, studying techniques, observing masters, and absorbing the prevailing artistic trends. His dedication was further fueled by a desire for technical perfection – he meticulously practiced his craft, honing his skills through countless hours of observation and experimentation. This pursuit of excellence is evident in the remarkable detail and precision that characterize his portraits, from the delicate folds of fabric to the subtle nuances of expression. He also sought guidance from Jean Belzons, a French miniaturist who served as his brother-in-law, though their relationship eventually soured. Despite this setback, Sully’s exposure to diverse artistic perspectives broadened his horizons and solidified his commitment to mastering the art of portraiture.

      A Portrait of an Era: Subjects and Significance

      Sully's prolific output—over 2,000 paintings over seven decades—reflects both his skill and his relentless dedication. He didn’t merely paint portraits for wealthy patrons; he documented a pivotal era in American history, preserving the faces and stories of men and women who shaped the nation’s destiny. His subjects ranged from prominent politicians like Thomas Jefferson and John Quincy Adams to celebrated military heroes such as Marquis de Lafayette, and even members of the royal family, including Queen Victoria. His portraits captured not just physical likenesses but also conveyed a sense of character, personality, and social standing. *The Passage of the Delaware*, painted in 1819, stands as a particularly significant work – a grand depiction of Washington’s iconic crossing that demonstrated Sully's ability to handle large-scale compositions and imbue them with dramatic power. This painting cemented his place as one of America’s leading portraitists and historical painters.

      Legacy and Enduring Influence

      Thomas Sully’s legacy extends far beyond the canvases he created. He was a dedicated teacher, mentoring numerous aspiring artists and contributing to the development of American artistic talent. His influence can be seen in the works of his students, who carried forward his techniques and aesthetic sensibilities. Furthermore, Sully's work has been recognized for its historical significance, with many of his portraits serving as important visual records of a bygone era. Today, his paintings hang in prestigious museums across the country – a testament to his enduring artistic skill and lasting contribution to American art history. His story remains a compelling example of transatlantic exchange, artistic adaptation, and the power of portraiture to capture not just likenesses but also the spirit of an age.

      Wszystkie 437 dzieła artysty Thomas Sully →