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      Richard Brompton, 1734 – 1783

      As 16 pinturas mais famosas de Richard Brompton, classificadas

      A pintura mais amada de Richard Brompton é Portrait of Catherine II (1782), que está exposta no Museu Hermitage, São Petersburgo. Edward, Duke of York (1739-67) with his friends in Venice (1764) e Portrait of Admiral Sir Charles Saunders (1772) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 22 obras de Richard Brompton: aqui estão as 16 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Richard Brompton
      Richard Brompton · 1734 – 1783
      Nascimento · falecimento
      1734 – 1783, Great Britain
      Obras em nosso catálogo
      22
      As mais famosas
      Portrait of Catherine II (1782)
      Mais obras em
      Museu Hermitage

      As 10 principais pinturas de Richard Brompton: as telas que todos conhecem

      Portrait of Catherine II (1782) de Richard Brompton
      1

      Portrait of Catherine II

      1782 · Oil On Canvas · Museu Hermitage, São Petersburgo

      The Portrait of Catherine II is an oil on canvas work by the British artist Richard Brompton. Executed in 1782, this portrait captures Catherine II, the Empress of Russia, at the age of 53. The painting measures 83 x 69 cm and is currently held within the collection of The Hermitage Museum in St. Petersburg, Russia.

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $322 69 × 83 cm Order at original size →

      Mais telas de Richard Brompton, de 11 a 16

      O que Richard Brompton mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Richard Brompton estão expostas

      Os 4 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Richard Brompton Pinturas desta lista
      Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 2 Portrait of Catherine II, Portrait Of Grand Dukes Alexander Pavlovich And Konstantin Pavlovich
      Royal Collection, LondresRoyal Collection Londres 1 Edward, Duke of York (1739-67) with his friends in Venice
      National Maritime Museum, GreenwichNational Maritime Museum Greenwich 1 Portrait of Admiral Sir Charles Saunders
      Penmaenmawr Museum 1 The Family Of Henry Dawkins

      A tela mais amada de cada década de Richard Brompton

      1. 1760s
      2. 1770s
      3. 1780s
        Portrait of Catherine II (1782) de Richard Brompton
        1 de 16

        Portrait of Catherine II

        Idade 46 – 49 · Museu Hermitage

        The Portrait of Catherine II is an oil on canvas work by the British artist Richard Brompton. Executed in 1782, this portrait captures Catherine II, the Empress of…

      Sobre as telas de Richard Brompton: suas perguntas respondidas

      Qual é a pintura mais conhecida de Richard Brompton?Leia a resposta

      Portrait of Catherine II (1782), Museu Hermitage, São Petersburgo. Seguidos por Edward, Duke of York (1739-67) with his friends in Venice (1764) e Portrait of Admiral Sir Charles Saunders (1772).

      Qual era a idade de Richard Brompton quando Portrait of Catherine II foi pintada?Leia a resposta

      Richard Brompton, nascido(a) em 1734, tinha 48 anos: Portrait of Catherine II data de 1782.

      Quais são as 10 pinturas mais famosas de Richard Brompton?Leia a resposta

      Portrait of Catherine II, Edward, Duke of York (1739-67) with his friends in Venice, Portrait of Admiral Sir Charles Saunders, Portrait Of Aleksandra Branicka, William Pitt, 1st Earl Of Chatham, The Family Of Henry Dawkins, Susannah Lady Isham, Robert Walpole, Grand Duke Constantine Pavlovich of Russia e John Horne Tooke. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Richard Brompton pintou ao todo?Leia a resposta

      22 obras de Richard Brompton estão em nosso catálogo, datadas de 1764 a 1782.

      Onde posso ver as telas mais famosas de Richard Brompton?Leia a resposta

      Principalmente em Museu Hermitage (São Petersburgo), Royal Collection (Londres) e National Maritime Museum (Greenwich); a lista acima indica cada museu e as suas telas.

      Quais são as primeiras e as últimas telas famosas de Richard Brompton?Leia a resposta

      A tela mais antiga aqui é de Edward, Duke of York (1739-67) with his friends in Venice (1764); a mais recente é de Portrait of Catherine II (1782).

      O que Richard Brompton mais pintou?Leia a resposta

      Portraits (6), Famous people (2) e Portrait (2), entre as 16 obras nesta página.

      Quais telas de Richard Brompton estão expostas no Museu Hermitage?Leia a resposta

      O Museu Hermitage, São Petersburgo detém 2 das obras desta página, entre elas Portrait of Catherine II e Portrait Of Grand Dukes Alexander Pavlovich And Konstantin Pavlovich.

      Posso comprar uma reprodução de uma tela de Richard Brompton?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Richard Brompton: uma vida em pintura

      A Brush with Nobility: The Life and Art of Richard Brompton

      Richard Brompton, born in 1734 in the United Kingdom, emerged as a significant figure within the vibrant landscape of 18th-century British portraiture. While biographical details remain somewhat elusive, his artistic legacy speaks volumes – a testament to his skill in capturing not merely likenesses, but the very essence of an aristocratic society on the cusp of change. Brompton’s career flourished during the Georgian era, a period defined by refined elegance, burgeoning empire, and a growing fascination with classical ideals. He wasn't simply *a* portrait painter; he was a chronicler of his time, immortalizing the faces that shaped its political and cultural narrative. His canvases offer a fascinating glimpse into the world of nobility, military heroes, and even royalty, establishing him as a sought-after artist amongst the elite.

      Early Training and Artistic Development

      The specifics of Brompton’s early artistic training are largely undocumented, a common occurrence for artists of his period who often learned through apprenticeships or private instruction. However, the influence of prominent portraitists like Thomas Hudson and Joshua Reynolds is readily apparent in his work. Like his contemporaries, Brompton embraced the Grand Manner style – an approach that elevated portraiture beyond mere representation to emulate the scale and dignity of historical painting. This meant a focus on composition, dramatic lighting, and carefully constructed poses designed to convey status, power, and moral virtue. His early works demonstrate a meticulous attention to detail, particularly in rendering fabrics and textures, suggesting a solid foundation in technical skill. He quickly moved beyond imitation, developing a distinctive style characterized by a subtle yet compelling psychological depth in his subjects’ expressions.

      Patronage and Major Achievements

      Brompton's success was inextricably linked to the patronage of influential figures. His ability to portray individuals with both accuracy and flattery secured him commissions from members of the British aristocracy, naval officers, and even European royalty. Among his most celebrated achievements are portraits of Catherine II of Russia (Catherine the Great), a testament to his international reputation, and Admiral Edward Hawke, Lord Hawke – a hero of the Seven Years’ War. The portrait of Admiral Saunders is another notable example, showcasing Brompton's skill in depicting military prowess and authority. These works weren’t simply exercises in artistic technique; they were statements of power, prestige, and national pride. Brompton excelled at capturing the character of his sitters, imbuing them with a sense of dignity and gravitas that resonated with their social standing. His portraits often served as diplomatic gifts or symbols of allegiance, further solidifying his position within the upper echelons of society.

      Style and Technique: A Master of Refinement

      Brompton’s artistic style is defined by a refined elegance and subtle realism. He favored a relatively restrained palette, employing rich, warm tones to create a sense of depth and luminosity. His brushwork is smooth and polished, avoiding overt displays of virtuosity in favor of meticulous detail and accurate representation. He was particularly adept at capturing the textures of silk, velvet, and lace, adding to the overall impression of opulence and refinement. Unlike some of his more flamboyant contemporaries, Brompton’s compositions are typically balanced and harmonious, focusing attention on the sitter's face and expression. He skillfully used light and shadow to sculpt forms and create a sense of volume, enhancing the three-dimensionality of his portraits. His ability to convey personality through subtle nuances in pose and facial expression set him apart as a master portraitist.

      Historical Significance and Legacy

      Richard Brompton died in 1783, leaving behind a body of work that provides invaluable insights into the social and political landscape of 18th-century Britain. His portraits offer a visual record of the individuals who shaped the era – from naval heroes to powerful aristocrats and even European royalty. While he may not be as widely recognized as some of his more famous contemporaries, Brompton’s contribution to British portraiture is significant.
      • His paintings are prized for their accuracy, elegance, and psychological depth.
      • He successfully captured the spirit of the Georgian era, immortalizing its values and ideals.
      • His portraits serve as important historical documents, providing a glimpse into the lives of the elite.
      Today, his works are held in prominent collections around the world, continuing to captivate audiences with their timeless beauty and enduring appeal. Brompton’s legacy lies not only in his technical skill but also in his ability to create portraits that transcend mere representation, offering a compelling window into the past.